It's hard to create snap-crackling languor or laid-back frenzy. And there's also something condescending in the entire conception of Mixed Nuts. [21 Dec 1994, p.7]
Roger EbertChicago Sun-Times
Maybe there's too much talent. Every character shines with such dazzling intensity and such inexhaustible comic invention that the movie becomes tiresome, like too many clowns.
Jay CarrBoston Globe
Mixed Nuts is that cinematic oddity: a film that's pretty awful, yet almost perversely endearing -- despite the tiredness with which it plays out its labored jokes before bringing them together in a gooey Christmas ending. [21 Dec 1994, p.94]
Peter StackSan Francisco Chronicle
Mixed Nuts, opening today at Bay Area movie theaters, is laced generously with chuckles, though it neglects one little detail that helps make movies satisfying: a plot. [21 Dec 1994, p.E1]
Staged as pure fluff without an ounce of ballast, Mixed Nuts succeeds only in getting its cast into Halloween-caliber crazy costumes by the time it's over.
Hal HinsonWashington Post
Usually, Ephron is one of the most reliable comic voices in the movies, but here her gifts seem to have deserted her. Though she shows her customary talent for smart one-liners, the spirit of the film is forced and desperate, as if she lacked faith in her gags and were trying to shove them down our throats.
Christian Science Monitor
Veteran comics like Steve Martin and Madeleine Kahn wrestle valiantly with the incoherent story and ham-fisted dialogue, but it's a losing battle all the way. [30 Dec 1994]
Peter RainerLos Angeles Times
Mixed Nuts is a farcical whirligig that doesn't whirl. It's energetically unfunny, like "Radioland Murders," and, like that film, it boasts top-flight talent. Maybe the idea of making a comedy about a suicide prevention center just got to everyone-it's a bummed-out comedy about being bummed out. [21 Dec 1994, p.1]