“My Film is For the Pigs”: Heather Dewey-Hagborg on Hybrid: an Interspecies Opera
Heather Dewey-Hagborg is on a mission to confront the uncomfortable future, especially when it comes to emerging tech. Stranger Visions features portrait sculptures crafted from analyses of genetic material the transdisciplinary artist, educator and filmmaker literally picked up in public places (one person’s discarded cigarette butt is another’s way into a stranger’s DNA). T3511, a collaboration with cinematographer Toshiaki Ozawa (Laurie Anderson’s Heart of a Dog), sees an anonymous saliva sample become fodder for the alchemizing of the perfect romantic partner. Now there’s Hybrid: an Interspecies Opera, perhaps Dewey-Hagborg’s most ambitious work to date. Opening at NYC’s Fridman Gallery on […]
The post “My Film is For the Pigs”: Heather Dewey-Hagborg on Hybrid: an Interspecies Opera first appeared on Filmmaker Magazine.
The post “My Film is For the Pigs”: Heather Dewey-Hagborg on Hybrid: an Interspecies Opera first appeared on Filmmaker Magazine.
- 11/1/2023
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- Filmmaker Magazine-Director Interviews
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