I’ve spent the past month theorizing that the root of Kendrick Lamar and Drake’s dysfunction is how philosophically different they seem to be. Their actions speak loudly for two sects of hip-hop in antithetical opposition. While Drake’s three weeks of post-“Push Ups” digital mischief entertained his fanbase and, for some, upped the pressure on Kendrick, the West Coast rhymer’s fans put on an unbothered front, surmising that Drake was anxiously awaiting a potent clapback. True enough, Kendrick opened his diss track “Euphoria” by echoing his...