Film Review: Sister Midnight (2024) by Karan Kandhari

Almost 20 years after his student film, “Bye Bye Miss Goodnight” (2005), Karan Kandhari makes another comedy-drama. “Sister Midnight” gathered 8 nominations in total, at such events as the British Independent Film Awards and the 77th Cannes Film Festival.
Sister Midnight is screening at Black Movie
Set in Mumbai, one of the most congested urban areas of India, the narrative follows Uma (Radhika Apte) and her attempts to find herself in a new reality, as she just moved in with her new husband, Gopal (Ashok Pathak), after an arranged marriage. They stay in a tiny one-room house, but Gopal, preferring to drink with friends after work, is rarely there. Her sole companion is the neighbour, Sheetal (Chhaya Kadam). Bored and disregarded, Uma becomes more and more frustrated. However, out of this frustration comes determination to change her situation.
At the beginning, due to a lot of exposition with very sparse dialogue, the movie does not offer much information.
Sister Midnight is screening at Black Movie
Set in Mumbai, one of the most congested urban areas of India, the narrative follows Uma (Radhika Apte) and her attempts to find herself in a new reality, as she just moved in with her new husband, Gopal (Ashok Pathak), after an arranged marriage. They stay in a tiny one-room house, but Gopal, preferring to drink with friends after work, is rarely there. Her sole companion is the neighbour, Sheetal (Chhaya Kadam). Bored and disregarded, Uma becomes more and more frustrated. However, out of this frustration comes determination to change her situation.
At the beginning, due to a lot of exposition with very sparse dialogue, the movie does not offer much information.
- 1/22/2025
- by Tobiasz Dunin
- AsianMoviePulse
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