“Phantom Halo” tries to become a modern Shakespearean tragedy and ends up as a painfully generic family crime drama. The Shakespeare connection is not really far fetched, since Antonia Bogdanovich’s (yes, Peter Bogdanovitch’s daughter, he executive produced the film) feature directorial debut, about a family struggling to survive amidst a barrage of economic hardships, contains a father-son duo who are obsessed with the Bard. Bogdanovich’s film even begins with a run of the mill art house black-and-white dream sequence, the kind that Peter Dinklage in “Living in Oblivion” would have made fun of, as the unnecessarily dour voiceover recites the famous soliloquy from “Macbeth.” Alas, “Phantom Halo” tries to be a tale full of sound and fury, but in the end it signifies nothing. Co-written by Antonia Bogadanovich and Anne Heffron, and based on Boganovich’s short film, “My Left Hand Man,” “Phantom Halo” follows the exploits of the Emerson family.