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Michael Mann‘s Ali will finally get a Blu-ray release on January 17, 2017, Sony announced today, although which cuts aren’t specified yet.
Watch Catherine Deneuve and Françoise Dorléac rehearse for Jacques Demy‘s The Young Girls of Rochefort:
Remember the late Raoul Coutard with his interview at The Guardian about the making of Breathless:
Jean-Luc fed them their lines as we were shooting and they repeated them after him. That’s why their delivery is a little jerky – there’s a slight time-lapse all the way through the film. We rehearsed the actors’ moves without their knowing what they were going to say. He wanted everything to be very fresh,...
Michael Mann‘s Ali will finally get a Blu-ray release on January 17, 2017, Sony announced today, although which cuts aren’t specified yet.
Watch Catherine Deneuve and Françoise Dorléac rehearse for Jacques Demy‘s The Young Girls of Rochefort:
Remember the late Raoul Coutard with his interview at The Guardian about the making of Breathless:
Jean-Luc fed them their lines as we were shooting and they repeated them after him. That’s why their delivery is a little jerky – there’s a slight time-lapse all the way through the film. We rehearsed the actors’ moves without their knowing what they were going to say. He wanted everything to be very fresh,...
- 11/9/2016
- by The Film Stage
- The Film Stage
[In honor of his latest film, Stake Land, being selected to the Toronto International Film Festival, we proudly re-introduce the interview we ran with director Jim Mickle back in April.]
Five directors. Ten questions. Meet the face of The New American Horror.
Sure, the American horror film has never gone away. Far from it. America has long been the prime producer of horror film on the face of the planet. But what we are seeing now is the beginning of a distinct movement within American independent horror, a community of film makers with shared ideals and similar aesthetics. A group of film makers producing films that are clearly and uniquely their own. Films made not as low budget audition pieces for a big budget Hollywood job but because these are the films that they love. Not since the days that Wes Craven and Sam Raimi were embedding messages to one another in their films has there been such a unique and tightly connected group. They may not all know each other but they certainly know each others' work.
The five...
Five directors. Ten questions. Meet the face of The New American Horror.
Sure, the American horror film has never gone away. Far from it. America has long been the prime producer of horror film on the face of the planet. But what we are seeing now is the beginning of a distinct movement within American independent horror, a community of film makers with shared ideals and similar aesthetics. A group of film makers producing films that are clearly and uniquely their own. Films made not as low budget audition pieces for a big budget Hollywood job but because these are the films that they love. Not since the days that Wes Craven and Sam Raimi were embedding messages to one another in their films has there been such a unique and tightly connected group. They may not all know each other but they certainly know each others' work.
The five...
- 8/17/2010
- Screen Anarchy
Five directors. Ten questions. Meet the face of The New American Horror.
Sure, the American horror film has never gone away. Far from it. America has long been the prime producer of horror film on the face of the planet. But what we are seeing now is the beginning of a distinct movement within American independent horror, a community of film makers with shared ideals and similar aesthetics. A group of film makers producing films that are clearly and uniquely their own. Films made not as low budget audition pieces for a big budget Hollywood job but because these are the films that they love. Not since the days that Wes Craven and Sam Raimi were embedding messages to one another in their films has there been such a unique and tightly connected group. They may not all know each other but they certainly know each others' work.
The five...
Sure, the American horror film has never gone away. Far from it. America has long been the prime producer of horror film on the face of the planet. But what we are seeing now is the beginning of a distinct movement within American independent horror, a community of film makers with shared ideals and similar aesthetics. A group of film makers producing films that are clearly and uniquely their own. Films made not as low budget audition pieces for a big budget Hollywood job but because these are the films that they love. Not since the days that Wes Craven and Sam Raimi were embedding messages to one another in their films has there been such a unique and tightly connected group. They may not all know each other but they certainly know each others' work.
The five...
- 4/16/2010
- Screen Anarchy
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