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Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlo Paiva, who she is not attracted to, but is her father's friend. They move to the Valley of Abraham. Carlo loves her, but decides to sleep in a separate room, to avoid waking Ema when he has to return late at night. With time she begins to feel unhappy about her marriage so, with all the freedom she has, she takes a lover.

In the idyllic Azores, a wealthy couple throw a garden party and invite two old friends - setting in motion a web of seduction, intrigue and unspoken desire. Amidst elegant conversations and subtle power games, the beauty of the location contrasts with the emotional undercurrents between the four adults. Five years later, they meet again.

The life of a young man, son of an English officer who lets himself become a prisoner of love resulting in fatalism and disgrace.

A docu-drama that follows Manoel de Oliveira's life during the times of dictatorship in Portugal.

The journey of Michael Padovic, an American professor who arrives with his wife, Helene, at a Portuguese convent where he expects to find the documents needed to prove his theory: Shakespeare was born in Spain; not in England.

They are famous, weighed down by honour, celebrated, highly esteemed - aged and ancient. The father, in an attempt to save his son from becoming decrepit tries to drive his son to suicide. He has his work cut out for him. When the curtain falls on this tragic comedy, we have been moved in time to Porto in the thirties. Suzy, a kept woman, who is probably going to die on the operating table, sums up her philosophy on life: "This is but a detail." To comfort the dandy who has just had a very intense affair with this women, a friend tells him the tale of Fisalina. A country girl who discovers that her fingertips are made of gold. She becomes the mother of a river for a thousand years.

The adaptation of the eponymous novel by Agustina Bessa-Luís portrays the relationship between a young writer and her aunt, vibrant characters inspired by real people, living in the northern Portuguese countryside in the mid-20th century.

An impossible love. Two young people in love. Vera and John can't find a space nor time, nor identity in this life that can solve this love. Apparently everything is beneficial to them, their families, friends and the land where they live. The issue is time. The time they don't actually have (studies, families, distant houses) and the time of their own life - being so young they are subject to what that life brought upon them, that's when the "story" of the film begins, therefore linked to a life that until then was not chosen by them. This is one reason, which leads to a runaway process. Escape in the possible return to this world.

His home is war. Her home is Portugal. Yet the young, newly married wife of Lord von Ketten is determined to make her husband's family abode, an inhospitable castle on a cliff in northern Italy, into her home.

Luciano, fresh out of jail, was taken by his brother, Flórido, to serve in the home of wealthy Alfreda. He was surprised when she told him that her greatest desire was to see the Virgin Mary. Now comes this rich land owner with her sublime pretensions. Isn't it enough for her to have an Aston Martin and a Jaguar in the garage and ten different dresses per season? It was all professor Heschel's fault. Or someone else's. Anyway, to go beyond the promise is heresy. Alfreda said that she wouldn't rest until she saw the Virgin and made her some questions. Filipe Quinta, the Forger, says he has a solution. Meanwhile, Bahia, her husband, listens do music.

Having lost her place among the social elite, a widow remarries and starts a family.

The city of Porto viewed by the intimate eye of Manoel de Oliveira.

Emília de Sousa, the great 19th-century Portuguese actress, abandoned her career to marry a rich aristocrat and became the Baroness Magdalene of the Sea. As beautiful as Empress Sissi, she built a mystery that lasted four generations.

The film documents the places where Portuguese Vieira da Silva, and Hungarian Arpad Szenes were born, met, and lived together, painting, and living to each other.

Broth of culture.

A book is buried under a mango tree in a backyard in Cape Verde, initiating a journey to reconstruct a fictional, geographic, emotional, and identitary cartography of loss, based on the five stages of grief.

Two women writers, with diversified cultural and sociological interests, debate various subjects that come about in 13 conversations at a country home, discussing certain or hypothetical meanings of many Portuguese proverbs.