Vera Drew’s debut feature The People’s Joker evades all easy descriptions. It’s a trans coming-of-age film constructed with deep knowledge and affection for DC comics (and their many film adaptations) that also takes aim at the male-dominated comedy community and the mechanisms that determine stardom. Combining comedy, action, drama and an impressive number of different animation styles, The People’s Joker is a self-conscious, intentional cult film, crafted with genuine love for everything in the margins. And it tells a story everyone can relate to, about a kid growing up and trying to find happiness and success in a dark, troubled world. And in this world, Batman is the villain. He rules Gotham with an army of drones, while using his power and influence to control every aspect of media and culture — even comedy.

But not for long. Joker (Drew) arrives in Gotham with one purpose: to become a...