A.A. Milne would be proud, and illustrator Eh Shepard would have absolutely nothing to complain about either. In Winnie the Pooh, the former's characters remain true to themselves as they are brought back to life and illustrated with slightly more polish but unmistakably akin to the latter's classic hand-drawn animation, all derived from a pleasingly pastel palette. For this latest addition to the Pooh franchise, the filmmakers have clearly gone old school and largely abandoned the jazzed-up look of the more recent movies; and for this new film, the screenplay draws upon the first Winnie the Pooh book while some of it takes inspiration from the literary followup, The House at Pooh Corner. In the end, a handful of Milne's tales are woven into a relatively seamless narrative that's not quite as remarkable as 1977's Many Adventures of Winnie the Pooh (which included three shorts: Blustery Day, Honey Tree, and...