How Working in Animation Made Wes Anderson the Director He Is Today

Wes Anderson doesn’t talk a lot about his work in animation. Frankly, the more famous he gets, the less Anderson seems to enjoy doing interviews, which is why it was such a treat to sit down with the director of “Fantastic Mr. Fox” and “Isle of Dogs” at the Annecy Animation Film Festival last summer.
Over the course of a 90-minute master class, Anderson discussed what drew him to stop motion, how coming to the medium from a place of naiveté resulted in such distinctive-looking movies, and how animation in turn has informed his subsequent live-action work.
Unlike a number of other filmmakers, from Guillermo del Toro to Jacques Demy, who started out making rudimentary stop-motion films as kids, “I didn’t have any real ambition to do an animated movie until I’d made a few live-action movies,” Anderson explained. “It was something I sort of found my way into.
Over the course of a 90-minute master class, Anderson discussed what drew him to stop motion, how coming to the medium from a place of naiveté resulted in such distinctive-looking movies, and how animation in turn has informed his subsequent live-action work.
Unlike a number of other filmmakers, from Guillermo del Toro to Jacques Demy, who started out making rudimentary stop-motion films as kids, “I didn’t have any real ambition to do an animated movie until I’d made a few live-action movies,” Anderson explained. “It was something I sort of found my way into.
- 1/7/2025
- by Peter Debruge
- Variety Film + TV
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