User Reviews (9)

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  • Holmeren25 February 1999
    Murders are being commited in Stockholm, and there is obviously a serial-killer around. Some quite stupid girl working as a journalist assistant starts to look into the case, determined to find the murderer.

    The characters are realistic, and the filming is like in "NYPD Blue", with (intended) poor picture quality. A serial-killer case is not exactly an original plot, but it works out OK much due to the movie's creepy atmosphere.

    If you like murder investigation movies, check it out.
  • Musicbear24 October 2004
    And if someone says something else, they must be lying.

    I suppose the director at some point had a vision of a good movie, but the result is quite far from that. Never before have I seen a movie or even a home made amateur film that have done EVERYTHING so completely wrong.

    If you are not Swedish you can't possibly understand how extremely stupid and unnatural the dialogue sounds. But anyone should be able to see that the story and characters are just too weird.

    I actually saw the whole movie, just to see if there would be interesting twist or surprise that would make anything in this movie make sense, but there wasn't.
  • Warning: Spoilers
    A bona fide turkey classic. Lithivm sucks in more ways than you'd think possible - the spelling of the title being one of them. Director/screenwriter Flamholc wants to do a gritty serial killer thriller, but ends up with one of the most ludicrous films of all time.

    If your story takes place in the police and newspaper realm, it might be a good idea to infuse some sense of reality there. The characters on screen aren't reporters or policemen - they're morons, idiots, and cardboard cutouts... at best. Take, for example, the film's heroine. She's your average annoying wannabe reporter on roller-blades (after all, you need some kind of cool character trait, so roller-blades is the obvious choice). She's the kind of gal that gladly will go to the suspected killer's home, eat lunch with him and ask him to strangle her, which makes perfect sense since he only tried to rape her earlier in the film.

    Of course, maybe the killer isn't such a bad choice considering that her ex-boyfriend is a lovable manic-depressive-psychotic cab driver. One minute he's pleading her to take him back, then he goes mental, screaming at her, beating her, and... then he's sorry again. After all, he didn't really mean to yell at her, but then it's crazy days again and he tries to kill them by crashing his car. Some flowers will fix that awkward moment though.

    Not one single line sounds natural, there is no logic, the film looks like sh-t, the sets usually consists of a desk and some chairs, and the editing is hopeless. There are moments when a scene goes from day to night at the blink of the eye, and in one car scene you can see the back projection of city streets going in reverse...

    How anyone that read the script for this waste of time and effort (well, perhaps not so much of the latter) could sign on remains a mystery. [0/10]
  • mark-5064 January 2000
    The young director of this film is obviously aiming for a gritty, "Dogme-95" look and feel - something that worked well for another contemporary Swedish film, "F**king Amal" ("Show Me Love" in the U.S.). However, here it is merely a shallow exercise in stylistics, supporting a moronic story about a young journalist who pursues a man she believes is a serial killer. Of course he is, but that doesn't stop the journalist from doing some insanely stupid things - she even goes to the man's house and wraps his tie around her neck, asking him to strangle her! Moreover, several scenes where we apparently go "inside the head" of the killer just come across as silly.

    Despite a few random moments of inspiration, the film as a whole is a pretentious, overlong mess, thoroughly ugly in every respect. Somebody in Sweden was shocked that this was included in the Hollywood Film Festival. Don't be shocked - that festival included several of the worst films I saw in 1999. There were perhaps 20 people in the audience when I sat down to watch "Lithivm;" by the time the film was over, perhaps 5 were left. No doubt masochists like myself.
  • Lithivm is without doubt the worst Swedish film ever. Fredrik Dolk has an habit to end up in very strange films, like Sektor 236 and Nattbus 807 but this flick has to take the price. The movie is on crack, to plot is all over the place and all the actors, with the exception of Fredrik Dolk are terrible. Björn Granath overacts like a maniac and it seems he might have done this on purpose realizing how horrible the film was.

    The big irony is that this flick is one of those typical Swedish drama movies that we poor Swedes has to endure, because they are "artisitic" and "has a point".
  • tyrell-55 August 1999
    This was a real good movie! it was filmed very nice, looked a bit like 16mm film (maybe it was...?), anyway, the acting was good, not very good. The story itself was also very good. I give this film 7,5 out of 10
  • As one of the few people unlucky enough to have paid for a cinema ticket to see "Lithivm", I have to agree with a Swedish film critic who called this film "Probably the worst film in the history of Swedish Cinema" (all other big city critics tended to agree, more or less).

    Let's start with what the film does NOT have: It completely lacks story and comprehensible plot, the script has been written without even the slightest bit of research, it does not have a single piece of dialogue that feels natural; this paired with an utter lack of direction makes not only the amateur actors, but even the professional, good actors (who for unknown reasons took part in this thing) look absolutely ridiculous.

    The film features irritating editing, and, most of all, it has a cinematic style that is simply nauseating. It was, for no particular reason, shot on (anamorphic) 16mm reversal colour film, with a blow up to 35mm scope. In short, this means the film is grainier than your Uncle Walt's old home movies from the 70's. Add to this the fact that the film has not been lit AT ALL, making it murky and dark at best. To finish off my comments on the "cinematography", it was shot hand held, something that seems to be in fashion lately. That's OK when you do it for a reason, but that doesn't seem to be the case with this film. Also, the hand held work seems to have been done by someone taking pride in constantly shaking the camera energetically, and jumping, not walking, whenever movement is called for. The whole thing actually made me feel physically ill after half an hour (this is the first time that has ever happened to me). I'm still amazed I didn't walk out of the cinema, I suppose having paid for a ticket combined with the jawdropping stupidity of the film made me stay to the dreary end.

    The film well deservedly bombed completely in Sweden, despite a surprisingly large advertising campaign, and I was awestruck that it's been selected for inclusion in the Hollywood Film Festival. Why? The Millennium Turkey Awards (should there ever be such a thing) would have been so much more appropriate.

    So, is there nothing good about the film? Actually there is. Out of the 2 hrs and 7 minutes running time, about 15 seconds worth of footage looks really cool. It's: 1. The main title, one of the best looking I've seen in a Swedish film, and 2. a bit with a corpse appearing in a mirror about half way through; the only slightly scary/interesting moment in a film that claims to be a thriller...

    To conclude, and to answer the question made in the Summary above, YES, this is positively the worst Swedish film ever made, and you will do yourself a big favour by not watching it. Ever.
  • Some of the users who have posted comments about Lithivm seem to have missed the point entirely. The film breathes fresh air into the serial killer genre and the end result redraws the map of a serial killer's mind trying to understand it rather than getting lost in pornographic, senseless violence like most recent filims of this kind. Lithivm uses the childish naivete of its main character to reflect on our obsession with serial murders, violence and success. Plot aside, the film looks incredible: super-saturated, grainy shots and handheld like you've never seen before. Seven has nothing on this film when it comes to the cinematography. Any film which causes this much anger among imdb users has got to be worth checking out. So watch it and make up your own mind.
  • I recently had the opportunity to see Lithium at a local film festival. This film was not only the best film I saw at the festival, but one of the best films that I've seen in a long time.

    The story takes place in Stockholm, Sweeden and revolves around a young girl who is working as an assistant journalist for a small paper. The girl soon becomes obsessed with a local story about a series of unsolved murders that have taken place, and becomes determined to find the killer on her own.

    The director's unique, "hand held" style of filming combined with a very effective use of music and sound and a great story, make this a fascinating film.

    If you like a good thriller that will keep you glued to the edge of your seat until the very end, this is a must see film!