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  • More, directed by Ralph Ell, is a 1975 adult film that delivers on its promise of explicit content and pushes the boundaries of what was considered acceptable in adult entertainment at the time. With a simple plot providing a framework for a series of steamy encounters, the film offers a glimpse into the diverse sexual desires and expressions of its characters. While the movie may not excel in terms of narrative complexity or production value, it certainly achieves its primary objective of arousing its audience. For fans of classic adult cinema, More provides a nostalgic and unapologetically carnal experience, earning it a respectable 5 out of 10 rating.

    One of the most memorable scenes in the film involves Anna Bannana in a raunchy display of sexual prowess. Anna finds herself on a table, engaged in a scorching double penetration sequence with two well-endowed men. As Bobby Astyr takes her from behind, penetrating her vagina with his throbbing manhood, Harry Valentine simultaneously invades her anus, eliciting moans of pleasure and pain from Anna. Adding to the visual allure of the scene, Anna eats a banana, mirroring the act itself, further emphasizing the intensity of her passion and desire. It's a scene that embodies the uninhibited nature of the film, pushing the boundaries of what was considered acceptable in mainstream adult entertainment.

    Another scene that stands out involves Bree Anthony, a sultry vixen with a penchant for interracial encounters. With her hands tied above her head, Bree surrenders to the desires of well-endowed black men, Bobby Astyr and Harry Valentine. The scene is a feast for the senses as Bree's mouth and face become the focal points of the men's passion. The visual facial cumshots, makes for a scene that is both intense and taboo-breaking. The raw, uncensored nature of the scene exemplifies the film's commitment to showcasing explicit adult content.

    While the film does succeed in delivering on its promise of explicit content, it falls short in terms of narrative depth and character development. The plot is merely a vehicle to move from one sexual encounter to the next, offering little in the way of emotional investment or complex storytelling. The characters, though attractive and uninhibited, lack the depth that could have made their journeys more compelling. Additionally, the film's production value is relatively low, with minimal set design and lighting that sometimes fails to capture the full impact of the intimate moments.

    However, it is important to view the film within the context of its time. More was released during the Golden Age of Porn, a period when adult films were pushing societal boundaries and exploring new frontiers of sexual expression on screen. In this regard, More represents a piece of adult film history, a snapshot of a time when explicit content was breaking free from the confines of underground distribution and beginning to find a wider audience.

    In conclusion, More provides a glimpse into the past, offering a raw and unfiltered sexual experience that was groundbreaking for its time. While it may not excel in terms of storytelling or production value, it unapologetically embraces its adult nature, providing a nostalgic and titillating experience for fans of classic adult cinema.
  • Warning: Spoilers
    Police detective Dick Copper (broadly played with hammy panache by Harry Reems) investigates the murder of an undercover cop who was rubbed out by the mob. Copper persuades the man's wife Connie (foxy brunette Bree Anthony) to use herself as sexual bait in order for Copper to nab the mobsters responsible for the hit.

    Writer/director Ralph Ell keeps the enjoyable story moving along at a brisk pace, makes nice use of gritty New York City locations, and tops everything off with an amusing sense of goofy humor. The sex scenes are pretty hot and explicit, with the opening lesbian sequence between Connie and amorous maid Louise (slender minx Kellie Dunkle) rating as a tender and erotic highlight. Bobby Astyr contributes a hilarious turn as mumbling mobster Shorty. The funky-throbbing prog-rock soundtrack hits the get-down groovy spot. A real hoot.