Nicolas Winding Refn on the Female Vision of ‘The Neon Demon’ and Merging with Elle Fanning
The Neon Demon will eventually elicit some strong reaction from every viewer, and Nicolas Winding Refn has made clear that it shouldn’t be any other way. Our review was among the most negative we posted at Cannes, speaking for both its immediate grade and the force of its criticisms, and our own Brian Roan experienced something that, had it gone just a bit further, would be plastered across every one of the film’s TV spots and Blu-ray cases. Winding Refn seemed rather amused when I showed him the tweet on my phone, though his verbal response was terse: “I have two kids, so I know what it’s like.”
Despite the stated desire to provoke, there’s a clear humility when discussing The Neon Demon‘s development, and this writer-director — one who’s often held as a symbol of masculine-artist impulses run rampant — often admits that his film...
Despite the stated desire to provoke, there’s a clear humility when discussing The Neon Demon‘s development, and this writer-director — one who’s often held as a symbol of masculine-artist impulses run rampant — often admits that his film...
- 6/22/2016
- by Nick Newman
- The Film Stage
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