When Third Window Films acquires a film, it's time to sit up and take notice. This past year they've been scouting the best of Japanese cinema, so when they revealed their newest acquisition I was pretty excited to see how Sang-Il Lee's latest film would fare. Even though the setup of Villain (or Akunin, if you want to stick with the Japanese name) sounds like a pretty standard Japanese drama, there is a lot more going on underneath the hood. Sang-Il Lee keeps jumping back and forth between comedy and drama in his oeuvre. Nothing out of the ordinary you might say, but there's a really big gap between his fluffy comedies and his edgy dramatic works. When I first watched 69 I was ready...