[Warning: The following post contains Major spoilers for all eight episodes of Good American Family.] Good American Family, by its very existence, is another part of the media-frenzied saga of Natalia Grace (Imogen Faith Reid in the series). The fact of its meta relevance loomed large for the co-showrunners of the miniseries, Katie Robbins and Sarah Sutherland, from the series’ very inception. However, Robbins, who created the miniseries for Hulu, and Sutherland both embraced the opportunity to employ some of the stylistic elements of their former collaboration, The Affair, to truly showcase the finer details of what happened and put audiences into the shoes of everyone involved, however contradictory those perspectives truly were. The show’s structure — switching from the perspectives of adoptive parents Kristine (Ellen Pompeo) and Michael Barnett (Mark Duplass) to that of Natalia halfway through — has a dizzying effect on its audience, and in the finale, we’re left wanting so much more … at least, in the ...