Hallow Road review – Rosamund Pike and Matthew Rhys race to rescue daughter in cracking thriller

Shot almost entirely inside their car, Pike and Rhys play a splintering couple trying to save their terrified teenager
How encouraging that whatever state our film industry is considered to be in, it can still find space for a crackingly good script from a supersmart, disciplined first-timer who’s clearly been working on it for a while, planing down the edges and trimming away the fat through successive drafts. Hallow Road is the kind of property that often emerges after a spell on Hollywood’s “Black List” of much admired but as yet unproduced screenplays. It is a gripping, real-time suspense thriller with a twist of the macabre, a film about family guilt and the return of the repressed, written by National Film and Television School graduate William Gillies, a scary-movie enthusiast who here makes his feature script debut. British-Iranian film-maker Babak Anvari directs and Matthew Rhys and Rosamund Pike give forthright,...
How encouraging that whatever state our film industry is considered to be in, it can still find space for a crackingly good script from a supersmart, disciplined first-timer who’s clearly been working on it for a while, planing down the edges and trimming away the fat through successive drafts. Hallow Road is the kind of property that often emerges after a spell on Hollywood’s “Black List” of much admired but as yet unproduced screenplays. It is a gripping, real-time suspense thriller with a twist of the macabre, a film about family guilt and the return of the repressed, written by National Film and Television School graduate William Gillies, a scary-movie enthusiast who here makes his feature script debut. British-Iranian film-maker Babak Anvari directs and Matthew Rhys and Rosamund Pike give forthright,...
- 5/14/2025
- by Peter Bradshaw
- The Guardian - Film News
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