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A woman walks into a bar and is sold the life of her dreams.

Powerful mogul Pier fulfills bizarre sexual desires with mistress Romy, who recruits individuals seeking success. A group gathers at Pier's house, where ambition, lust, and power intersect in decadent exchanges.

A film crew documents horror director Dario Argento as he works on his latest script in a hotel room, revisiting the isolation where he dreamed up his most iconic films, removed from distractions to explore his dark imagination.

The first biopic about Lucio Fulci. With never seen before footage, photos and interviews.

Kate and Jack appear to be a happy couple. After their wedding they both wake up in separate rooms without windows or doors. Both of them have to watch home movies and answer questions about each other. Turns out that there are a few secrets between them.

A journey through the incredible story of Renato Zucchelli, the last travelling shepherd living in a metropolis, who conquered the city with only his sheep and the power of fantasy.

Ten classmates have disappeared on the evening of 3rd March 2011. The boys were in the family home of one of them, Fabio, for a party. But the next morning, none of them was still there. Gone, vanished into thin air. A few months later their parents receive an anonymous DVD, which contains the shooting of what happened the night of the party. They are not just shootings, but something similar to a real movie about that night. Edited, set to music, post-produced. But who shot that video? And why? The truth seems not to be hidden in the content of that video only. LA FESTA is THE FIRST MOVIE 2.0 A film event conceived and designed to be previewed in web distribution and free of charge, as well as to be shared on social media.

What price would you pay to be the man who beat roulette?

Don Luca is a priest. By day he officiates rites and prays. He does the job of the priest, with care and respect for the faithfuls of his community. By night, however, he learnt to live with insomnia. Taken off the priestly dress, he drives the car straight to the city, roaming through it until dawn. He is attracted by the nightlife and, at the same time, disturbed by it. He brings help but even drug and money to people who need them to survive. So Don Luca starts getting more and more into debts. One day he must deal the protector of a young working girl and then with a loan shark lady, who threatens him to reveal all to his quiet community.

20 July 1969. Two men dressed as astronauts chat in a room. They are NEIL ARMSTRONG and BUZZ ALDRIN, engaged in the preparations for an important space mission that in a few hours will lead them to walk on the moon. Two moths suddenly enter the room, heading for one of the sources of lighting, a lamp placed next to one of the walls. Their unpredictable and confused flight frightens Neil, who has a certain phobia towards every type of flying insect. It is clear from the reaction his nervousness and insecurity towards the objectives of the trip. The reassurances of his colleague Buzz are not enough, but he already celebrates the fame and the success they will enjoy later. However, a fundamental detail emerges gradually from their dialogue: the delicate mission for which they are preparing is not really a trip to the moon.

Vittorio and Gino are cousins; the first one is a winner, the second a loser. When their granny dies, they will battle for her inheritance. A funny comedy taking place in a very peculiar location: Romagna at the end of the summer.

A dreamlike story of hats and inner conflict: in a mysterious room, which moves and transforms, a young dreamer secretly nurtures her greatest desire - completing the magic top hat which will allow her to escape a reality that grows more oppressive by the day...

Mario Gandolfi, Italian entrepreneur, is planning the construction of a giant mall, "The Luxury Pole" on the shores of the Garda Lake.

Aspiring actress Camilla auditions for a Rom Com with experienced actor Ben, where they have to perform a "kiss". Their real-life connection blurs the lines between fiction and reality, enhancing their on-screen chemistry during callbacks.

Charlie is a sensitive teenager who doesn't fit in. She cares for her disabled Mum but gets bullied at school. When she turns down her place at University, her Mum takes radical steps to ensure her daughter is free to complete her education.

Katrina Tymoshenko, a young Ukrainian, until yesterday forced to striptease and dance in italian low-life clubs to survive, is able to become a ballet star thanks to Angelo Fabris' paintings, which portray her.

Borderline is a disturbing story about a lost soul in the maze of her own identity. In the fracturing of her own image and the facing of her own physical body, we see the life of a young woman looking for the unity of the two extremes: her inner and outer world. The film develops along two interloping tracks, each one the stereoscopic fragment of the other. The first movement is inside the story, where the main character refuses to acknowledge her mirrored personality, which is in reality her appearance and any related consequences. The second movement is external to the fleeting images and becomes the psychological quest of the director. The camera turns into the tool of a soul search process the director has to face and as a result who is behind the camera does a lot of self-analysis. Is it possible to run from the conflict? Where to? Borderline doesn't want to provide answers but engulf the viewer into the process of self ripping apart and violent neurosis, denying a logical path that is impossible to follow for whoever is searching for the real self.