The 71st edition of Australia’s Sydney Film Festival (Sff) closed on Sunday June 16 amid a wave of optimisim with a wealth of prizes, a likely rise in ticket sales, and an influx of young cinemagoers.
Ticket sales were estimated to be more than 10% up on last year, making 2024 the second biggest year on record after 2019.
“It’s been quite phenomenal and we feel very optimistic about the future,” said festival director Nashen Moodley. “We can’t tell with precision, but judging by which films sold, the younger demographic is increasing.”
Paola Cortellesi’s post-Second World War Italian melodrama There’s Still Tomorrow,...
Ticket sales were estimated to be more than 10% up on last year, making 2024 the second biggest year on record after 2019.
“It’s been quite phenomenal and we feel very optimistic about the future,” said festival director Nashen Moodley. “We can’t tell with precision, but judging by which films sold, the younger demographic is increasing.”
Paola Cortellesi’s post-Second World War Italian melodrama There’s Still Tomorrow,...
- 6/17/2024
- ScreenDaily
Experiments In Cinema v9.72 is running April 14-21 at several venues across Albuquerque, New Mexico, primarily the Guild Cinema, but with satellite screenings at the National Hispanic Cultural Center and the Southwest Film Center.
Special Programs: On April 16, there will be a selection of short films written, produced and directed by local students through Basement Films’ youth outreach endeavor. On April 17, there will be a program, curated by Antoni Pinent, of cameraless films from Spain. On April 18, first Stephen Kent Jusick will present short films from the Mix NYC queer film festival; then Greg DeCuir, Jr. will present films from Belgrade’s Ciné-club produced between 1960 and 1980. April 19 will host another night of films from Belgrade, this time curated by Miodrag Milošević.
After Festival Night: While film screenings end on the 20th, on April 21 Gerry Fialka will lead two discussions and screening/event programs, first on contemporary documentary films and then...
Special Programs: On April 16, there will be a selection of short films written, produced and directed by local students through Basement Films’ youth outreach endeavor. On April 17, there will be a program, curated by Antoni Pinent, of cameraless films from Spain. On April 18, first Stephen Kent Jusick will present short films from the Mix NYC queer film festival; then Greg DeCuir, Jr. will present films from Belgrade’s Ciné-club produced between 1960 and 1980. April 19 will host another night of films from Belgrade, this time curated by Miodrag Milošević.
After Festival Night: While film screenings end on the 20th, on April 21 Gerry Fialka will lead two discussions and screening/event programs, first on contemporary documentary films and then...
- 4/15/2014
- by Mike Everleth
- Underground Film Journal
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