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IMDbPro

The Vanishing

  • 19931993
  • RR
  • 1h 49m
IMDb RATING
6.3/10
26K
YOUR RATING
Sandra Bullock, Jeff Bridges, Kiefer Sutherland, and Nancy Travis in The Vanishing (1993)
Trailer
Play trailer0:31
1 Video
96 Photos
DramaHorrorMystery
The boyfriend of an abducted woman never gives up the search as the abductor looks on.The boyfriend of an abducted woman never gives up the search as the abductor looks on.The boyfriend of an abducted woman never gives up the search as the abductor looks on.
IMDb RATING
6.3/10
26K
YOUR RATING
    • George Sluizer
    • Tim Krabbé(novel "The Golden Egg")
    • Todd Graff(screenplay)
  • Stars
    • Jeff Bridges
    • Kiefer Sutherland
    • Nancy Travis
    • George Sluizer
    • Tim Krabbé(novel "The Golden Egg")
    • Todd Graff(screenplay)
  • Stars
    • Jeff Bridges
    • Kiefer Sutherland
    • Nancy Travis
  • See production, box office & company info
    • 143User reviews
    • 44Critic reviews
    • 49Metascore
  • See more at IMDbPro
    • Awards

    Videos1

    The Vanishing
    Trailer 0:31
    Watch The Vanishing

    Photos96

    The Vanishing (1993)
    The Vanishing (1993)
    Sandra Bullock, Jeff Bridges, and Kiefer Sutherland in The Vanishing (1993)
    Jeff Bridges, Kiefer Sutherland, and Nancy Travis in The Vanishing (1993)
    Jeff Bridges, Kiefer Sutherland, and Nancy Travis in The Vanishing (1993)
    Jeff Bridges, Kiefer Sutherland, and Nancy Travis in The Vanishing (1993)
    Jeff Bridges, Kiefer Sutherland, and Nancy Travis in The Vanishing (1993)
    Jeff Bridges, Kiefer Sutherland, and Nancy Travis in The Vanishing (1993)
    Jeff Bridges, Kiefer Sutherland, and Nancy Travis in The Vanishing (1993)
    Steve Zahn, Leelee Sobieski, Shiri Appleby, Jesse Bradford, Erika Christensen, Ted Clark, Eliza Dushku, Ted Levine, Park Overall, Julian Richings, and Paul Walker in The Vanishing (1993)
    Sandra Bullock, Jeff Bridges, and Kiefer Sutherland in Black Widow (1987)
    Sandra Bullock, Morgan Freeman, Keanu Reeves, Jeff Bridges, and Kiefer Sutherland in The Vanishing (1993)

    Top cast

    Edit
    Jeff Bridges
    Jeff Bridges
    • Barney Cousins
    Kiefer Sutherland
    Kiefer Sutherland
    • Jeff Harriman
    Nancy Travis
    Nancy Travis
    • Rita Baker
    Sandra Bullock
    Sandra Bullock
    • Diane Shaver
    Park Overall
    Park Overall
    • Lynn
    Maggie Linderman
    Maggie Linderman
    • Denise Cousins
    Lisa Eichhorn
    Lisa Eichhorn
    • Helene Cousins
    George Hearn
    George Hearn
    • Arthur Bernard
    Lynn Hamilton
    Lynn Hamilton
    • Miss Carmichael
    Garrett Bennett
    Garrett Bennett
    • Cop at Gas Station
    George Catalano
    George Catalano
    • Highway Cop
    Frank Girardeau
    • Cop at Apartment
    Stephen Bridgewater
    Stephen Bridgewater
    • TV Host
    • (as Stephen Wesley Bridgewater)
    Susan Barnes
    • Colleague
    Rich Hawkins
    • Stan
    Michael Kaufman
    • DMV Clerk
    Sabrena Roddy
    • Cashier
    Andrea Lauren Herz
    • Woman #1 on the Street
      • George Sluizer
      • Tim Krabbé(novel "The Golden Egg")
      • Todd Graff(screenplay)
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      With a $20 million budget, the US remake cost over 10 times as much as The Vanishing (1988).
    • Goofs
      Behind the large black truck at the gas station, a crewmember is lying in the street, waving at traffic to pass.
    • Quotes

      Barney Cousins: You don't care if she's alive or dead anymore.

      Jeff Harriman: Yes I do.

      Jeff Harriman: No you don't. You're just scared that without the search you won't know who you are. Who is Jeff Harriman, if he's not the guy looking for Diane? Can you really walk away from finally knowing the answer?

    • Connections
      Featured in At the Movies: National Lampoon's Loaded Weapon 1/The Cemetery Club/Sommersby/The Vanishing/Homeward Bound: The Incredible Journey (1993)
    • Soundtracks
      Copacabana
      Written by Barry Manilow, Bruce Sussman and Jack Feldman

    User reviews143

    Review
    Review
    Featured review
    A Bungled Hollywood Movie Killed By Audience & Critic Perceptions
    In this remake of the 1988 Dutch film 'Spoorloos' writer Jeff Harriman (Kiefer Sutherland) searches for his girlfriend Diane (Sandra Bullock) who disappeared from a gas station during a road trip they took 3 years earlier.

    His new girlfriend (Nancy Travis) tries to help him pick up the pieces of his life but gets increasingly frustrated over his fascination with the mystery. Diane's kidnapper Barney (Jeff Bridges) has his own interest piqued by Jeff.

    There still persists the perception that remakes are inferior to originals and that European cinema is artistically superior to Hollywood. This movie is used to illustrate those points. But these are far from the only reasons it flopped.

    The casting didn't follow the traditional route. It does not impact the quality of the production and should not be counted as negative. But it deflated the commercial appeal by ignoring the superficial tastes of moviegoers.

    Kiefer Sutherland is an actor audiences more readily accept as a darker character than victimized nice guy Jeff. This is well-evidenced by his critical triumph in the movie 'Freeway' three years later as a kidnapper/murderer.

    At the time he was also mostly seen bolstering ensemble casts rather than as a conventional male lead. His strong performance should have been enough to carry the film and it would have been had there not been other factors.

    Jeff Bridges was more readily accepted by audiences as a nice guy male lead. He wanted to play a creep for a change and did an impeccable job here. But audiences had to look past over 20 years of typecasting to accept him in the role and most couldn't. As a result one of the finest characterizations in his long, distinguished career is overlooked.

    No actress could have given a more convincing performance than Nancy Travis in the role of Rita, the heroine. But audiences liked Sandra Bullock better and have always wanted to see more of her which in this case would have meant giving her the more substantial role of Rita than the tragic role of kidnapped Diane.

    At the time (1991-92 pre-production) how could anyone know that Sandra Bullock would soon top the box office like few actresses before her? Nancy Travis had been in a string of hits but then little-known Bullock would surpass her as a star within 18 months of the release of this film. Had they known, there can be little doubt Bullock would have played Rita.

    The ultimate sin that North American film audiences could not forgive is obvious pandering to their own glaring superficial tastes when it comes to how movies end. The 1988 original European version haunted audiences and made them think because of its dark conclusion. That version didn't have a Hollywood ending and that was its payoff - one meant for an entirely different audience.

    The Hollywood version not only wraps up the conflict between the characters differently (rewarding perseverance over intellect, good over evil in typical Hollywood tradition), it also includes a tacked-on, whimsical denouement. North American film audiences DO prefer happy endings with neat and tidy closure.

    But expecting them to embrace the glaring implication that they can't handle scary and/or thought-provoking material is an unforgivable insult which could only elicit the kind of derision from reviewers that it has even though the action which leads up to it is far from boring or silly. Had the film been an original with a facile and obtuse resolution it would have been accepted if not embraced.

    Hollywood studios obviously have final approval on the cut released to theatres in most instances. A trick some auteurs can employ when attempting to keep the integrity of a darker-themed film is to wait until the deadline before delivering the finished product and including two endings. One ending will be the darker one they want. The other will be the happy ending - one shot and cut so badly that the studio will presumably have to go with the darker ending. This ploy might work if studios cared more about the quality of what they were releasing rather than its box office p potential.

    Then there is the release date - February, 1993. What happens in February in Western Culture every year? Valentine's Day! Does this look like a date movie to you? Everything about how this movie was made and marketed invited flop status.

    As I said the action which leads up to the finale is far from boring or silly. In fact much of it is quite watchable and on par with (and in many cases identical to) the original. Where it actually improves upon the original is in its addition of a female lead.

    Rita is much more interesting than Lieneke - the second girlfriend character in the original an incidental character compared with Rita. Affable, considerate, blessed with work ethic and self-deprecating modesty truck-stop waitress Rita is an unlikely heroine for a Hollywood film.

    Indeed truck-stop waitress is an occupation designed for comic relief or passive anonymity in most Hollywood cinema. A female lead can usually portray one only if her character arc ends in her being beneficiary of an extreme reversal of fortune i.e. marrying a rich dude or becoming a supermodel.

    Rita doesn't entertain herself with such fantasies but she does have aspirations. When Jeff walks in she remembers him from high school but he doesn't remember her. He pulls out a picture of Diane and asks if she has seen her. Rita says that her mind blots out most of the faces she sees. Yet she remembers him. This is a character that knows what she wants as unromantic as it may seem.

    This isn't what North Americans look for in movie heroines if you go by box office and surveys. They may live their lives differently and they even may be happy. But they go to movies to see something else.
    helpful•20
    12
    • JasonDanielBaker
    • Aug 3, 2014

    Details

    Edit
    • Release date
      • February 5, 1993 (United States)
      • United States
      • English
    • Also known as
    • Filming locations
      • Mountainside Shell Station, 742 SW Mt Si Boulevard, North Bend, Washington, USA
    • Production company
      • Twentieth Century Fox
    • See more company credits at IMDbPro

    Box office

    Edit
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • 1 hour 49 minutes
      • Color

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