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Writer and musician Nick Cave marks his 20,000th day on the planet Earth.

With the destruction of Fontainhas nearly complete, the old man Ventura wanders around a bleak housing project and the ruins of the slums, meeting with his kids and old friends.

TV Sci-fi drama/documentary, which caused world-wide headlines when first broadcast as it purported to show a link between Britain's 'brain-drain', climate change and a human colony on Mars.

In a near future run by one world government and mass propaganda, children suddenly acquire the ability to connect to the planet Jupiter. While they learn how to master higher human potential, the planet Earth "shifts" into a new awakening.

"What else am I? What else can I say? I'm a troublemaker," says Cory, one of the three protagonists, directly into the camera. The other protagonists are Anna, an illegal immigrant from Japan who is selling her body to make money to get back home, and Jeff, Cory's homophobic brother, a former soldier who now lives day-to-day. In the style of New Wave filmmakers, the director draws on sensitive moments from actors' lives (meeting your father for the first time, a grandmother sick on another continent), so it's never clear whether we are watching reconstructed reality or the director's vision. Ott warns that his film is about the abandoned youth in America's small towns and the fallacy of the American Dream, and--most importantly--the truth that lies somewhere in that porous threshold between fact and fiction.

Eight foreign characters recall their exploits and fears in Malaga, a paradise city that starts a revolution on July 18th 1936, as the military coup is stopped by popular rebellion, until February 9th 1937, when Mussolini troops take Malaga and put it under the rule of Franco. Seven months that shape the stark tale of a besieged city, the first capital to be conquered in Spanish Civil War and a prelude of WW2.

A film about the Paris Peace Conference that negotiated the end of World War I with the Versailles Treaty.

An Anangu Yankunytjatjara man escapes the city life to return to country for spiritual healing.

A journey through the incredible story of Renato Zucchelli, the last travelling shepherd living in a metropolis, who conquered the city with only his sheep and the power of fantasy.

We follow fictional character Detective Lacey on her travels to investigate aspects of female sexuality including women buying sex and Rent-A-Dreads. Lacey returns at the beginning of the film and reflects retrospectively on her journey.

As a sex worker (Liberty) desperately searches for housing after recently discovering she is pregnant, her ex-boyfriend/pimp (King) battles with supporting his family. Meanwhile, an undocumented teen (Augustin) struggles to survive while he sleeps on the streets of East Oakland and is pursued by a bully who he encounters in a homeless shelter. Lastly, we follow the story of Wei-Ling whose son Jimmy must now find the money to support his Father who dies of a heart attack while collecting cans.

"Las 7 vidas del general" is a series of docu-fiction with a narrative thriller, in which we discover how the main character, Juan Domingo Peron, achieved successive escape assassination attempts. The series features exclusive first-hand testimony and a vast archive material accompanying recreations taking the viewer in the process of discovering how the facts were developed.

A director falls into insanity because of the films he is making, and we follow his attempt at making his last film, an anthology of surreal films.

In the jungles of Borneo, an Iban father begins a river journey to seek help for his sick child.

Nummer achttien is structured as a series of movements: it departs from the classical documentary to present us with a series of vignettes that combine past and present, existentialist despair and deadpan humour, reflection and creativity, the joys and pains of remembering and forgetting.

Holly sets out to document the outlaw motorcycle subculture after a club grants her permission to film. The situation quickly gets out of control and she finds herself trapped by the dangerous politics that permeate the biker world.

On 1st September 1997, five men robbed the Fraumünster post office in Zürich and stole 53 million Swiss francs in 4 minutes with fake weapons. The biggest post robbery of the century. The film depicts the robbery - from its preparation until the bandits' escape - and gives the word to the main protagonists of this event that marked Switzerland.

During the night between 5th and 6th December 2007 a serious fire invests line 5 of the establishment ThyssenKrupp (Turin, Italy). The families, friends and colleagues of the seven victims recount the tragic circumstances of that night and their lives of survivors. The film gives voice to anger, questions unanswered about how he could have happened, the pain of victims' relatives and the accusations to the managers of the factory. The film begins with a prologue in black and white in which actors act the parts of the victims' relatives: they remember the moments before the tragedy.

They Shoot Movies, Don't They? is a voyeuristic look at first time director Tom Paulson and the movie he wrote called Mirage. Frank Gallagher is the documentarian whose camera waits and watches as Paulson navigates through a jungle of investors, colleagues, friends and family, searching for money to finish his film. They Shoot Movies, Don't They? offers a line-blurring examination of what one might give up, in order to succeed.

In the middle of summer 2016, the box tree moth takes over Provence. Accidentally introduced into France, this moth forces inhabitants, virtually forsaken by the authorities and helpless faced with the scale of the phenomenon, to improvise defensive systems to fight the invasion of their houses and businesses as well as the devastation of their lands. In this apocalyptic climate, 18-year-old Lou spends her last summer in the South and discovers her feelings for her childhood friend, Sam. As their relationship gradually develops into a love affair, the urgency and upheaval that she feels echo her environment; an ecosystem subverted by an unexpected invasion. Guided by the voice of Lou, Roxanne Gaucherand's film interweaves sequences of journalistic investigation, documentary reporting, amateur video and coming of age account with brio. Edited like a thriller, Pyrale is a resolutely accomplished and intriguing cinematographic object whose universe constantly shifts between the real and the fantastic.

Social worker, Anick starts making a video about rehab after prison. In a remote town, she sets up in the home of the featured couple. The project tilts when Anick develops an obsessive passion for the woman. Cameras become subjective, vicious and intrusive leading to lies, manipulations and seduction games.

The sea is always present.

After putting a child to bed, a young couple start to play mommy and daddy for a home video. The film disguised two part structure, explores the thin line between pornographic imagination and it's practical (mis)use.