Film Analysis: Caught by the Tides (2024) by Jia Zhangke

Anyone familiar with the filmography of Jia Zhangke will easily recognize “Caught by the Tides” as one of the celebrated director’s features. Such familiarity may well create interest and pleasure at seeing Jia revisit the characters, locales and subjects that made him famous. But this atmospheric film, in which mood and visuals prevail over plot, might also disorient and bemuse viewers who are not already intimate with his work.
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The film has been described as a career retrospective for the director, and with good reason. Stuck at home during the Covid 19 pandemic, Jia decided to review the enormous amount of footage he had shot since 2001. The images could be documentary-style footage capturing slices of life that had caught Jia’s ever-alert attention: singing crowds, swirling dancers, young people going to their favorite places, in Datong, Zhuhai, or many other places across China.
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The film has been described as a career retrospective for the director, and with good reason. Stuck at home during the Covid 19 pandemic, Jia decided to review the enormous amount of footage he had shot since 2001. The images could be documentary-style footage capturing slices of life that had caught Jia’s ever-alert attention: singing crowds, swirling dancers, young people going to their favorite places, in Datong, Zhuhai, or many other places across China.
- 8/26/2024
- by Mehdi Achouche
- AsianMoviePulse
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