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Shirley Jones and Gordon MacRae in Oklahoma! (1955)

Metacritic reviews

Oklahoma!

74

Metascore

15 reviews · Provided by Metacritic.com
  • 90
    The New York TimesBosley Crowther
    The New York TimesBosley Crowther
    A full-bodied Oklahoma! has been brought forth in this film to match in vitality, eloquence and melody any musical this reviewer has ever seen.
  • 90
    Variety
    Variety
    The tunes ring out with undiminished delight. The characters pulsate with spirit. The Agnes De Mille choreography makes the play literally leap.
  • 88
    Chicago TribuneMichael Wilmington
    Chicago TribuneMichael Wilmington
    This 1955 Todd-AO blockbuster, made from the landmark American stage musical, faithfully preserves the play's robust spirit and extroverted charm, while resetting it among vast golden and green outdoor vistas. [15 Nov 2005, p.C3]
  • 83
    The A.V. ClubNoel Murray
    The A.V. ClubNoel Murray
    Both State Fair and Oklahoma! exemplify the composers' re-imagining of the musical form, which relied on more subtle vocal techniques, and songs that were catchy without always being hooky. The movies also catch the pair's unique version of nostalgia, which salutes provincial values while suggesting that they may not be enough to satisfy.
  • 80
    Time
    Time
    In spite of its age and the fact that its 145-minute mass is sometimes dragging, Oklahoma! hollers itself home as a handsome piece of entertainment.
  • 80
    BBC
    BBC
    With some of the most famous tunes in all showbusiness, plenty of dancing cowboys, and an irrepressible feel good factor, expect a dose of good old-fashioned entertainment.
  • 80
    Village Voice
    Village Voice
    The songs, the somewhat corny Western dialogue, the zest, and especially the integrated dance patterns of Agnes DeMille are all a delight. [02 Jan 1957, p.6]
  • 75
    TV Guide Magazine
    TV Guide Magazine
    Watch it for the songs. A paean to Oklahoma's "Sooner" pioneers, it's a watchable, if hardly terrific, rendering of an innovative Broadway landmark.
  • 70
    Time Out
    Time Out
    It’s undoubtedly the consistency of the excellent musical numbers – from the opening ‘Oh, What a Beautiful Morning’ to the stirring ‘Oklahoma’ finale – that sustains the interest as two trios of lovers bicker and dally over their consummation.
  • 60
    The GuardianPeter Bradshaw
    The GuardianPeter Bradshaw
    Very few films or plays can survive the stigma of having an exclamation mark after the title, but Fred Zinnemann's bigscreen version of the Rodgers and Hammerstein musical, originally released in 1955, still has some breezy charm and robust American music, under those vast cloud-dappled skies in Cinemascope.
  • See all 15 reviews on Metacritic.com
  • See all external reviews for Oklahoma!

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