The Most Precious Of Cargoes | 2024 Cannes Film Festival Review

The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in Moral Fable
What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in multiple genres and styles, clearly exemplifying a broad taste in cinematic subjects and inspirations. Unfortunately, most of these attempts often feel as if they’re missing key ingredients to make them noteworthy. After an earnestly disastrous remake of Fred Zinneman’s The Search (2014), a curiously dull biopic with Godard Mon Amour (2017) and a remake of a meta Japanese zombie comedy in Final Cut (2022), it would seem Hazanvicius works best when navigating humorous elements (like his Oss Bond spoofs from earlier in his career).…...
What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in multiple genres and styles, clearly exemplifying a broad taste in cinematic subjects and inspirations. Unfortunately, most of these attempts often feel as if they’re missing key ingredients to make them noteworthy. After an earnestly disastrous remake of Fred Zinneman’s The Search (2014), a curiously dull biopic with Godard Mon Amour (2017) and a remake of a meta Japanese zombie comedy in Final Cut (2022), it would seem Hazanvicius works best when navigating humorous elements (like his Oss Bond spoofs from earlier in his career).…...
- 5/27/2024
- by Nicholas Bell
- IONCINEMA.com
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