This Italian spy film is ludicrous yet amusingly preposterous. The plot kicks off with the US Government calling back Mike Rand, described as "their best Middle East agent," to hunt down "The Cobra." Initially, G-man Dana Andrews mistakenly believes The Cobra to be either a drug cartel or a crime lord. Rand's mission weaves through a maze involving oil magnates, drug enforcement bodies, and even the United Nations, all in a bid by the US Treasury to halt opium trafficking to America. As Rand edges closer to his goal, the body count rises alarmingly.
THE COBRA is a peculiar Euro-spy flick that struggles with the motions of a thriller. The film suffers from occasionally amateurish editing and staging. While Istanbul's scenery adds interest, the film overall offers little in terms of engagement. The narrative is predictable with minimal twists and lacks ingenuity. The excessively prolonged finale, featuring endless sneaking around with minimal action, further detracts from its appeal.
Pietro Martellanza (Peter Martell), portraying Rand, displays a limited range of emotions, primarily looking gloomy, which undermines the film's impact from the start. Anita Ekberg manages to shine in a limited role, whereas Dana Andrews, in a significant part, delivers a notably poor performance, especially during a scene where he drives while clearly impaired, struggling with his lines. Elisa Montes appears briefly as a potential double agent, and her presence is a welcome, albeit small, addition.
The film's dialogue often borders on the ridiculous, highlighted by a scene where a Japanese drug lord dramatically declares, "We will send you tons of drugs! DRUGS will spread!" In another moment, Rand's request for whiskey from a waiter, followed by his demand for a funnel instead of ice and soda, exemplifies the movie's attempt at humor amidst its purported "serious" espionage theme.