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  • I just watched Brat 2 after ordering a copy from a Russian video store in New York and I was not disappointed.

    I saw Brat on the International Channel a couple of months ago and was blown away. Ever since I've had been trying to hunt down a copy of Brat 2. While these films are not technically perfect they have a rough hewn charm that no longer exists in most American films. (The lone exception from last year being Spike Jones' Adapation.) Then there's Sergei Bodrov Jr. it is a damn shame that he died last year (along with his film crew in an avalanche) because he was a major talent. He is so damn watchable and the unrelenting honesty of the Danila character makes for a compelling anti-hero in the brother movies that reminds this viewer of the great days of early Brando and Paul Newman.

    Once again I will remind people to look at the actual vote rating for this film and ignore the silly IMDB weighted total. (The weighted average seems to be based on the strength of the Top 1000 voters whoever they are - it is not however a true weighted average in a classic math sense.) This film may not be perfect but it is one hell of a ride.
  • I have read all comments and realised that not many western people got the message from the film. Probably that was because film's poor subtitles or translation and lack information or knowledge about real life in Russia and post Soviet countries. Maybe following explanation will help to clear couple of things.

    Firstly Danila went to America not because of money but for revenge of his very close friend with whom he was in the army and was killed by Russian gangsters who misunderstood an order of their boss. Russian mobster was not killed because Danila liked his son.

    Secondly film try to show that like in Russsia in America there are a lot of good and bad people and their nationality and race does not matter.

    In my opinion Brat 2 is about life and life is different. You can not make opinion about people because of their nationality or race. In this film Danila speaks his mind and his opinion of other people is based on what they do not on what he thinks about or what other people think about them. If people are bastards he will treat them in the way appropriate way if not he will treat them as well in the appropriate way. This film is not about bad Americans and good Russians it is about life.
  • Warning: Spoilers
    POSSIBLE SPOILER INFO BELOW

    This film has a simple plot - although, in my opinion, it is not a plot oriented movie. Danila and his friends have returned to civilian life after a tour of duty in Chechnya.

    Danila, after an excursion in Saint Petersburg (watch the original film "Brat" for more info), travels to Moscow, where this movie begins. Danila's army buddy's twin brother (and professional hockey player in the U.S.) is having problems with the Ukranian/American mafia in Chicago. Danila's friend is killed for having requested an influential Russian "banker" to intervene on American brother's behalf.

    This leads Danila to travel to the U.S. to help solve the hockey star's mafia-related financial problems. There are essentially two phases to this film: the preparation to go to America (which occurs in Moscow) and carrying out the business in the states (mainly NY and Chicago).

    I enjoy this movie immensely, but I can see how it is not for everyone. I was living in Moscow at the time this movie came out - I saw a matinée at the Pushkinsky theater in the center of Moscow. While many of my Russian friends consider this movie to be extremely low-brow, I still can't put my finger on what I like about it so much. Danila and his brother are great characters. Like I saw another reviewer write, Danila cares about others' lives more than his own. I think there are brilliant shots of Moscow and many are picturesque. I recognized most of the locations in the movie, including the inside of Sanduni banya (located behind TSUM) where Danila and his friends party with some pretty ladies. The soundtrack is great - I even bought it on CD (although some of my more hip Russian friends refer to it as "otstoy" or "lame"). Generally, the film is action-packed, funny at times, nostalgic, and one of the more commercialized Russian movies that I know of.

    If you have some connection to Moscow and enjoy gangster-type movies, you will probably like this film.

    I have seen several critiques of this film, some of which are valid. However, I haven't seen a criticism that overwhelms this movie's appeal.

    Brat 2 is a nationalistic movie, but not in a bad way. The basic message is that life in Russia is NOT really worse than the un-realized American Dream that many Russian immigrants experience.

    Although I read many reviews that deemed this movie "racist," I haven't seen a single reason presented. I'm sure some viewers from Los Angeles cannot comprehend that Danila's use of the Russian term "negr" is not to be confused with the extremely offensive English "n word." In Russian, "negr" is the appropriate and non-offensive way to refer to a black person - although it is very harsh on American ears.

    In response to Danila's statement to the police, an American (non-Russian speaking) cop hears Danila use the word "negr." The cop confuses this statement as being racist and uses it to segway into a truly racist comment of his own. Just because a character makes a racist comment in a film does not mean that a movie's message is racist. This is a critique of race relations in the U.S., not a reason that this film is "racist."

    The soundtrack is cool. I like most of the music on it, which includes some commercially successful Russian groups like: B2, Zemfira, and Krematory.

    My only real criticism of Brat 2 is that many of the Americans are either portrayed as evil or stupid. This is most likely in direct response to how Russians are repeatedly portrayed in American cinema - either as gangsters or stupid (Yakhov Smirnov-esquire characters).

    Overall, this film has a very positive message - one of loyalty, anti-materialism, honesty, and friendship. How is that negative?
  • In my opinion, one has to live through the times depicted in this movie to truly appreciate it. If you think this movie was cheap, anti-American and racist, you missed the point. It would be like calling "The Godfather" racist and sexist. Brat 2 does a great job in giving an idea of what life is like in Russia and for russians in post-soviet world. It is a world of great uncertainty. A system that just fell apart with everyone in it left to their own devices. In many ways, Brat 2 is an inspiration and Danila is the hero or the bright light that captivates viewers by his humble demeanor and his good selfless deeds.

    The beauty of the movie is that Danila is not played by Arnold, Vin Diesel or Tom Cruise. He looks like an average Russian and that is what makes it real. His military training is not about ripped muscles or fancy acrobatic moves. It is about working in real situations with low resources and odds stacked up against him. His personality is real and he is easy to relate to. He is a simple guy and he believes in good, something that many people lost their faith in.

    America is definitely portrayed from Danila's eyes. It is not an attempt to portray the way America really is, but rather how it really looks to a Russian that just came to this country. In addition most of the movie involves russians in America.

    In terms of ideologic statements, I don't think this movie tries to convey a message that Russians are about truth and Americans are about money. I think it leaves things the way they are that there are russians who believe in truth and Americans that prefer money, but i think there are enough of bad russians and good Americans in the movie...

    Anyways, highly recommend the movie, thumbs up.
  • I was amused by American reviews of the "Brat-2".

    Americans were taken by surprise: how dare those Russians to make a film that depicts Americans as evil gangsters? How dare Danila to shoot Americans? This is not politically correct! It was clearly assumed that Russians are always the bad guys, whose only role in any film is cannon fodder to be shot by American Rambo.

    Now "Brat-2" arrives, uncovering the horrifying truth: the bad guys are Americans! And it is OK to shoot them.

    After years of Hollywood films depicting Russians as bad asses (no single Hollywood film showing Russians at least from a neutral point of view), the Russian cinema finally strikes back.

    This movie delivered a long-awaited entertainment for Russian viewers.

    It also proved complete lack of sense of humor of American viewers.
  • solidosthe19 November 2020
    Films like this one are not being directed easily in our days. It's so uniquely raw and it keeps you with the same enthusiasm from the start until the end of the movie. Apparently we won't ever have the chance to see a third sequel of this movie.
  • Timeee12 February 2011
    I usually read the 'Hated it' comments when I like a film, only to get a different point of view. This time though most of the comments just made me laugh. Racist? Insulting? Are you guys serious? I mean sure, there were a lot of parts that could be interpreted as such, but come on- they were in a context, they were supposed to be understood from a certain perspective. Sure there were many stereotypes, but that's not the same thing. Then again the characters expressing racist views- like Danila saying in Brat 1 he doesn't like Jews, or his brother shooting the Ukrainian ('You'll pay for Sevastopol!')- does not mean the film promotes those views. Maybe some people are hyper-sensitive and require immediate and thorough moral condemnation of every non-PC phrase uttered on screen. I for one like to watch films without the plot constantly reminding me of what is right and what is wrong, as if I was a kid- I can make the judgment myself. I welcome morally ambiguous characters, and I don't feel the urge to take offense at any given occasion. Also if this film was racist then so are 90% of American action-movies with their completely stereotypical and ridiculous portrayals of virtually every other nationality from Germans to Chinese. But we all get the point there. So what's wrong here?

    On the other hand this was not necessarily a great movie. I loved it and I was entertained- but it obviously has its flaws. Compared to the first one it was certainly not very realistic- Pop star-girlfriend, shooting scenes, TV-reporter etc.- but I didn't feel they went out of line. Still its success is not due to its artistic quality, but due to that it's cool- which was of course the purpose and which is totally OK.

    One final point. Maybe it is difficult for people in the West to understand the often exaggerated success that a film of this type can have in other countries- from Russia to Brazil, from Mexico to Turkey, or in Romania-my country. I have grown up watching mostly American movies, as did all of my friends, as did all my generation. I've never been to America and yet I've seen countless movies set in New York, LA or San Francisco, sometimes it seems I know those cities like I've walked their streets for real. And yet there are only about a handful of films about the places where I really do live; about the people here, about our point of view. Of course it feels great, of course it is something significant when an actually cool film is made locally- a mainstream film, with a little national spirit, with a little self-irony, with some making-fun-of-Americans well placed. It is still a strange feeling - for me at least- to see a mainstream movie with all the American action ingredients but with familiar places and familiar kinds of people who are speaking my language; to look at the whole thing as an insider. I guess this mix between the American way of entertainment and a kind of local pride is responsible for the success of a great number of films in many countries. I for sure liked Brat a lot partly because I could relate to the situations and the people very well.
  • BADNEWS29 October 2000
    10/10
    MAD
    "BRAT 2" is the best movie since "BRAT". I loved it. May be it looked like a fairy tale as One-man gang destroyed whole Mafia. But it was MAD. I've seen this movie may be 50 times and everytime I turn it On I still wanna see it again. I hope they gonna make part three, because it didn't look that Danila's adventure is over. If you haven't seen it go and see it ! Best movie on the market - Kick ass any Hollywood big budget movie. :o)
  • Warning: Spoilers
    Alexey Balabanov is one of the most distinguished film directors of the Russian cinema. Together with him, there are the most extraordinary and distinctive creators such as Yuri Bykov (The Fool, The Major, The Factory), Andrei Zvyagintsev (Loveless, Leviathan), Kirill Serebrennikov (Summer, The Student) and Alexey Uchitel (The Stroll) in the cinema of Contemporary Russian cinema. The Balabanov's fame was acquired owing to his iconic pictures such as War, Of Freaks and Men, Morphine, Cargo 200, the Zhmurki and the Brother saga. Following the path of Visual Realism (cinematic representation of what happens indeed) as filmmakers mentioned above, Balabanov showed in his movies that the real life in Russia is not as great as some people might think. Instead, it is more cruel and gray. The first part of Brother immediately got successful and was praised by critics and ordinary viewers in 1997. The sequel was released in 2000 but it is not as good as the previous one. Alexey Balabanov obtained recognition due to his criminal drama and "Always Young, Always Drunk" Sergei Bodrov Jr. got famous because of the role of the main character Danila Bagrov. Talking about the plot and screenplay, it looks thrilling but at the same time a bit frustrating. The sequel starts with Danila's unveiling (confession) in TV program about his military service past in Chechen Republic. After that we learn that Danila's friend Konstantin got assassinated and his little brother, a professional hockey player, is threatened as well. Immediately after Konstantin's murder, Danila and his brother Viktor decides to travel to the United States to find an American entrepreneur who is related to mafia because he suspects that a businessman has a relation to Konstantin's elimination. The sequel is full of different interesting episodes. Throughout the movie, we see how Danila starts a new life in Moscow, begins new relationships, use weapons of World War II, has a trip from New York to Chicago and how he quotes lines from the poem while he shoots at Chicago mobsters ". Funny scene with poetry and killing. Such an unusual visual rhyme from Balabanov. Brother 2 is more hilarious in comparison to previous part. It is seen while watching the film. For example, during the check-out of luggage in Chicago, Danila's brother Viktor says "Karantin? Boleete" therefore he is kidding workers of airport security. We may observe some elements previously used by Quentin Tarantino in Reservoir Dogs and Pulp Fiction because both Tarantino's movies were written and shot in "black comedy" genre. This style looks simultaneously interesting, entertaining and quite cruel similar to Tarantino's methods. From my point of view, that fact that Balabanov includes more jokes and hilarious scenes in the second part to some extent seems disappointing. I have such an opinion since the first part of Brother represented hard times of post-Soviet period, gray and rainy Saint-Petersburg, criminal acts, post-Soviet mentality of former young soldier. It felt like more criminal drama than black comedy. The second part looks like Russian plagiarism of Tarantino's style at his masterpieces. I still think that Balabanov could have done the sequel better. If we watch the entire filmography of Balabanov, it is going to be evident that a Russian filmmaker is a big fan of rock music. If in the first part we listen to Vyacheslav Butusov's ("Nautilus Pompilus" music band) songs and see his cameo, so in the sequel we see a female pop-singer Irina Saltykova and Bi-2 music band. The music creates atmosphere of the story, tone, surrounding of the main character. Even the music plays a special role in the Danila's life. He is a fan of Russian rock and loves serious tracks telling us about the cruel and hard life. In one of the Brother 2 scenes of conversations with Irina, he says "It is not the music, soldiers do not listen to something like this at war". Hence he blames her for pop style of music. Indeed, Brother is a real representation of post-Soviet culture. Danila Bagrov became a "spirituous hero" for young generation and a character that people deserved in 1990s. Danila is a symbol of national post-Soviet awakening. I feel no huge difference between two parts of Brother saga. However, I think the first part more accurately illustrates new post-Soviet mentality, difficulties and anarchy so that is a reason why I strongly recommend the first part of the franchise. Nonetheless, each of us ought to wonder and answer the Danila's eternal and to some extent philosophical question "What is its power, Brother?". Finishing writing this film review I would like to say "rest in peace, Alexey Balabanov and Sergei Bodrov Jr.!"
  • Warning: Spoilers
    This is the sequel to Balabonov's Russian blockbuster Brat, or Brother for our English speaking fans. It is a different movie, a little bigger in scope, but the formula stays the same.

    Danila returns this time to take on Moscow. After his friend is killed needlessly, events take him to America to make things right. I really liked this film too. The thing that differentiates Brat and Brat II from a typical film is that it is real, you can feel it. Balabanov shows a talent here for screenplay that has no false pretenses, the same as he did in the first film.

    Is America all about money and Russia all about Truth? In the best sense, yes. Seeing America through Balabonov's eyes is an nice reminder of where popular American values stand. Danila asks, "What is in English 'How are you?' Answer: "How are you?" "What, is everyone interested in how I am?" "No." "Then why do they ask?" "Just like that. In America everything is just like that, except for money." Isn't this ze truth?

    There is something intangible that makes Brat and Brat II magical. It very well maybe that you have to be Russian to understand it. The Russian and intelligent viewers will understand, also, that Danila comes back from a war. I don't know why it is written that he saw no action, but as usual, when a soldier comes back from war, they have seen men killed as a matter of course and have likely killed people themselves. This fact, along with the economic situation in Russia at the time would seem to mitigate somewhat Danila's propensity for killing. The fact that he is such a calm soul while murdering people left and right, ironically, also ads to his charisma. I am reminded when Margarita in Bulgakov's classic says, "I like it when someone does things well."

    All in all, it is uncanny how a story of a killer taps into the best of our emotions. Maybe it's the elliptical style, maybe it is the heartfelt motive, but more than not, I think, it's Sergei Bodrov.
  • alimaimanbayeva12 February 2019
    Warning: Spoilers
    The movie filmed in 2000 Brother-2 grabbed a lot of attention due to its consistency in acting, uniqueness in plot and visual effects mounted in post-production. The film director, Aleksei Balabanov, who in the beginning of his career mainly made art films, reached the highest peak of his reputation only when his crime movie Brother (1997) came out on screens. The film received a positive feedback and incessant demand from the audience, thus it was decided to shoot the sequel, which was not surprisingly called Brother-2 (2000). In both parts Danila Bagrov (Sergei Bodrov) plays a role of a former soldier, who despite his young age, is distinguished by professionalism and composure. In Brother-2 along with those qualities becoming more intensified, the sense of brotherhood and justice are added to the Danila's character. Visually, the director did not show all these qualities, since protagonist looks like a dummy with a lightly stupid facial expression. His hollow eyes and seldom smile shape him as not only someone who does not care about things that surround him but also as someone who does not even understand the world around him. With the dull face, throughout the movie Danila twice asks important question that sounds like this: "What is the power in, brother?". He receives two answers that completely differ from each other. His brother Viktor Bagrov (Viktor Sukhorukov) finds power in money that circles around everything, allowing the rich to have all that they want. The Russian prostitute Merilin-Dasha (Dar'ia Iurgens), whom Danila meets in America, also reveals her thoughts about the power. She thinks that the power is in the hands of Afro-Americans because they have something primitive, something animal alike. This maybe because they tend to live naturally without showing off and throwing empty words, when unfortunately, Russian people can no longer be honest towards others. Danila himself believes that the truth is the power. Someone who does not deceive on others and plays a fair game is powerful. All these three statements have some truth in the eyes of the characters themselves and in the eyes of the audience, respectively. Viewers are lost, they do not know whom to believe and what to expect from the future. They are curious about the new 'country' that is being recreated out of the destroyed 'utopia', they are attempting to believe in something abstract like they believed in 'communism'. They are trying to find the truth in everything that surrounds them. Balabanov uses his privileges and gives people food for thought. He allows people to choose what power for them is and even come up with their own ideas. Since it seems that Danila asks his question "What is the power in, brother?" to the whole audience, not only to the movie characters. Merilin-Dasha's hypothesis concerning the power appears to be reasonable when we take a look at the apparent scenes of a 'network' between characters in the movie. People who use that notion for the benefit of their well-being are no longer real, they act unnaturally so as to be liked or preferred by the person who is on the other side of this 'network'. Hence, using that efficacy of 'network', Kostia (Aleksandr D'iachenko), the friend of Danila, asks help from his chief Belkin (Sergei Makovetskii) in order to save his brother-hockey player from American businessman, who makes money on his defenseless twin. As Belkin has settled business plans with that American and does not want anybody to break that 'network', he commands his subordinates to 'deal' with Kostia. Misunderstood order ends with the friend of Danila's found killed at his apartment and starting from here the feeling for revenge for his brother stems at Danila's mind. Moving to the political theme of the film, the scene when Danila takes a taxi to drive to Kostia's home in Moscow and the similar one where protagonist just arrived to New York impressed to be containing more political statements than the entire film itself. Both taxi drivers just talk without stopping about politics, media and general condition of Russia. It seems that ALL taxi drivers have the same persuasions and principles. The driver, that is from Moscow, was vehemently convinced that the country could not be saved from "goats and sheep" meaning both drivers and politicians, which flooded all roads and even got on television. Those who waddle in the media even manage to teach others how to live. A New York taxi driver claimed that "The Russian Idea, Dostoevsky, the Nation" disappeared together with Gorbachev, when he handed all of those to America. He obeyed Americans and in doing so was considered as a betrayer who failed to preserve 'utopia' in which Russian people believed so undoubtedly. What kind of "Russian idea" does the taxi driver mention in this movie? Did the Russians eventually succeed in finding their idea, their vocation? Since, in the Viktor Pelevin's novel Generation P this concept seems to be missing. Therefore, in order to find the "Russian idea", the author introduces the new character into the plot - Vovchik Malyi. He asks Tatarskii to come up with so called "Russian idea" for which people abroad will respect Russians. Eventually, Tatarskii could not conceive the distinctive aspect of the Russian people that could be presented as the idea of as Russians. As the novel was published in 1999, and the "Russian idea" was not in the plot, what can we say about it in the movie, which was filmed in 2000? Does it mean that the "Russian idea" suddenly appeared in between one year and then again was lost by Gorbachev? This is a big question, along with "What is the power in, brother?", that arises during this movie and demands an immediate answer, but no longer by me.
  • dusan-2210 November 2011
    Dear Viewers, such a movie asks for a pretty complex comment, and I apologize for the length in advance to all the readers for that reason. First of all, if made in Hollywood, this movie would become the absolute Oscar winner and total mocking at Russians. Since this movie is made in Russia, it is not mocking at Americans and of course - won't get any Oscar(s). American viewers are being taught that they are the only ones (important) but in reality there are other 6,7 billion people in this world, most of them are at least potential viewers and they all have different perspective, so do the Russians and it is of vital importance. This is why the US audience can't comprehend that this movie is not making fun of a nation or of a race. And this is not because US nation is stupid or narrow minded but studiously indoctrinated and controlled. I had an honor to study film in the US and a privilege to learn the media indoctrination on the US citizens in my classes. Even as a European, before that I had not been close to assume how planned and detailed that actually is. Americans are taught that they can make fun of anyone, but no one can't make fun of them. A person with that character is considered a very bad individual in society of any nation. Then, why the good people act that way? Because they are persuaded as a nation that they are the standard for goodness and archetype for kindness. People under the dictatorship regimes understand with fear that they are being lied and indoctrinated, but in 'democratic' countries - they don't. So, Movie is not racist at all: probably the most positive character in the movie is American. It is a truck driver Ben. He doesn't actually know Danila (like other seldom positive characters do) and has no reason to help him at all but he does and does it a lot. In return, at the end of the movie he gets the audio tapes of Danila's music and he is happy and touched incomparably more than a hockey player brother of his good friend who gets suitcase with million dollars from Danila. And that brother is

    Russian by the way who did not even want to give him $20 when he needed even though Danila was in the US just to help him. Russian movie that gives contrast on American with a heart big as Russia who was more Dania's brother than his real brother (who was late to help him because of girls and fun and a similar match to a hockey player) and a Russian hockey star who has no heart at all is not chauvinistic. The only girl he liked and cheated on his girlfriend was black. The Russian word for 'black' is similar to Spanish or Portuguese 'negro' which resembles to the offensive 'nigger' in the US which is leaving Danila puzzled as it would any other non-American citizen who doesn't know who Al Capone was. That way, on contrary, it actually mocks the prejudices in some way. All in all it is a very intelligent social drama that actually laughs at today world we live in and what we all become in it which completely leaves the patterns of modern Hollywood movie and is not understood therefore. Remember the parallel characters in Russia and America like two friend mobsters, hard character taxi drivers and two girls TV stars. If you think of all these characters separately, you will understand that this is the world in which rare people like Danila never fit. And we might call that a 'point' of the movie, as people in the US like to say. Great directing, great acting and great music bring this movie to frame of the masterpiece.Cheers to all of you and enjoy the movie!
  • Well, even though, this movie provides with some interesting snapshots of America/Russia through the eyes of a rather violent though adventurous young man, what is this movie is really about? Does it have a story or is it a "Globetrekker" episode with Russian killer as a guide? The only moral movie seems to have is the old one, as is Pushkin "Everything is mine, said the gold/ Everything is mine, said the sword/, Will buy everything, said the gold/ Will take everything, said the sword". Yet, the main character seems to babble about some other higher power that justifies his actions/killing, the power that is somehow connected with higher "Russian" values. It would all work a bit better if the main character had some indication of a brain activity, but most of the time (when not pulling the trigger), he looks like the fairy tales' Ivanushka-the idiot, who by the motions of luck gets to be in places, win over princesses and simple folk, and balance out injustices.

    Even though the movie lacked in plot, acting, ideas etc., it had two good aspects to it a) soundtrack; b) it was a smidgen better than the first installation of Brat - or maybe i just got used how bad the original was...
  • Apparently Brat 2 was one of the most popular Russian movies of all time. Unfortunately that little statistic tells more about contemporary Russians than the film itself. While many American action flicks suffer from an overload of clichés, Brat 2 is an action film (if it can be called that) with an overload of mean spirited clichés. It basically caters to the very large segment of Russian population that believes that having racist ideas and expressing them is OK. It shows a great number of very simplistic clichés and stereotypes about the United States, Blacks, Russia, Jews, etc. It glorifies the Russian stereotypical traits of rudeness, self righteousness, selfishness, vulgarity, etc. The positive traits (caring for one's own people) are presented in a very unconvincing manner. When the hero meets a Russian woman, he shows care for her but due to bad acting and bad storytelling, this event lacks any kind of emotional impact. Aside from racism, nationalism, populism etc., the film is also guilty of exceptionally bad film making. The pacing is very bad, making action sequences seem bland and boring compared to American action film (which are often boring and repetitive in their own right). The reasons why the characters behave in a certain way are told - not shown. Relationships pack absolutely no emotional punch - When a character refers to someone as a brother we are supposed to understand he cares about them, but nothing else is shown to make the relationship plausible. The plot structure itself is incoherent and quite idiotic, with people behaving in completely unbelievable ways throughout the film.

    Overall, the movie is a work of a racist, a poor film maker, a poor writer (same person) with poor camera people, poor editors and poor actors. It is fake through out, substituting cheap clichés for meaning. 20 years from now people in Russia will watch this movie, having a hard time to believe these types of movies were popular in Russia. If Russia wants its own "Birth of a Nation," it should at least make its racist epic a better movie.

    In case it is relevant: I'm Russian, studied film, and live in America. I'm not offended by negative portrayals of Russians or Americans, I'm offended by idiocy, bad film making, and substituting clichés for substance.
  • This was the first foreign film that I have ever watched and the first movie that I have ever wrote a review on. I admit that I did enjoy this film. The central plot of this film is cultural conflict between Russians and Americans. There is a barrier between language and a barrier toward what the morals and values of each culture is. The other plot in this film is "gangster", referring to the Russian Mafia.What I thought to be interesting in this film was that Danila acts as a "Robin Hood"-like character, in the fact that he takes money from the "rich" and gives to the "poor." Meanwhile, his brother steals from others and keeps it for himself.

    I also enjoyed how the Russians were the "good guys" and Americans were the "bad guys" compared to how Hollywood always seems to make Americans the "good guys" and other countries and cultures the "bad guys".

    All in all, I found this movie to be humorous and insightful from seeing American through Danila.
  • This is an excellent film and one that will stand the test of time. Brilliant acting, story and filming and one of my top 10 foreign language films without a doubt. A road movie from East to West with an unlikely hero you can root for, on a mission against the odds in a situation thats not been done before, with great action scenes, fantastic soundtrack and top acting. Best Russian language film of 2000's and one that anyone interested in Russian or European cinema must see.

    On a sad note I am very surprised at the criticism I've seen here. Some people have turned these reviews into Russian v American sub-cultures which is easy to do if you're that type of person as this film is unlike a lot of things people may be used to. It might seem strange for US audiences with the Russians being the good guys but very very flawed good guys,and the Americans being the baddies, but is this not allowed? Not all the Americans are portrayed as bad nor all the Russians as good, Ben the truck driver comes across as a lovely man! Do you think there's no Americans involved in organised crime? Or that all black ghettos welcome white strangers with open arms? I don't see the problem. It's this small minded, one dimensional thinking that makes the rest of the world dislike Americans, not just the Tea Party, moronic gun totting Americans, but the Liberal fascists (and Brits are not exempt from this either I should add) who bully and name call those with a different point of view and different cultural norms. This is a great film, made from a different country that holds different values and I personally can't fault it!
  • Near the end of 90s Russian cinema market was full of cheap gangster-related action movies. And, of course, there were comedy films - laughing at different kinds of fraud. People were buying it, because of the similarity of situations depicted to the real life. Economy collapse of 1990s in Russia when criminals were ruling everything played it's role. Even the original "Brat" was influenced by these ideas - to depict how artificial this life of "raw power" was. Today you are great and in power but tomorrow you're dead and no one remembers about you.

    Brat 2 appeared in 2000, when everything in Russia started to change. And this film is a milestone declaring the change in Russian cinematography. Raw violence was utilized to show that it isn't an ultimate power.

    You may say that Danila uses violence to prevail as well. But the following monologue show the main idea of the whole film: - Say me, American, what the power is? Money? My brother says that as well. But TRUTH is the power. You may steal from someone or lie, but that other person will have the truth behind him. And that's why he is stronger.

    Raw power is nothing when it's used against the TRUTH. To get money or recognition. There always would be something taking the offender down.

    The secondary value of this work is to respond to immigration problem of 80s-90s when "Iron curtain" broke down. Life abroad is not that good. African American ghetto gangsta, Ukrainian mafia of Chicago - that was of course a hyperbole showing to Russians that it isn't good to run from their problems to other country either. That's why so many Russians value this film so much. It was the first film in decade with such big patriotic value.

    So, summing up, the film was fit for its time. In fact, that's why I'm watching it once again and again - to relive all my emotions of 90s. That is one of the few modern films that I'm willing to show to my future children along with classics of 60s/70s.
  • This film is not a spook for Americans. Don't worry, America isn't going to be flooded by Russian gunmen. Russian girls who have emigrated to the U.S. will also stay there. Afro-Americans can also live peacefully, God bless them. This film reflects the present-day mood in Russia. When the euphoria caused by the openness of the country of great possibilities vanished, everything settles. That's why the song "The Farewell Letter" (Good-bye, America) which was written more than 10 years ago turned out to be prophetic. It expresses the main idea of the film. At last Russia has produced an action movie which can compete with western thrillers, the only hitch is Russia has its own idea of the good and the evil. That's why "we are not gangsters, we are Russians." One really hopes that some traditional Russian moral values still stand. Some can find the film low-brow, some can find it patriotic. It's for you to judge.
  • I thought that this film gave off a somewhat one-sided look of Americans. And while that is probably no surprise, what got me was the constant examples of how we were portrayed. From the beginning, we're labeled as conniving swindlers who are just out to cheat people any way we can. From there we are given examples of pimps who seem to rely on foul language (however Americans do have some extremely colorful metaphors), prostitutes, crooked cops and truckers who are more goofy than anything. I liked the film, I enjoyed the plot and the action, and thought that overall, the movie was solid. It just nagged at me the way we were made to look. That's the filmmakers discretion, I know, but I just wanted a chance to say it.
  • ongoam8 December 2021
    Brother 2 is the good Sequel, After they took me into the world of St. Peterburg underworld, they took me to saw the new like Chicago and Moscow nice.
  • IF you are not a fan of international movies, if you don't like to read subtitles, and have something against films that bring the perfect balance between real life and film dramatization, then stick to Bay Transformers and TMNT movies.

    Brat 2, or Brother-2 is a sequel to one of Russians most famous and most underrated films of all time Brat. Both films have an amazing complex and meaningful stories to showcase within the world of family, mobsters, political corruption and the absence of authority in the former Soviet Union.

    The story showcases that no matter where you go, or what race or religion people are, they will always be good and bad people, his ability to show a strangers trust and kindness to help others is portrayed brilliantly as well as showing the racism and strangers ignorance of other people.

    The Acting in the film was far above its time and other films. The problem that this wasn't a Hollywood film nor was made it by a Hollywood studio with a big budget,it was never looked at more then a good Russian Drama action film, but it is so much more then that.

    One thing is true. They don't make films like this anymore. Hope you guys liked my review, if you did check out my other reviews on many different social pages, by just searching my name and adding "reviews" after it.
  • The easier part of reviewing this movie would be from a technical standpoint. Compared to the rather grey and gritty first Brat movie, this one has much more of a 'Hollywood' feel to it.

    Direction is done well; nothing too over the top or too edgy, but giving the movie a nice flow and good pace from start to finish.

    Acting is of the same high level as in the first movie.

    Very fitting music throughout, where the post-punk/new-wave Danila likes, works strangely well alongside Saltykova's dance-pop.

    Even the story in itself isn't a bad one. Expanded on nicely to filter out any obvious plot holes and, as said before, keeping the movie in a nice pace.

    Sadly tho, the story also seems to glorify the Russian motherland so much, that I'm not surprised reviewers before me have called the movie slightly fascist. I don't want to get into political issues too much though. Movies can still be of historical interest, even with a message like this. This one in particular does seem to show a very real view on Russian society and it's apathetic people.

    Asides from that it also brings up the question if Hollywood hasn't been guilty of the same glorification of self while ridiculing foreign cultures.
  • Warning: Spoilers
    The film Brother-2 was released in 2000 and its director is Alexei Balabanov. This film is a sequel to the movie Brother, but the story in the second film gets some interesting development. The movie Brother brought Balabanov a huge success, great income and many film critics enjoyed assessing it. However, the Brother-2 strengthened people's love for Danila Bagrov, which is very important for the movie's rating. The main hero Danila Bagrov is played by Sergey Bodrov and Viktor Sukhorukov played Danila's older brother Viktor Bagrov. Alexei Balabanov's works are very different: he filmed not only thrillers but also comedy and melodrama movies. People say that Balabanov had a good sense of 90s but his movies were overwhelmed with violence and gloom. Maybe this special sense of the era of 90s made Balabanov focus on filming thrillers, while films with optimistic scripts were rare in his repertoire. When analyzing Brother-2 it is necessary to keep in mind Balabanov's specialization and his experience in filming thrillers, as it makes his works credible from the perspective of accuracy of details. The movie Brother-2 is about a good man with strong principles - Danila Bagrov, whose morality is about helping good and powerless people, and discipline bad and mean ones. He goes to America with his brother to seek and punish a businessman, who took the money of his close friend's brother. Although Danila does not speak English and had no one to help him in America, he does a great job communicating with different American people: a truck driver Ben, television presenter Lisa, gangsters, businessmen, etc. We see that Danila's brother betrays him, as he does not really help Danila in finding the businessman, but has fun and enjoys his time in America. In the end, Danila completes his mission and goes back to Russia, while his brother is caught by US police officers. What comes to the technical side, I would say that the movie was filmed very professionally. There is a good choice of actors' clothing, props, music and even the smallest details are depicted accurately. For example, the way how Danila makes a gun from improvised means is so realistic because all the necessary details were considered. As this is a thriller, guns and bombs are important for making this atmosphere of dangerousness and viewers can surely say that these props were very realistic. Even though the movie had the smallest budget, the picture and sound quality are quite high. The viewer can notice that main character Danila's outfit does not change that much but it does not make a bad impression of the movie organization. On contrary, this fact shows that viewer should value Danila's personal traits, rather than his outfit. This movie accurately depicts the myth of 90s and viewers can see many different ideas that are appropriate for the myth about 90s. The first thing, which comes into people's mind when they hear about the 90s are the powerful people, who are able to commit crimes and stay innocent. This case is shown in businessman Belkin's actions, when his employee killed Danila's friend and Belkin tried to hide this fact in order to stay safe. In 1990s, people believed that powerful people had a lot of money and strong bodyguards that could help them hide all their bad actions and this was shown in the movie. We can see this when Belkin sends his bodyguards to find Danila and his partners, so that they would not harm Belkin or his partner from America. In addition, there is a myth that in 1990s there was a huge gap between poor and rich people, and it felt like there is no social class in-between these two layers. Rich people benefited from having many good acquaintances (svyazi), like Belkin and his American partner, as it helped them develop their business and get more money. While poor people were poor and could not really help themselves. People living in 1990s believed in this myth and Balabanov depicted it in the relations between different heroes: Belkin and Danila, Kostya's brother Mitya and Mennis. Also, there were many minor things that are connected to the myth of the 90s: leather jackets, which almost every bandit was wearing; making illegal documents, as Danila and his brother had; free access to weapons, as Danila and his friends did, etc. These were appropriate for the myth of 90s and Balabanov used them to show in his movie the situation in Russia in 1990s. Moreover, there is an important question this movie can answer - the question of the Russian idea. I might suppose that this idea was important for people in 1990s, as it was discussed in Pelevin's Generation P book too. The viewer of this movie might think that the difference between Danila and his brother Viktor is not that important, but I believe that this is exactly what shows the Russian idea. The thing is about Danila being honest, kind and he does not break his principles, while his brother Viktor may lie, act in his own interest and betray his sibling for the sake of his own safety and benefit. Therefore, I would say that in this movie, Viktor is the character, which shows the Russian idea of 90s: seeking to have more money, wants to live in the west and loves good luxury life. However, Danila is a character who is completely opposite of Viktor. Danila believes that money is not that important in our life and the truth is what really matters. Although Danila is more humane than other people, and could be called the hero of the new time, some people call him an anti-hero. This may happen because of Danila's willingness to help other, which makes him very different from common Russian man of those times. Such difference of Danila from other Russian men can be evidence from the actions and motive of those men: Russian men were mostly bandits, who were acting for the sake of their own benefit, while Danila did not need anything particular, except from helping his close friends and even not close ones too, just because they are his compatriots. To sum up, I would recommend everyone to watch this film, at least to be familiar with this special post-Soviet era in Russia. This time period is like a separate history, which should be interesting for each of us.
  • I'm always intrigued by the type of people who comes on IMDB.com to give movies perfect "10" vote. As a movie reviewer, I can count on one hand the number of films I've given a perfect "10" score to, and I average more movies in a year than most people will see in their lifetime. So when I see that nearly 100 people have given BRAT 2 a perfect "10" score, I can only assume there is something about BRAT 2 that makes people take the time to come on this site in order to pad the movie, because the film itself is certainly not THAT good.

    BRAT 2 is about a Russian who comes to America in search of a comrade who is being cheated out of his rightful earnings by a ruthless American businessman. Along the way, the Russian (as a tool of the writer/director) lets us in on the fact that Russians are not used to seeing black people. Or at least, the type of African-Americans that live in America. How else can one explain the rampant racism directed toward blacks in BRAT 2?

    Besides the obvious, BRAT 2 has some nice sequences. The entire thing, as is the usual trademark of the writer/director, treats its violence with a nonchalant attitude. Of course there's no real realism to the violence, and the whole thing looks like a big cartoon instead of a gritty crime film, which I thick some people here thinks it is.

    All in all, BRAT 2 is certainly not bad. But it's certainly not the greatest thing to come out of Russia, as nearly 100 voters on this board would have you believe.

    5 out of 10

    (go to www.nixflix.com for a more detailed review of this movie and reviews of other foreign films)
  • lawer211 June 2008
    Warning: Spoilers
    This movie was a real milestone, it marked the end of Yeltsin's era. Like the part one is a snap-shot of 90s, this one is the reflection of, on the one hand, started changes of RF internal and external policy. Of course, partly they were (as usual) just proclaimed changes, but it doesn't matter in this case because, on the other hand, Brat-2 showed nation's feelings and hopes of those days. As far as I remember Balabanov himself said something like "The movie was just the answer to the state of public opinion". Also keep in mind it was time just after aggression of US against Yugoslavia and time of victories of federal forces in the second Chechen war - everyone still remembered the humiliation of the first war as well as all previous decade . Now you can imagine the eye we watched Brother-2 with. And you can understand what we felt… The main message of the movie is Danila's words: "So I think that the truth is the power: the one who has truth he is stronger". This phrase has become a byword. In fact, all the movie is about that: neither ascendancy and criminal (personified as "New Russians" and Ukrainian bandits), nor money and hypocrisy (American smooth operators) can defeat the truth. The idea is shown with use of violence. This point was subject of much criticism, but it's certainly not the main thing in the film, at most the decoration for its message. If you saw Brat-2 you would understand me. Another idea is that you can find good and sincere people in any country, any nation and any order. It doesn't matter what all damned governments and bigwigs do: good hearts will always find each other in this cruel world. In addition, Brat-2 is full of sentences, including humorous, which became famous: the above-mentioned "truth", "Russians never desert their own in the war", "You bitches will answer to me for Sevastopol!" and many others.

    So. Despite some rude episodes I disliked, despite (I think) excessive violence shown, I give it 10 of 10. Brother-2 deserves.
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