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  • I dare anyone to sit through this film with dry eyes! Especially people of the male persuasion. There is simply no way it can be done.

    Young teen Freddie Bartholomew is a snotty, spoilt brat, and on a cruise with his dad he falls overboard and is rescued by Portuguese fisherman Spencer Tracy who takes him to Captain Lionel Barrymore's commercial fishing ship. They can't afford to go give up their fishing to take the arrogant kid back to land, and so Freddie is forced to spend three months with the crew, gradually mellowing into a nice boy and evolving into a rugged, no-nonsense kid who dotes on Tracy's rough and ready Manuel.

    Victor Fleming was never the most subtle of directors, and this adaptation of Kipling's story does not thrive on its wealth of detail or the ambiguity of emotion, but its sweep is epic and its heart so real that you feel you have been on a roller-coaster-ride. I loved the reels of the men fishing and preparing the fish, it had a nice documentary feel to it, akin to the silent 'Down to the Sea in Ships' that 'Captains Courageous' resembles a lot at times. The cinematography is beautiful, the mist and fog captured with finesse.

    But this film is all about acting. Spencer Tracy got an Oscar for his acting as Manuel, cast against type. And although his performance verges on the sentimental, it never actually tips over. But the film belongs to Freddie Bartholomew who surely must have been tempted to overboard with emotion, but, miraculously, never does. This boy was an astute and intuitive actor, and he never sets a foot wrong. Mickey Rooney shines in an itsy bitsy part as the captain's son. He never tries to steal any scenes from Bartholomew (as one suspects he might, and could!), but concentrates on a brisk, matter-of-fact performance of this young pro of the sea, every movement he makes seems exactly right, again almost documentary-like.

    Watch this film if you get the chance. They don't come much better, and yes, it will make you bawl and sob. Be warned.
  • Captains Courageous (1937)

    You might think this movie will come off as old-fashioned and stale, a old Kipling yarn filmed in the 1930s in black and white. Well don't pre-judge this! It's really good. Fast, energetic, touching, and filled with good acting and great filming. It even has a moral tale that doesn't smack you as sentimental, but is a good reminder of what counts in life.

    The main character is a rich boy who obviously needs to learn some lessons in humility and honor. And he's played with real perfection by the young English actor Freddie Bartholomew who had a five year heyday of great roles and great performances with classic adventure stories told on film. And there are parallels here of bigger tales like "Kidnapped" (1938) and "David Copperfield" (1935), with a child intersecting the world of adults and its perils.

    His adult friend is the bigger star, Spencer Tracy, who does a good job though I've never quite loved his style of acting. Here he plays a Portuguese sailor with a half an accent and it's the one problem in the film. Next to him in a big role is Lionel Barrymore, who recognizably makes for a quirky captain of the fishing boat. He's great. And so are the other side characters, including a whole slew of big names from the time (John Carradine and Mickey Rooney are probably most famous now).

    Much of the film is a low key adventure film. It's aimed at kids the way "The Wizard of Oz" is aimed at kids—meaning it's great for adults, too, and there are a few things snuck in to keep older viewers attuned. Director Victor Fleming went on to direct "Oz" and much of "Gone with the Wind" in two years, and you can feel his Hollywood expertise in every scene here. This is not a stiff 1930s movie if your head is in that mode. Fleming (with photographer great Harold Rosson, who shot "Oz" and a hundred others) makes it vivid and wondrous. The mix of studio shots and authentic sea footage (made with a second film crew in the North Atlantic) is brilliantly handled—no back projection goofs here.

    I really liked this movie. It's straight up filmic storytelling. No distractions, no bumbling. Give it a go and be surprised.
  • gavin69428 July 2016
    Harvey Cheyne (Freddie Bartholomew) is a spoiled brat used to having his own way. When a prank goes wrong on board an ocean liner Harvey ends up overboard and nearly drowns. Fortunately he's picked up by a fishing boat just heading out for the season. He tries to bribe the crew into returning early to collect a reward but none of them believe him. Stranded on the boat he must adapt to the ways of the fishermen and learn more about the real world.

    Frank S. Nugent of The New York Times called the film "another of those grand jobs of movie-making we have come to expect of Hollywood's most prodigal studio. With its rich production, magnificent marine photography, admirable direction and performances, the film brings vividly to life every page of Kipling's novel and even adds an exciting chapter or two of its own." This really is a great film. I went in knowing nothing about it, and came out really impressed. For the first quarter or so of the film, I was increasingly annoyed with the spoiled boy, and did not now where things were going to go. But once it shifted gears, that build-up of annoyance paid off. In fact, it would not have been nearly as effective if they didn't convince me of how awful this boy was. Perfect execution.
  • A spoiled rich boy falls overboard & emerges from the sea into the world of the CAPTAINS COURAGEOUS, the rough & honest fishermen who ply the waters of the North Atlantic for months on end.

    Rudyard Kipling's classic novel of maturation & responsibility has been expanded & updated and turned into a wonderful film by MGM. The production values, especially those dealing with the fishing boat sequences, are exceptional.

    After the first half hour, where we are introduced to the boy's bad behavior at home, school, father's office & aboard the luxury liner, the film arrives at the heart of the matter with the introduction of the fisherman and their rough, dangerous way of life.

    Freddie Bartholomew, luminous face & shining eyes aglow, is the very picture of boyish innocence. The fact that MGM gave him top billing over the powerhouse cast shows the kind of confidence they had in their child star. Although his proper English accent is a bit out of place and his sweetness makes his initial bratty behavior a bit of a stretch, once he's firmly ensconced on the trawler and his life lessons are being learned, it is difficult to think of any other young actor of his era in the role.

    His lessons come mainly from Spencer Tracy, who is beyond praise as Manuel, the stalwart Portuguese fisherman. Noble, earthy, lighthearted, honest, these were attributes Tracy could sink his teeth into & he delivers a performance of heroic proportions. Good-natured & loyal, singing joyously to his hurdy-gurdy, his Manuel is still fiercely protective of his `liddle fish,' seeing at once the qualities the boy has to offer, once he shapes up. Audiences surrender to Tracy completely (fake accent and all) and his scenes with young Bartholomew are especially tender. The subsequent Best Actor Oscar for his performance here was very well deserved.

    Lionel Barrymore, as the crusty, wise old captain of the fishing boat, is a delight. In one of the last roles in which he had the use of his legs, he is completely believable as a Massachusetts seaman. Like Tracy, he inhabits his part, giving an over-the-top performance that is completely appropriate. He embodies the kind of man anyone would feel confident to have at the helm during a sea storm.

    The excellence of the cast is evidenced by having Charley Grapewin, John Carradine & Mickey Rooney all on board as crew members; each is given a chance to display their talents, as is Melvyn Douglas as Bartholomew's preoccupied father.

    Movie mavens will recognize Billy Gilbert as a soda fountain jerk, as well as Christian Rub & Jimmy Conlin as fisherman, all uncredited.
  • This is my favorite movie of all time. I have seen thousands of movies but none can come near Captains Courageous for its warmth, compassion, drama and meaningfulness. A wonderful story of single-parent bonding and hero worship.

    Spencer Tracy as Manuel the Portugese fisherman was absolutely fantastic. Just looking at the sparkle in his eyes when mentoring Harvey (Freddie Bartholomew) was beautiful. I have shown this film to my senior class in Strategic Management and they all loved it. And what a supporting cast, Lionel Barrymore, Melvin Douglas, Mickey Rooney, John Caradine. It was also one of the first Hollywood movies to treat a black character with dignity and respect. The ship's cook was even bilingual, speaking both English and Portugese, and was a respected member of the crew, not just an Uncle Tom.

    They don't make them any better than this--and not a single word of profanity, no sex or sexual episodes, must a wonderful story, well acted, sad but uplifting.
  • A movie like this could only have been made in the early days of cinema. Before the days when fancy camera angles, careful editing, and computer-effects combine to make any pretty-boy a big star, movies had to rely on genuine talent on the part of child actors.

    Nowhere is this more evident than with Freddie Bartholomew. The character he plays is a spoiled rich-kid, used to getting his own way and obnoxious with everyone he meets. Yet he plays the role in such a way that we can sympathize with him, rather than detest him. We understand the character, but we do not hate him.

    Watch any similar movie made today, and the child actors will whine and sneer and have smart-mouthed replies to everything. In this movie, however, the character is not taken to that extreme, and when he makes his transition in the film we are able to love him, and are able to forget how horrid he was before.

    The boy can truly act. When he cries for his loved ones, we cry with him. When he is happy, we are able to smile. And when he does something foolish, we do not get the urge to punch him in the face. The character is attractive by the end of the film, and that is a quality which few (if any) child actors possess today.

    If you want to see a touching movie with superb acting and genuine emotion, this is the one.
  • Warning: Spoilers
    That was quite a catch that Spencer Tracy made that day in the Grand Banks of Newfoundland.

    Young Freddie Bartholomew the spoiled son of tycoon Melvyn Douglas falls overboard off an ocean liner. By the merest chance, Spencer Tracy is in his dory fishing and reels in young Bartholomew. After his catch is made, Tracy returns to the boat that captain Lionel Barrymore is commanding.

    It's quite a culture shock to the lad. He's fallen in literally with a bunch of people who work for a living and have no real interest in him because his Daddy's the richest guy around. Truth is Melvyn Douglas has been neglecting the kid for business and young Bartholomew is not really as bad a kid as originally thought. He joins the crew and becomes close to Tracy.

    Of Tracy's two Oscar winning performances, the part of Manuel the Portugese fisherman, transplanted to New England is a bit more showy than Father Flanagan. It's a good blend of the roughneck characters Tracy was used to playing and the new father figure persona he adopted in San Francisco.

    By necessity Tracy had to adopt an accent if for no other reasons than to distinguish him from the other members of Lionel Barrymore's crew and their clipped New England speech. The Portugese are a hearty, seafaring group though and I certainly never heard any complaint that his performance was in any way demeaning. Manuel's a simple guy, but with a good way of life and an appreciation for the important things life has to offer. That is what he imparts to Freddie Bartholomew.

    Melvyn Douglas does not get enough recognition for this film. Just as Freddie Bartholomew is not a bad kid at heart, Douglas is not a bad man either. His performance as a man who lost his only child and then had him miraculously returned from the dead is touching. And the scenes where he tries to repair his relationship with young Bartholomew are poignant.

    Lionel Barrymore is the perfect conception of a hearty New England fishing boat captain. As Freddie Bartholomew watches the interaction between Barrymore and Mickey Rooney, father and son, sharing not just playtime, but the father's profession, he realizes what he and Melvyn Douglas have missed out on.

    Of the crew also pay close attention to John Carradine who resents and then accepts Bartholomew with the crew.

    The fishing scenes are well done and Director Victor Fleming gives you a good picture of life on a commercial fishing vessel.

    Captains Courageous is a fine family film in every sense of the word.
  • I saw this for the first time, just last night, on American Movie Classics. After watching the film, I couldn't help but wonder where it's been all my life. What a beautiful film! Robert Osborne made a few opening remarks to the film, as he usually does on this channel. I didn't know that Spencer Tracy won his first Oscar for this film, but it was certainly well deserved. His portrayal of Manuel is really pivotal to the success of the film, I think. I'm not too sure about his accent, but it wasn't really distracting or anything. If you haven't seen this, watch it! You won't be disappointed -- especially if you enjoy pictures where ships and the sea are the setting for the action.
  • Warning: Spoilers
    (As I can't count Rudyard Kipling's "Captains Courageous" among the classics of the English language I had the chance to read, this is the film I'll be judging, not the adaptation).

    Victor Fleming was the man behind two of the most iconic Golden Age classics: "The Wizard of Oz" and "Gone With the Wind", even more impressive the fact they were made the same year, an achievement infinitely superior to his solo and rather academic contribution two years before with "Captains Courageous". The seascape is beautifully photographed and the obligatory storm sequences convincing enough for a film that thrives on escapism, but even that aspect wouldn't have amounted to much, had the central child performance failed.

    Thankfully, it didn't.

    In fact, what struck me in "Captain Courageous" is how highly competent it was in conveying the right emotion at the right time with a Swiss-watch exactitude that would become the trademark of a certain Steven Spielberg, who directed a few bad movies but never badly directed kids. Similarly, Fleming (as he'll do with Judy Garland) offers one of his best roles to Freddie Bartholomew as little Harvey Cheyne, the spoiled and bratty son of a business tycoon or the antithesis of his other celebrated role as Little Lord Fauntleroy.

    Now this is a film that starts with a rich kid who'd go as far as bribing and libeling his own schoolmaster (Donald Briggs) and concludes with his desire to become a fisherman. I'll credit Bartholomew's professionalism again for having personified a common trope and made him a more complex character, never making me feel that the epiphanic effect of his experience was far-fetched. Convincing and sincere he was to the degree that the writing could neutralize that little 'cynical' gland I battle every time I watch an "old movie".

    While the film is no storytelling landmark. The first act was pretty entertaining even within its expositional status, in fact it could have made a film by itself. It's a detailed depiction of a boy whose status as an orphan on the mother's side immunized him to the kind of legitimate displays of authority that could've straightened him out. Harvey considers himself entitled to behave like a jerk because money can buy, if not happiness, the kind of contentments that satisfy his self-assuredness.

    What works is that Bartholomew is precocious but not in the intelligence-insulting away: he's still a kid who doesn't realize when he's overplaying it while Melvyn Douglas doesn't play his father like a total idiot either. I was pleasantly surprised by the civilized way the one incident too many was handled with Walter Kingford who plays the school doctor and diplomatically explains that junior is 'rusticanned' (a jargon term for a sort of temporary exile that would allow the father and son to fix the broken stuff). Papa Cheyne gets a ticket to London aboard a steamship, and the real adventure picks off once Harvey is washed overboard and rescued by a Portuguese fisherman. His name is Manuel Fidello and he's played by Spencer Tracy.

    Now I believe Tracy is one of the greatest actors of his generation, one who didn't need a method to be natural. But I had to pause the film a minute and google 'Manuel Fidello Tracy Chico Marx', I don't know if it was intentional, but I kept thinking of the Marx brother with the Tyrolean hat, the curly hair and the Italian accent. Don't get me wrong, Tracy's body language and delivery are good but all the apparatus put around his "Fidello" seem to stand as a 'method' and if not bad, at the very least is distracting.

    The distraction doesn't last however because Harvey's evolution is compelling and Fidello's influence is so good that somewhere in our subconscious, it makes one with the performance. And while Tracy won an Oscar, "Captains Courageous" is an ensemble film and Lionel Barrymore is as commendable as Captain Disko who -I suspect- might have made audience theaters enthusiastically cheer when he gave the kid that overdue slap. John Carradine is severely underused as Long Jack. Honorable mention to Mickey Rooney and a fine gallery of character actors to add that touch of colorfulness (Charley Grapeswin, Sam McDaniel etc.).

    Always within the realm of credibility of the story, these sailors provide the perfect contrast to the gray-flannel tenderfeet and their business jargons for Harvey. Little by little, Harvey learns how to mop the floor, cut the fishes, rely on Mother Nature, more importantly to respect the elder and own up to his faults, and is so busy working that he doesn't have time to act like a brat even if he wanted to... while the big wave slaps salty breeze of the sea washes out the last relents of snobbishness. A hymn to the virtuous humble man that miraculously avoided populism until what had to happen did happen.

    During the climactic storm (God forbid a journey like that could go without endangering anyone) old brave Fidello had to let himself sink into the water (the Jack Dawson way) to save the boat .... I didn't expect the film to be sad and it understand it had to tie the coming-of-age story together, and made its sneakily prepared eulogy to the sacrifices of fishermen. I didn't dislike the ending but rather the new dimension it gave to Fidello's likability, that went from the good-natured father-figure to an object of lyrical sanctity hammered on us through a long candle-burning scene designed to make us weep for San Manuel.

    Not a bit of humor, not a little edge in that expertly manufactured tear-jerker, not even a single moment that could allow Mr. Cheyne to complete the work initiated by Manuel. So many good sentiments, pious faces solemnly gazing at the horizons, and high-spirited monologues that I felt entrapped on a boat about to sink in an ocean of tears. Sometimes, there's just too much melodrama one film can sustain without bordering on emotional manipulation... my cynical gland couldn't resist.
  • Some people don't know selflessness until they experience something extreme, like what happens in "Captains Courageous". Harvey Cheyne (Freddie Bartholomew) is the most spoiled kid whom anyone could ever imagine. After falling off of a ship, he gets picked up by Portuguese fisherman Manuel Fidello (Spencer Tracy), who teaches him selflessness and various other life lessons.

    Spencer Tracy won a well deserved Oscar for his performance. Manuel is a person who, while not having much materially, has a lot to teach. He humbly improvises songs and just loves to go fishing, a stark contrast to Harvey's life of luxury. It doesn't suffice to call "Captains Courageous" a morality lesson; it's about life in general. 10/10.
  • Spencer Tracy won his first of two back-to-back Oscars for playing a Portugese fisherman in this tear jerker from 1937.

    Tracy becomes a father figure to a spoiled brat rich kid (Freddie Bartholomew) when the kid falls overboard off an ocean liner and is picked up by the fishing trawler. Familiar actors like Lionel Barrymore, Mickey Rooney, and Charlie Grapewin play the other fishermen, and Bartholomew predictably learns the value of hard work and ethics from this merry band.

    While overall I thought "Captains Courageous" was a solid if unspectacular film, I was surprised by its treatment of the central theme (fatherhood) and its ending. Bartholomew is reunited with his absentee father (Melvyn Douglas), who learns the error of his ways and is determined to be more there for his kid. That I expected. But what I didn't expect was the unspoken but very obvious fact that the relationship between father and son was permanently stunted by the fact that the son found a father figure he liked better, that his true father understood that, and resigned himself to having the best relationship he could under those limitations. That's a pretty mature conclusion for a film from this time period, and one that certainly remains relevant today.

    Victor Fleming provides the direction, which was not among the four categories for which this film was Oscar-nominated. In addition to Tracy, the film won nominations for Best Picture, Best Screenplay, and Best Film Editing.

    Grade: B+
  • Warning: Spoilers
    "Captains Courageous" came out in 1937, and I think that is important to understand what happened. Rudyard Kipling, the author of this story, is best remembered for his short stories about India. In fact, unfairly, he is considered by many an author for children. In fact he wrote two works that can be remotely considered kids books: "The Just-So Stories" and The Jungle Books". It is a surface resemblance. Kipling's stories have deeper meanings for adults than kids.

    He actually wrote five novels, the first of which has long been forgotten except by Kipling scholars - a novel set in America among Indians, written with his brother-in-law before their estrangement. The novels he wrote that are recalled are "The Light That Failed", "Kim", "Captains Courageous", and "Stalky & Co.". Up to 1936 Kipling refused attempts to dramatize his novels and stories on the screen. Like his contemporary Bernard Shaw he felt that his works would be stretched out of shape by screenplay writers, directors, and producers. But in 1936 he died. Immediately Hollywood would start making films out of his literary properties: in the next couple of years "Wee Willy Winkie", "Captains Courageous","The Light That Failed" and "Gunga Din" (suggested by one of his "Barrack Room Ballards") were brought to the screen. It was like the release of water from a canal's lock when it is raised.

    "Captains Courageous" was made with a first rate cast, including Spencer Tracy, Lionel Barrymore, Melvyn Douglas, Freddie Bartholemew, Mickey Rooney, and John Carridine. For sheer acting power it is hard to beat that cast. The story is fairly simple (and to give the screen writers their due, they kept to the theme of the novel: the apparent misfortune of the young anti-hero Harvey, in falling overboard from a luxury liner, and being rescued by a small fishing trawler commanded by Captain Disco Troop, actually puts him into a position where his wealth and position is of little use, and he is finally able to grow into the man that his spoiled nature was holding back.

    Freddy Bartholemew, in the 1930s, was the resident "nice" boy in a variety of M.G.M. films, many based on British novels: "David Copperfield", "Little Lord Fauntleroy", "Captain's Courageous", "Kidnapped", even "Anna Karenina" (as Greta Garbo's beloved son). His Harvey shows real growth under the tutelage of Disco and Manuel (Lionel Barrymore and Spencer Tracy). He also gets an example of what a properly raised boy is like from Dan, Disko's son (Mickey Rooney). Initially irritating to the crew (especially John Carridine, who has no time for his arrogance), as he grows in maturity they all accept him. The final arrival of his maturity is tragic - it is when Manuel is killed in an accident (a very moving sequence as the helpless crew know they can't save him as his body is halved by the accident). Manuel knows he's doomed too - but he tries to make light of his tragedy, telling Harvey he has to join his dead (drowned) family. And then he goes under. It was a terrific moment of acting and won Tracy his first "Oscar". I may add too that Douglas may have erred in not being sterner with Harvey while pursuing business interests, but he is a loving and understanding father in the conclusion of the film.

    But is it really the same as Kipling's novel? Not quite. The main problem with the switch is that while Disco and Dan are important to Harvey's growth in the novel, Manuel is a minor figure. His most noteworthy characteristic is Kipling's putting the pause word "what" (mispronounced as "wha-aat") into his mouth whenever he makes a statement. Also, Manuel does not die in the novel. His assisting Harvey in growing was actually done by another character in the novel - the ship's cook, who was an African-American. This just could not get through Hollywood's racist codes of the day. Which is too bad - one can just see that the part could have been a good one for either Rex Ingram or Paul Robeson. The finished film, as I said, is excellent as it is, but I;m not sure Kipling would have approved of the changes. I also wonder if the current generation would have appreciated the changes either.
  • The gradual bonding between rough-hewn Greek fisherman SPENCER TRACY and spoiled rich boy FREDDIE BARTHOLOMEW is at the heart of CAPTAINS COURAGEOUS, and Victor Fleming has made sure that it is this aspect of the story that is successfully and convincingly handled.

    Tracy, of course, lends all of his authority to the role (despite an accent that is never quite acceptable) and richly deserved his Oscar, but equally deserving is Bartholomew as the boy who sees Tracy's character (Manuel) as the sort of father figure he genuinely admires. His close relationship with Tracy is what "makes" the film.

    Not that others aren't worthy of mention--MELVYN DOUGLAS, for example, is excellent as the boy's father who has taken him out of boarding school and onto his yacht, only to have the boy fall overboard and end up rescued by Tracy. MICKEY ROONEY is fine as Douglas' son and LIONEL BARRYMORE does well by the role of the gruff sea captain on Tracy's ship.

    The Rudyard Kipling story is well scripted and directed in fine fashion by Victor Fleming. The result is a story that revolves around the coming of age of the boy and his "growing up" under harsh circumstances.

    Well worth seeing, nicely filmed in glorious B&W.
  • Those who praise this film have not read the book. The book is a masterpiece. It is not accepted in the USA to the extent that it deserves. This is because it's author is English. If Jack Lontdon had written it,it would be the great American novel.

    So the film is nothing like the book in the detail. Manuel is a minor figure in the book. Spencer Tracey is hopeless in the part. But he would have been right for the Captain.

    The only good part is where they have filmed an actual Bluenose schooner. Now that part really is dramatic.

    The most famous part of the book is the description of the race by private train across continental America. In the movie it is brusquely treated.

    Summary: The book is not really suitable to be made as a movie. The bulk of the book relates to day to day interaction between the crew and other crews. This is why it was "sparked up"in the film. Don't bother seeing it but read the book.
  • A wonderful film I only discovered about ten years ago. A low key beginning, hardly anything to attract the viewer to sympathize with the predicament that befalls young Harvey. With a wonderful cast, fairly average story but told and beautifully understated brings a wonderful balance and heart-tugging restoration for young Harvey, plucked from the sea by Spencer Tracy, a Portuguese fisherman. Having to become a fisherman for two months, young Harvey finds out what he has not known in life. He begins the story as a spoilt young irritating brat but ends it restored to life and his father. A message for us all, begun and ending in eternity. Poignant, sad and enriching. Great cinema.
  • this has to be one of my favorite films ever. I loved it as a kid and the last time I happened to catch it on TV, i loved it just as much and cried just as hard. Freddy Bartholomew! what a fantastic little actor this kid was! and of course, the unparalleled Spencer Tracy as Manuel the fisherman we all love so much, is simply fantastic. i did not realize that this was a Fleming film, that explains a lot. All of my favorites from this era seem to have had this man at the wheel. He sure knew the right combination of sentiment, humor, melodrama, and reality to come up with a winner most of the time. I'm glad to see so many other votes and comments that echo (i guess i'm the echo tho, huh?) my own feelings about this film Its nice to know others also feel as strongly and as warmly about it as i always have. it sure deserves it.

    I sing "Yo, ho little fish, don't cry, don't cry, Yo ho little fish don't cry, don't cry" to my kids at night thanks to Manuel. It always works too!
  • Warning: Spoilers
    Spencer Tracy won his first of 2 consecutive Best Actor Oscars for his portrayal of a seaman who befriends a "spoiled rich kid" (child star Freddie Bartholomew). The boy is impossible and seems a hopeless case at the beginning of the voyage, but by Tracy's example the kid mellows into a "human being".

    The climax is a disaster that leaves Tracy so horribly hurt, that he begs fellow ship mates to "let him go to the sea". The scene is a heart breaker, seeing the boy sobbing and pleading for Tracy to not give up. When the boy is returned to his "care free" home, he is a different person. The man responsible was not there to accept the thanks of a grateful father.

    This is one of Hollywood's true tearjerkers. Anyone enjoying a good cry will not be disappointed by "Captains Courageous"!
  • A spoiled brat who falls overboard from a steamship gets picked up by a fishing boat, where he's made to earn his keep by joining the crew in their work. Spencer Tracy earned an Academy Award for his performance in Captains Courageous and even sings a bit; (Freddie Bartholomew) Young Harvey Cheyne was fabulous as well .

    Well-directed, well-acted coming-of-age tale that may have the most hard-bitten viewer in tears by the end.Captains Courageous still stands up pretty well today.
  • When a movie can appeal to children and grown-ups ,it 's really worthwhile.Such is the case with Victor Fleming's very moving "captain courageous" .Spencer Tracy gives an outstanding performance as Manuel and his songs and his hurdy-gurdy are a wonderful plus.The films has a very well-constructed screenplay:a long prologue which shows the brat living in a world of luxury;then the part on the boat where the boy discovers that money does not count anymore in the tough world of the fishermen;and then a rather long epilogue including a ceremony for the dear departed that will move you to tears.

    Ridley Scott's "White squall" (1996) was an updated veiled remake of "captain courageous "but innocence and emotion had disappeared,and hints at the Vietnam War at the end of the movie were obnoxious.
  • mossgrymk26 February 2022
    Did ol Rudyard K ever think that Master Harvey's problems might have arisen from the fact that there are no maternal influences in his life whatsoever? So what's his solution? To double down on the testosterone, natch. A truly dumb movie with, admittedly, some fine child acting from Freddy B. And some atypically bad acting from Spence for which he, of course, nabbed the Oscar.
  • Warning: Spoilers
    The first thing one notices as the picture opens is that thirteen year old Freddie Bartholomew is top billed over Spencer Tracy. Admittedly, the story is more about Bartholomew's character Harvey Cheyne, and he does have more screen time, but it still seemed a little off to me. As the story opens, Harvey's the kind of kid you want to take a good paddle to (in the Twenties you could still get away with it, just like the Captain did), but by dint of forced service on the 'We're Here' fishing boat, the young lad begins to understand how the other half lives when they have to work for a living. It's interesting to observe how the story deals with young Harvey's deceit, both at the Green Hill School and on the high seas when he tampered with Long Jack's (John Carradine) trawl line. In neither case did he get away with the dishonesty under rigorous teachable moment circumstances.

    Aside from the main story, I rather enjoyed the dialog among the fishermen of the 'We're Here', employing such colorful expressions as "Tie up your jib and jumbo!" and "Stand by your foresails". There's also that energetic rivalry between Captains Disko (Lionel Barrymore) and Walt Cushman (Oscar O'Shea) as they try to outdo each other in every department imaginable. Still, I had to do a double take when back home, Mrs. Troop refers to her husband by his proper name - Discobolus! I was so fascinated by the name I did a quick internet search, and turns out it's the name of that Greek sculpture of an athlete throwing the discus. I bet Spencer Tracy didn't even know that.

    Well, it's a near impossibility to watch the film without shedding a sympathetic tear or two. Manuel's (Tracy) faith is on display when he explains how The Savior and his father are able to fish together in heaven, but for sheer heart rending pathos, Manuel's gallant and brave death is heralded by his unwavering belief in the hereafter as he calmly intones, "I go now to fish with my father". It might have been the line to put Spencer Tracy over the top for his first Oscar win as Best Actor.
  • kenjha27 September 2009
    In this film adaptation of a Kipling story, a bratty rich kid learns some valuable life lessons after he falls from an ocean liner and is picked up by fishermen. It's quite lavishly filmed with a good cast. With his curly hair and Portugese accent, Tracy's character could easily have become a caricature, but he manages to turn in a decent performance, one that garnered him an Oscar. Barrymore is well cast as the crusty captain of the fishing boat. Bartholomew does OK as the spoiled brat. While it is a handsome production, the story just isn't that interesting. The message is obvious and rather contrived. Also, the film goes on far too long.
  • Warning: Spoilers
    What a wonderful cast – and crew – assembled by MGM and given the full Victor Fleming treatment to turn out the first film version of Rudyard Kipling's tale. Although it got altered by Hollywood it was all put over rather well: a lesson in life for a young boy involving some simple home truths. Kipling had died the year before it was made and probably wouldn't have approved of the film at all but I'm glad it turned out as it did, not perfect but a truly memorable motion picture. Perhaps sadly, I've never even been slightly interested in watching any of the probably more technically advanced remakes which Who Knows? may even have been more faithful to the story.

    Spoilt little rich boy Harvey played by Freddie Bartholomew on board a ship owned by busy business daddy Melvyn Douglas falls overboard to be rescued by rough simple fisherman Manuel played by Spencer Tracy. And so begins a life for him on board a radio-less fishing schooner surrounded by rough honest hard-working men including John Carradine and Mickey Rooney under Captain Lionel Barrymore. It all centres on Bartholomew and his attitude - over time from being a Jonah he becomes one of the crew and matures. It's wonderfully simple and wonderfully done: the first twenty minutes building it all up are a little bland but essential to the real story beginning from the catching of the "Little Fish". One could also argue that the last five minutes drag a little – the overwhelming sentimentality and sorrow have already peaked and the film almost gets mawkish in its apparent aimlessness at the end. Out of so many memorable scenes the money shot for me is when Harvey and Manuel are alone and Harvey tearfully tells him he wants to be with him and not go back home, both of them acting their hearts out and after wonderful performances throughout the film. If you're dry-eyed by the end you're made of sterner stuff than me.

    Everyone in this film learns lessons, some easier or more obvious than others – I first saw this at about ten years old and the first lesson I learnt was to never become a fisherman. But also that MGM in 1937 was in the middle of a golden age of movies and this was one of their best productions; I would add as they left us so many beautiful movie memories I bear in mind Manuel's exhortation Don't Cry.
  • I enjoyed 'Captains Courageous'. It is a good film with a nice message (leaving aside the misogynist undertones mossgrymk noted in the review yesterday - I agree on that point), and it is mostly well-acted. Freddie Bartholomew did amazingly well as the spoilt brat who is taught some home truths, and director Victor Fleming delivered a fast-paced film that is anything but dull. I would love to rate 'Captains' higher than 7 stars, but there is one problem: Spencer Tracy pretending to be a Portuguese fisherman. Tracy played some great roles. Not so long ago I watched him in Fritz Lang's 'Fury' (1936) and was ever so impressed. But not with his performance here. His 'I am such a regular guy and so sensible'-act is overdone and so sugary that if it was a fruit-pie you would need to see a doctor after consumption. Given the centrality of his character, I guess 7 stars are generous for 'Captains Courageous'.
  • mharrison-1762716 January 2022
    Freddie Bartholomew gave a great performance and was more deserving of an Oscar than a miscast Tracy with his ludicrous attempt at a Portuguese accent. However the story does not make sense, especially as Harvey was supposed to be ten instead of sixteen as he was in Kipling's novel. One could hardly expect him to be independent at that age. Melvyn Douglas gives a typically bland performance as Harvey's father.
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