Aadesh Shrivastava, who has had the good luck to meet Rafi and play on his songs under several senior composers, puts it simply, "Every song I compose has Kishoreda's feel and Rafisaab's gaayaki somewhere within my subconscious mind. And by gaayaki I mean his sharp harkatein, which would be as sharp as the edge of a sword, and everything else." Aadesh adds, "If you say Mora piya has that ambience, I agree completely. And my semi-classical Baawri piya ki (Baghban) was made with him in mind - 101 per cent! Ravi Chopra, my director, and I discussed this song and we kept saying, 'Kaash! Agar yeh gaana Rafisaab gaate!', though Sonu Niigaam was brilliant. The song in my mind's eye when I composed this one was Tu Ganga ki mauj from Baiju Bawra. Whenever Rafisaab would go high-pitched in a song and take a sapaat (broad) taan, incredibly his expression...
- 7/31/2010
- by Rajiv Vijayakar (Screen Weekly)
- BollywoodHungama
Aadesh Shrivastava, who has had the good luck to meet Rafi and play on his songs under several senior composers, puts it simply, "Every song I compose has Kishoreda's feel and Rafisaab's gaayaki somewhere within my subconscious mind. And by gaayaki I mean his sharp harkatein, which would be as sharp as the edge of a sword, and everything else." Aadesh adds, "If you say Mora piya has that ambience, I agree completely. And my semi-classical Baawri piya ki (Baghban) was made with him in mind - 101 per cent! Ravi Chopra, my director, and I discussed this song and we kept saying, 'Kaash! Agar yeh gaana Rafisaab gaate!', though Sonu Niigaam was brilliant. The song in my mind's eye when I composed this one was Tu Ganga ki mauj from Baiju Bawra. Whenever Rafisaab would go high-pitched in a song and take a sapaat (broad) taan, incredibly his expression...
- 7/31/2010
- by Rajiv Vijayakar (Screen Weekly)
- BollywoodHungama
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