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This celebrated star of the French stage had a sporadic love-hate affair with early cinema. After her film debut in Le duel d'Hamlet (1900) she declared she detested the medium; yet she consented to appear in another film, La Tosca (1909). Upon seeing the results, she reportedly recoiled in horror, demanding that the negative be destroyed. Her next film appearance, in the Film d'Art production of La dame aux camélias (1912), was a critical and popular success, helping give cinema artistic dignity. The following year she made Les amours de la reine Élisabeth (1912) in Britain. The receipts from this film's distribution in the US provided Adolph Zukor with the funds to found Paramount. Bernhardt, at 69, was offered a fortune to make films with other companies, but stayed with Film d'Art, appearing in Adrienne Lecouvreur (1913). She appeared in two more pictures after losing a leg in 1915, Jeanne Doré (1915) and Mothers of France (1917), both produced as WWI morale boosters. In 1923, when she was 79, her hotel room was turned into a studio so that she could appear in the film La voyante (1924). But her failing health halted production and she died before the film was completed. She was portrayed on the screen by Glenda Jackson in The Incredible Sarah (1976).- Cinematographer
Olaf Poulsen was born on 26 April 1849 in Copenhagen, Denmark. He was a cinematographer, known for Exprestoget (1922), Kgl. skuespiller Olaf Poulsen i sit paaklædningsværelse paa det kgl. teater (1913) and Zachariæs Selskab (1906). He died on 26 March 1923 in Fredensborg, Denmark.- Kate Jackson was born in 1868. She was an actress, known for York State Folks (1915). She was married to Harry Jackson. She died on 26 March 1923 in Poughkeepsie, New York, USA.