
The Room Next Door review – Almodóvar spins a gorgeous, fragile tale of life and death

Venice film festival
The Spanish director’s first English-language feature sees Tilda Swinton’s dying journalist trying to reconnect with an old friend played by Julianne Moore
Pedro Almodóvar’s death-struck new melodrama – the great director’s 23rd feature but his first in the English language – is a hothouse Spanish shrub transplanted to stony foreign soil. It wilts and it droops; it almost gives up the ghost. Then when it flowers it feels like a small miracle. The film’s very fragility is what makes it so gorgeous.
Tilda Swinton plays Martha, a driven former war correspondent now dying of cervical cancer and keen to reconnect with an old friend, Ingrid (Julianne Moore), who has latterly become a writer of acclaimed autofiction. Martha and Ingrid were once colleagues on a hip New York magazine and briefly shared a Philip Rothian lover, Damian (John Turturro), but they haven’t seen each...
The Spanish director’s first English-language feature sees Tilda Swinton’s dying journalist trying to reconnect with an old friend played by Julianne Moore
Pedro Almodóvar’s death-struck new melodrama – the great director’s 23rd feature but his first in the English language – is a hothouse Spanish shrub transplanted to stony foreign soil. It wilts and it droops; it almost gives up the ghost. Then when it flowers it feels like a small miracle. The film’s very fragility is what makes it so gorgeous.
Tilda Swinton plays Martha, a driven former war correspondent now dying of cervical cancer and keen to reconnect with an old friend, Ingrid (Julianne Moore), who has latterly become a writer of acclaimed autofiction. Martha and Ingrid were once colleagues on a hip New York magazine and briefly shared a Philip Rothian lover, Damian (John Turturro), but they haven’t seen each...
- 9/2/2024
- by Xan Brooks
- The Guardian - Film News
Similar News
Tom Cruise’s 9% Rated Movie Is Prime for a Remake With Sydney Sweeney and Glen Powell That I Want Now
- 5/23/2025
- by Heena Singh
- FandomWire

"She Might Not Know Her Anymore": Sirens’ Ending & Simone's Shocking Decision Explained By Star
- 5/23/2025
- by Angel Shaw
- ScreenRant

Sirens Creator Molly Smith Metzler on the Julianne Moore Netflix Show: “I didn’t really know that level of wealth even existed in America”
- 5/23/2025
- by Laxmi Rajput
- FandomWire

‘Fantasmas’ Emmy Submissions Include Tilda Swinton as Water and Steve Buscemi as the Letter Q
- 5/21/2025
- by Marcus Jones
- Indiewire

Doc Talk Podcast Goes International, Reporting From Poland’s Millennium Docs Against Gravity
- 5/20/2025
- by Matthew Carey
- Deadline Film + TV

Netflix Bags The Room Next Door As Narnia Star Cashed a $21M Indie Check
- 5/20/2025
- by Jhelum Mehta
- FandomWire

Cannes 2025 Films Sold So Far: Oliver Laxe’s ‘Sirât’ Acquired by Neon
- 5/23/2025
- by Brian Welk
- Indiewire

Neon Buys Oliver Laxe’s Desert Rave Road Movie ‘Sirât’ Out of Cannes
- 5/23/2025
- by Adam Chitwood
- The Wrap

Neon Buys Oliver Laxe‘s Immersive Road Adventure ‘Sirât’ Following Cannes Debut (Exclusive)
- 5/23/2025
- by Brent Lang and Elsa Keslassy
- Variety Film + TV

IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.