High & Low: John Galliano Review: Portrait of the Artist as Inadequately Remorseful

It’s hard knowing what to make of Kevin Macdonald’s High & Low: John Galliano. It concerns the controversial fashion designer, his unexpected rise (“the son of a plumber” from Gibraltar), his stratospheric success, his catastrophic fall. For those who may not know: Galliano became the creative director of Christian Dior Se in the mid-90s (Givenchy before that) and developed a style that was both celebrated and imitated by the industry at large. The man himself was regarded as a genius in his own time, and he worked himself (and his right-hand man Steven Robinson) to the bone. His runways were an event unto themselves. The word “revolutionary” was apparently used. Then, in 2011, Galliano’s career came to a screeching halt when he was caught on video at a Paris bar badgering fellow patrons with racist and antisemitic hate speech. He was swiftly fired from his position and arrested for the remarks.
- 3/7/2024
- by Dan Mecca
- The Film Stage
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