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A college student must relive the day of her murder over and over again, in a loop that will end only when she discovers her killer's identity.

A pharmaceutical scientist creates a pill that makes people remember their happiest memory, and although it's successful, it has unfortunate side effects.

A weave of multiple stories to create a witty look at love, family and the sheer unpredictability of life itself.

An aspiring film maker turns to porn after little success, then falls into a pursuit of crime with his band of misfits and suffers the repercussions of their unprecedented journey.

An inside look at Buddhafield, a West Hollywood cult formed by a charismatic teacher in the 1980s that eventually imploded.

A left-wing terrorist group, consisting of several homosexual men and a female leader, kidnaps the son of a wealthy industrialist.

Reminiscent of Sunset Boulevard, Hustler White transposes the action from the silver screen's old movie backlots to contemporary male prostitution and the porn industry. Said to be an homage to classic Hollywood cinema.

Manny, Joel, and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah embraces an imagined world all on his own.

In the small Central California town where they grew up, two estranged gay brothers struggle to reconnect after the recent death of their father.

A groundbreaking award-winning documentary film of Real People, Real Life, Real Sex series from director Tony Comstock.

Seed Money is the story of Chuck Holmes, a San Francisco pornographer turned philanthropist. Holmes helped shaped and create gay identity in the years after Stonewall, and later became a major contributor to gay advocacy groups like the Human Rights Campaign and the LGBT Victory Fund, only to find later in life that while his money was welcome in philanthropic circles, he sometimes wasn't.

French porn director and performer, Herve P. Gustave (HPG), and the highs and lows of the business.

In 1976, Karen and Barry Mason had fallen on hard times and were looking for a way to support their young family when they answered an ad in the Los Angeles Times. Larry Flynt was seeking distributors for Hustler Magazine. What was expected to be a brief sideline led to their becoming fully immersed in the LGBT community as they took over a local store, Circus of Books. A decade later, they had become the biggest distributors of gay porn in the US. The film focuses on the double life they led, trying to maintain the balance of being parents at a time when LGBT culture was not yet accepted. Their many challenges included facing jail time for a federal obscenity prosecution and enabling their store to be a place of refuge at the height of the AIDS crisis. Circus of Books offers a rare glimpse into an untold chapter of queer history, and it is told through the lens of the owners' own daughter, Rachel Mason, an artist, filmmaker and musician.

Freshman Neil's Vanguard stories are all he cares about...until he meets the older Julia, who pushes him to put his own fan fic online. When the website's moderator takes a special interest in Neil's work, it opens up a whole new universe.

Pedro is a 17 years old boy who attends high school as all the boys do. In the afternoon he and his friends mess around. What Pedro loves the most is mothers baked beans.

In a middle class neighborhood in a city in the countryside of Brazil, the real estate speculation is a menace to the affective memory of a group of friends. Their answer to this imminent transformation is to fuck in the construction sites. And what about love? Is love just a construction?

After meeting in a chat room, Fede (22) arrives at a downtown building to have an intimate encounter with a gay couple older than him. As the night unfolds, Fede has an intense and telling experience. The next morning finds him different, as if suddenly he had found a new possible way to love.

In the '80s, a mother/son relationship takes a wild left turn after she discovers adult, all-male material under her son's bed the morning of his 16th birthday!

Robbie and Trey are gay, middle-class, suburban professionals. Life is good. Until the son of a fundamentalist preacher moves in next door.

A history of the gay porn industry, with four prolific on-camera performers interviewed about their work.

This sequel to "Yossi and Jagger" finds Dr. Yossi Gutmann reminiscing about his love ten years after his death. When he encounters a group of young soldiers, one of them, Tom, reignites his romantic feelings.

An on-again/off-again couple lays out their ideas on how their relationship should work.

Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (1983) (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films. "Mondo Homo: A Study of French Gay Porn in the 70's" is an opportunity to discover the hitherto forgotten yet memorable story of the pioneers of French gay cinema.

Welcome to the curious, surprising and always outspoken world of straight men who go Gay4Pay.

SOLO is an intimate portrait of Edandress's life, where he narrates his work as a performer and erotic content creator in Chile. Directed by Andrés Valenzuela and produced by Cinéculo, the film embodies the metaphor of dilation as the protagonist unveils what pleasure means to him: breaking away from a restrictive and guilt-ridden society, and experiencing absolute freedom by letting go and allowing himself to explore. From his childhood-adolescence in Melipilla to the reality of entering the erotic industry, the documentary shows how the body, pleasure, and social media coexist to generate tangible economic support. It also addresses consent, a topic explicitly discussed in the documentary and a fundamental rule for the director.