Oh, Canada (2024) may noy be the last film that Paul Schrader ends up making, as the notoriously active writer/director has already hinted at what his next project might be. That being said, “Oh, Canada” certainly feels like an acclaimed artist looking back on the achievements of their career, as it is by its very nature a reflective story about two fixed points in a man’s life. Schrader has long been interested in exploring the lurking feelings of anxiety and self-destruction that exist within archetypes of masculinity, such as a priest (“First Reformed”), a drug dealer (“Light Sleeper”), a gambler (“The Card Counter”), a male escort (“American Gigolo”), or a family man (“Hardcore”). “Oh, Canada” is perhaps the best evidence that these stories were all derived from Schrader’s own self-analysis, as it recontextualizes the accoladed Russell Banks novel “Foregone” as a commentary on the ramifications of the New Hollywood movement.