From ‘Gangs of New York’ to ‘Conclave,’ Producer Michael Jackman on the ‘100 Different Things’ That Make or Break a Movie’s Success
Producer Michael Jackman has done it all.
He has 35 years of experience in all aspects of motion pictures. Most recently he’s produced “Conclave,” a papal thriller starring Ralph Fiennes that looks to be a big awards contender this season. But before that, he was EVP of physical production and post at FilmNation Entertainment. While there, he worked on movies like “Arrival,” “Greyhound” and “The Good Nurse.”
He started as a Pa and over the years oversaw the construction and operations of a state-of-the-art, 45,000-square-foot post-production facility for Ronald O. Perelman’s Deluxe Entertainment in the heart of New York City; served as senior vice president of post-production at the Weinstein Company and Dimension Films, working on post-production for over 40 films; and supervised several Oscar-nominated films including “Gangs of New York” and “The Aviator,” and was associate producer on Michel Gondry’s “Eternal Sunshine of the Spotless Mind.”
TheWrap spoke...
He has 35 years of experience in all aspects of motion pictures. Most recently he’s produced “Conclave,” a papal thriller starring Ralph Fiennes that looks to be a big awards contender this season. But before that, he was EVP of physical production and post at FilmNation Entertainment. While there, he worked on movies like “Arrival,” “Greyhound” and “The Good Nurse.”
He started as a Pa and over the years oversaw the construction and operations of a state-of-the-art, 45,000-square-foot post-production facility for Ronald O. Perelman’s Deluxe Entertainment in the heart of New York City; served as senior vice president of post-production at the Weinstein Company and Dimension Films, working on post-production for over 40 films; and supervised several Oscar-nominated films including “Gangs of New York” and “The Aviator,” and was associate producer on Michel Gondry’s “Eternal Sunshine of the Spotless Mind.”
TheWrap spoke...
- 11/4/2024
- by Drew Taylor
- The Wrap
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