Mom review – Indigenous Mexican woman contemplates the price of a machismo society
Director Xun Sero grew up fatherless and resentful. As his mother opens up about her troubled life, he must face his own role
In a culture where discussion of family trauma and gender-based abuse are still considered taboo, Xun Sero’s frank, intimate documentary seeks to find a common ground in a community fractured by precariousness and violence. Staying close to the film-maker’s mother, Hilda, Sero’s camera not only observes exteriors but also looks inward; this is a film of dialogue and self-interrogation.
Growing up in the Indigenous Tzotzil community in Mexico, from the age of nine Hilda was already promised as a wife to an older man. Her one act of rebellion as a teenager resulted in the birth of Sero, a source of shame for mother and son. During his childhood, Sero’s resentment towards his absent father was often directed at his mother, resulting in bitter accusations.
In a culture where discussion of family trauma and gender-based abuse are still considered taboo, Xun Sero’s frank, intimate documentary seeks to find a common ground in a community fractured by precariousness and violence. Staying close to the film-maker’s mother, Hilda, Sero’s camera not only observes exteriors but also looks inward; this is a film of dialogue and self-interrogation.
Growing up in the Indigenous Tzotzil community in Mexico, from the age of nine Hilda was already promised as a wife to an older man. Her one act of rebellion as a teenager resulted in the birth of Sero, a source of shame for mother and son. During his childhood, Sero’s resentment towards his absent father was often directed at his mother, resulting in bitter accusations.
- 6/3/2024
- by Phuong Le
- The Guardian - Film News
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