Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This April will feature an exciting assortment of films, as noted below.
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Monday, April 3 The Chaos of Cool: A Tribute to Seijun Suzuki
In February, cinema lost an icon of excess, Seijun Suzuki, the Japanese master who took the art of the B movie to sublime new heights with his deliriously inventive approach to narrative and visual style. This series showcases seven of the New Wave renegade’s works from his career breakthrough in the sixties: Take Aim at the Police Van (1960), an off-kilter whodunit; Youth of the Beast (1963), an explosive yakuza thriller; Gate of Flesh (1964), a pulpy social critique; Story of a Prostitute (1965), a tragic romance; Tokyo Drifter...
To sign up for a free two-week trial here.
Monday, April 3 The Chaos of Cool: A Tribute to Seijun Suzuki
In February, cinema lost an icon of excess, Seijun Suzuki, the Japanese master who took the art of the B movie to sublime new heights with his deliriously inventive approach to narrative and visual style. This series showcases seven of the New Wave renegade’s works from his career breakthrough in the sixties: Take Aim at the Police Van (1960), an off-kilter whodunit; Youth of the Beast (1963), an explosive yakuza thriller; Gate of Flesh (1964), a pulpy social critique; Story of a Prostitute (1965), a tragic romance; Tokyo Drifter...
- 3/29/2017
- by Ryan Gallagher
- CriterionCast
Constance Cummings: Actress in minor Hollywood movies became major London stage star. Constance Cummings: Actress went from Harold Lloyd and Frank Capra to Noël Coward and Eugene O'Neill Actress Constance Cummings, whose career spanned more than six decades on stage, in films, and on television in both the U.S. and the U.K., died ten years ago on Nov. 23. Unlike other Broadway imports such as Ann Harding, Katharine Hepburn, Miriam Hopkins, and Claudette Colbert, the pretty, elegant Cummings – who could have been turned into a less edgy Constance Bennett had she landed at Rko or Paramount instead of Columbia – never became a Hollywood star. In fact, her most acclaimed work, whether in films or – more frequently – on stage, was almost invariably found in British productions. That's most likely why the name Constance Cummings – despite the DVD availability of several of her best-received performances – is all but forgotten.
- 11/4/2015
- by Andre Soares
- Alt Film Guide
From Farran Nehme comes word of the passing of Barbara Kent at the age of 103. Farran's "seen only two pictures starring Barbara Kent," one being "the 1933 shoestring Oliver Twist, with Kent as Rose. The other is Flesh and the Devil, in which Kent had the unenviable task of the being the forsaken lover to Garbo's lascivious temptress. Still, it's the silent Flesh and the Devil that left a far stronger impression. Sound seemed to diminish this diminutive actress, as it did so many others. In pantomime, her tiny body made her even sweeter and more fragile, and it added poignance to her hurt over John Gilbert's betrayal…. The Siren always knew she would most likely live to see every silent-film artist depart the planet before she did. But the Siren still wishes she'd gotten the chance to tell Kent, or any of the other artists that Kevin Brownlow has spent a lifetime celebrating,...
- 10/21/2011
- MUBI
One of the last stars of the silent movie era
It is in the nature of cinema that an actor who made her last film appearance more than seven decades ago, and who retreated from public view in the late 1940s, refusing photographs and interviews ever since, can still be appreciated on screen as young, as lovely and as fresh as ever. Barbara Kent, who has died aged 103, was one of the last surviving stars of the silent era. She appeared in the last great silent American film, Lonesome (1928), Paul Fejos's masterpiece of urban poetry. Kent played Mary, a switchboard operator, who meets Jim (Glenn Tryon), a factory worker, in Coney Island. They spend the day together, fall in love, and then lose each other in the crowd. The simple tale of "little people" is raised by the sincerity of the performances and by the director's expressive use of location,...
It is in the nature of cinema that an actor who made her last film appearance more than seven decades ago, and who retreated from public view in the late 1940s, refusing photographs and interviews ever since, can still be appreciated on screen as young, as lovely and as fresh as ever. Barbara Kent, who has died aged 103, was one of the last surviving stars of the silent era. She appeared in the last great silent American film, Lonesome (1928), Paul Fejos's masterpiece of urban poetry. Kent played Mary, a switchboard operator, who meets Jim (Glenn Tryon), a factory worker, in Coney Island. They spend the day together, fall in love, and then lose each other in the crowd. The simple tale of "little people" is raised by the sincerity of the performances and by the director's expressive use of location,...
- 10/21/2011
- by Ronald Bergan
- The Guardian - Film News
Barbara Kent, a minor leading lady during the transition from silent to sound films, died October 13 in Palm Desert, in Southern California. A resident of the local Marrakesh Country Club, Kent was either 103 or 104. No cause of death was given. Barbara Kent was never a star. Not even close. In fact, most of her 35 movies were probably forgotten the week after their release. Paradoxically, Kent has become one of the most important performers of the silent era. No, not because she was Harold Lloyd's leading lady in his first talkie, Welcome Danger (1929). Or because of her career highlight: romancing Glen Tryon in Paul Fejos' naturalistic drama Lonesome (1928), frequently compared to F. W. Murnau's Sunrise. Barbara Kent has taken an importance incommensurate to her actual movie career because she was the very last individual to have had notable adult leads in American silent films. Everybody else, from Lillian Gish to Joan Crawford,...
- 10/21/2011
- by Andre Soares
- Alt Film Guide
Silent screen star Barbara Kent has died at the age of 103.
She was one of the first silver screen stars to transition into Hollywood 'talkies' in the 1920s and starred opposite funnyman Harold Lloyd in the comedies Welcome Danger and Feet First.
Born Barbara Cloutman in Gadsby, Canada, in 1907, she was a teenager when she signed a contract with Universal Pictures and adopted the stage name Kent.
She starred opposite Greta Garbo in 1926's Flesh and the Devil and appeared in William Wyler's The Shakedown - one of the first silent movies to feature spoken word sound.
In 1929, she was cast opposite Lloyd in his first talkie, Welcome Danger.
Kent also appeared onscreen with Edward G. Robinson in Night Ride and Gloria Swanson.
She was one of the first silver screen stars to transition into Hollywood 'talkies' in the 1920s and starred opposite funnyman Harold Lloyd in the comedies Welcome Danger and Feet First.
Born Barbara Cloutman in Gadsby, Canada, in 1907, she was a teenager when she signed a contract with Universal Pictures and adopted the stage name Kent.
She starred opposite Greta Garbo in 1926's Flesh and the Devil and appeared in William Wyler's The Shakedown - one of the first silent movies to feature spoken word sound.
In 1929, she was cast opposite Lloyd in his first talkie, Welcome Danger.
Kent also appeared onscreen with Edward G. Robinson in Night Ride and Gloria Swanson.
- 10/20/2011
- WENN
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