
The Dark and the Wicked review – devilishly directed farmhouse horror

There’s little that’s new in Bryan Bertino’s Texas spooker, but an emotionally literate script and clever direction give it an edge
The Dark and the Wicked is a nastily effective, lo-fi, psychological haunted house horror about a malevolent force that takes up residence in a remote Texas farmhouse (shot at director Bryan Bertino’s family home). There is possibly not a single scary moment here that will be new to horror fans, but Bertino directs with such technical flair that I yelped at most of them – and half-missed the others, eyes squeezed tight shut.
Louise (Marin Ireland) is on a visit back to the farm where her bedridden dad (Michael Zagst) is dying. Her brother, Michael (Michael Abbott Jr), is here too, a hulking lunk in a lumberjack shirt who seems emotionally avoidant, rarely making eye contact. Everything about the farm feels creepy as hell: the sheep bleating in the barn,...
The Dark and the Wicked is a nastily effective, lo-fi, psychological haunted house horror about a malevolent force that takes up residence in a remote Texas farmhouse (shot at director Bryan Bertino’s family home). There is possibly not a single scary moment here that will be new to horror fans, but Bertino directs with such technical flair that I yelped at most of them – and half-missed the others, eyes squeezed tight shut.
Louise (Marin Ireland) is on a visit back to the farm where her bedridden dad (Michael Zagst) is dying. Her brother, Michael (Michael Abbott Jr), is here too, a hulking lunk in a lumberjack shirt who seems emotionally avoidant, rarely making eye contact. Everything about the farm feels creepy as hell: the sheep bleating in the barn,...
- 2/24/2021
- by Cath Clarke
- The Guardian - Film News
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