The best thing about this romantic comedy is how good it looks thanks to cinematographer Sidney Hickok. This 1935 but the interior scenes look like they were shot in the 1950's. Hickok was a brilliant cinematographer whose career began in the silents and he would go on to shoot such films as The Big Sleep, Dark Passage, To Have and Have Not, A slight Case of Murder, Gentleman Jim and the sci-fi classic Them. Charles Kenyon wrote the story and the screenplay about a woman who overhears the woman who stole away her husband planning a weekend affair with another man so she hatches an elaborate plan to embarrass the woman and her ex by diverting the cheating couple to her home and getting her ex to come over to catch them. Another couple who are jewel thieves are inadvertently lured into her trap and things start getting complicated. It's a good story and a good cast with Kay Francis, George Bret, Genevieve Tobin, John Eldredge, Claire Dodd, Ralph Forbes, William Austin and Helen Lowell. With the rampant infidelity theme this story was probably written with pre-code Hollywood in mind but with the code going into effect the year before it's release it was filmed as a little less salacious. Alfred E. Green who would make such films as The Jolson Story and The Jackie Robinson Story directs. it's a fun little film and I would give it a 7.0 out of 10.
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johno-2127 June 2006
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blanche-224 October 2015After Kay Francis retired from films, she was recognized. "Aren't you Kay Francis?" someone asked. She answered, "I was."
Certainly no one had risen higher than Francis and had stuck it out, even when Warners filled her scripts with words that had 'r' in them to play up her speech impediment, and even when she could only get roles at studios like Monogram and Republic. Tough isn't the word.
Here she's at the height of her career, very glamorous, in "The Goose and the Gander," from 1935. Besides Francis, the film features George Brent, Geraldine Tobin, John Eldredge, and Claire Dodd.
At a party, Georgiana (Francis), whose husband left her for another woman, overhears that woman (Tobin) planning a weekend affair with another man (Brent).
Georgiana puts together an complicated plot whereby the cheaters wind up at her house, and her ex comes over and catches them. The situation that brought them to her house (too complex to go into - it concerns no gas and a quarantine) brings another couple to her door - jewel thieves!
As others have pointed out, this was probably written during the precode era and rewritten to meet the Code. The only thing that confused me is that Brent and Tobin were going to spend the weekend together and present themselves to Georgiana as a married couple. So she naturally puts them in one bedroom. Tobin has a fit and forces Brent out onto the roof! What were they planning on doing on this weekend? Play cards? It made no sense, even though it was funny.
Very cute comedy, and Brent looks quite handsome. Nice to see Francis in something besides a turgid melodrama. She not only suffered well, but she had a nice comedic style. -
planktonrules24 January 2010Starting in 1934, when the new Production Code was enacted, 'inappropriate' adult themes were generally forbidden in films. That's because in the fast and loose 20s and especially early 30s, all sorts of very adult themes crept into films. Cursing, talks of abortions, extreme violence, adultery and even nudity were in films for general consumption---including in a Tarzan film (which appealed mostly to kids). So, a backlash took place and most of these topics were out or else if a sanitized version were allowed, by the end of the film the wrong-doers had to be punished.
THE GOOSE AND THE GANDER is about as racy as they come in the Post-Code era. My assumption is that because the movie came out in 1935, it had been designed as a Pre-Code style film but had been re-written for the new sensibilities. So, on one hand, the film has themes of adultery BUT because it's Post-Code, the people never actually get a chance to consummate their illicit affairs. And, by the end of the film, people had learned their lesson and went back to their spouses or, in the case of the criminals, were arrested.
The film begins with married Genevieve Tobin trying to arrange a tryst with George Brent. But, this tryst is interrupted by Kay Francis and her friends. It seems that some time back, Tobin had stolen HER husband and now using a rather intricate plot, she diverts Tobin and Brent to her home--planning on keeping them there while secretly contacting Tobin's husband so he could come there and find his wife with another man. However, when two thieves get caught up in the plot, the entire plan falls apart and where this all leads is anyone's guess.
Overall, this film is very entertaining and funny--with typically good acting from Brent and Francis. Despite the Code, the film makers managed to work around it and make a nice little movie. The only negative, and I was able to look past it, was that the ending seemed a bit hard to believe. -
Handlinghandel17 December 2003This is the best of the Kay Francis vehicles, and I had never heard of it before a couple days ago.
Kay is stylish, George Brent actually looks handsome. And there is a real plot, not just cutesy and/or tear-jerking posturing.
Married couples, formerly married couples. And -- a couple who are jewel thieves.
It zings along and is great, amusing, romantic fun. -
richardchatten18 April 2019A silly but smoothly directed farce that throws together adultery, smallpox and jewel thieves acted by a game cast against the usual luxurious backdrops. Routine but fun.
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1930s_Time_Machine17 December 2023Don't let the first ten minutes put you off. You might get the impression that it's going to be a stuffy drawing room comedy about people you're not going to like but you'd be wrong - it becomes an engaging and genuinely funny old fashioned farce.
The biggest revelation this picture gives you is that men's swimwear in the 30s was insanely ridiculous. The second revelation is that Kay Francis' dress could only exist in a world where gravity didn't exist - logically that shouldn't stay up! All that aside, this film after a slow start eventually turns into a charming silly comedy in the same vein as TOP HAT.
We've got a bunch of people stranded in a country house swapping bedrooms with the wrong partners, plots to break up a marriage, plots to save a marriage, plots to bring two people together, plots to steal diamonds and.... well it's not that important, just enjoy the trip.
OK, the first ten minutes doesn't shout out to you: this is going to be fun but stick with it because it really is. Kay Francis and George Brent were never going to win any Oscars but they are perfect in something light like this - they do make a great romantic couple. Likewise Genevieve Tobin, once you get used to the affected accent, also shows a real talent as for comedy whilst also adding a bit of class.
Overall it's put together perfectly. The script is tight, witty and fast, the acting natural and believable and the direction, although nothing spectacular is professional but most miraculously of all is that dress! -
Kay Francis is Ralph Forbes' ex-wife, because Genevieve Tobin stole him away from her. But, when Kay meets Ralph after two years apart and sees his wife with another man, she gets it in her mind to trap her and force the wife out of the marriage, so Kay can get Ralph back. But the other man just so happens to be George Brent, who sees Kay at a fancy party and appears to like what he sees. She, too, but maybe just to be playing with him. The plan is to get him and the wife at her country place, where she asked her ex to show up for lunch, thereby putting them all in an awkward situation. But, what she doesn't count on is John Eldridge and Claire Dodd, a married couple who are jewel thieves and who must make a quick getaway. Because they stole Genevieve's car, they are brought to Kay's place. (Watch it to understand.) When they're all together, things happen. The film's quick one-liners and the chemistry of Kay and George make this feel like a guilty pleasure, especially since Kay is great at being enticing. How can such a funny and fulfilling picture be so unknown? If you've never heard of The Goose and the Gander, then you need to discover Ms. Kay Francis at her sizzling best.
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Kalaman19 January 2004This is an interesting little Kay Francis programmer, co-starring her frequent leading man George Brent. It's a small and delicate Warners melodrama. It aroused my interest because of Francis.
I liked "Goose and the Gander" but it is not one of Francis' best roles. The plot is a bit baffling and sometimes hard to follow but it is fun and entertaining picture thanks to the charm of Francis & Brent.
This is one of three films Francis made with Brent in 1935. The others are "Living on Velvet" and "Stranded". -
mark.waltz26 October 2017A charming cast is laden with a stink bomb of a screwball comedy that rolls around for 65 minutes like a non- stop roller-coaster, one where the twists and turns have no thrills and the ride ultimately no point. It's as lavish to look at as a Dick Powell/Ruby Keeler musical, and even with the often paired team of Kay Francis and George Brent ends up falling flat. Marital mix-ups and post divorce games follow Francis and ex- husband John Eldredge, with Francis declaring revenge when she discovers her ex is planning to marry the woman he left her for. Confusion erupts at the home of Francis's aunt (Helen Lowell) when a bunch of unwanted guests end up there, including Brent, Eldredge, Claire Dodd, Genevieve Tobin and alleged car thieves. I needed a character map within the first five minutes of this, ironically the third time I've tried to watch this and make sense of any of it.
As the first screwball comedy that Kay Francis would do, it seemed like a nice change of pace from all those soapy women's films. She had proved herself capable of being funny in films like "Girls About Town", "Trouble in Paradise" and "Jewel Robbery", and is certainly gay here (as in happy go lucky) and completely charming, but a bit of a shrew in her plot for revenge against her ex. A scene where she attempts to explain all to a private detective reveals that even the writer knew that this was perplexing and overly complex, making me wonder how this got out of the writer's building at Warners.
Interestingly enough, Brent appeared in a very similar screwball comedy the following year ("Snowed In") that had a similar set-up and is equally perplexing. Other than Francis, Brent and Lowell, the cast is rather unremarkable, and even with the lighthearted atmosphere, the direction is dizzying and even headache inducing. I thought maybe the third time would be the charm on liking this, but I guess when I run out of Kay's mother love sagas, I can return to this and see if the fourth time does the trick. -
louiseculmer16 February 2019Delightful comedy in which Kay Francis is a divorcee who devises a cunning plot to get her ex husband back from his new wife (Genevive Tobin) whom she overhears planning a rendezvous with another man (George Brent). Things get very complicated and several people end up pretending to be someone else, including a couple of jewel thieves. With all the complications, imposters etc, this film reminds me a bit of a story by P.G. Wodehouse, his books were always rich with imposters, and he had more than one jewel thieving couple. He could have written this entertaining tale, it even has a formidable elderly aunt (Helen Lowell). Great fun.
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AlsExGal13 August 2021... And a shining example of how to do precode in the production code era. Georgiana (Kay Francis) is vacationing at a seaside resort. She accidentally overhears Bob McNear (George Brent) and Betty (Genevieve Tobin) planning a rendezvous. It's actually Betty planning one, as she wants to get one over on her husband. She's in love with the idea, not with Bob. Georgiana is amused by this conversation but doesn't think anything more of it since she doesn't know these people until she later runs into her ex-husband, Ralph (Ralph Forbes), in the resort ballroom that night. He is happy to see her, says he regrets divorcing her two years before, and points out his current wife, across the room, who broke up the marriage. It turns out that this current wife is Betty!
So Georgiana gets an idea. She will fix it so that Betty and Bob wind up in the same place that her ex-husband Ralph does, showing Betty up for what she is, and thus getting Ralph back. Like Betty, she is in love with the idea not the man. How she goes about arranging this is very creative and funny.
So, this movie might have been less fun with Georgiana the only one in the complete know for the entire film, so a couple of jewel thieves are inserted into all of this who also wind up at Betty and Bob's destination, with Georgiana having no idea who they are and what they are doing there. Meanwhile Bob and Georgiana, previously just mildly infatuated, begin to develop real feelings for one another.
So many romantic comedies did everything wrong when their wings were clipped by the production code. This one is almost perfect by being genuinely funny and implying things right up to the edge of what was allowed at the time. The cast is perfect. Brent and Francis always had great chemistry, Tobin is delightfully wicked in a harmless kind of way if that is possible, Forbes is clueless as Georgiana's first husband - a real stuffed shirt, and honorable mention has to go to William Austin in a very small but memorable role as Ralph's brother. He manages to be, in every way possible, a completely unappealing man. I'd highly recommend this one. -
louiseculmer25 February 2020Kay Francis is a divorcee who happens to overhear her ex husband's new wife (Genevieve Tobin) plotting an assignation with her would be lover (George Brent). Francis hatches an elaborate plot to lure Tobin and Brent to her holiday home, and then expose them to her ex, so that she can get him back. However, things start to go wrong, not least because Francis begins to be attracted to Brent, and he to her. and the plot becomes even more confused by a couple of jewel thieves, until just about everyone is pretending to be someone else, in fact it reminds me a bit of a PG.Wodehouse novel, which generally contain several imposters. It is all quite hilarious.
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howdy210 February 2021This is just a real cute movie, especially on a drab, frigid winter's day. Kay Francis sparkles and her wardrobe, is as ever, beautiful. George Brent is bright & breezy and seems to be giving the audience inclusive, knowing wink. It's a fun way to spend an hour.
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whpratt116 December 2003Enjoyed viewing this great film classic and the great acting of Kay Francis (Georgiana Summers),"Play Girl",'41 who loved to fool around with George Brent("Bob" McNear),"The Great Lie",'41 who was a married man. It seemed that everyone else in the picture played husband and wife with lots of infidelity and everyone telling little white lies about who is married to who and why we have to have different rooms to sleep in and why we have twin beds in our rooms. It seems that being divorced was a very evil thing and talking about their "EX" husbands was the in THING!. Genevieve Tobin (Betty Summers),"The Petrified Forest",'36 and John Eldridge (Lawrence Thurston),"Superman",'73 enjoyed stealing automobiles(coupe type) and even going into being a jewel thief. It was great viewing this film and seeing just what people were watching during the YEAR 1935. This film was probably considered X rated. The old gas stations, furniture and women's fashions, plus the modern auto's in the 1930's made this a great film classic with all these young actors starting out in their film careers.
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keb1113 January 2011I happened across this film as it aired on TCM, and I found myself unable to stop watching. I've never been a great fan of Kay Francis, but this is delightfully entertaining. It fits in with those zany, intricate plots of 1930s comedies with mistaken identities, multiple couples, and all a "to-do" with the wealthy upper classes...fitting right in with the usual Depression Era escapist fare - which I admit I usually enjoy!
Others' reviews give one enough of an idea of the plot and the context behind the making of the film. All I want to add is that for those that may want to acquire this film, TCM is now providing it from their TCM Vaults (Warners Archive). Visit WWW.TCM.COM for more...