Stolen Eyes (2005) User Reviews (5)

A mostly successful self-critic by the Bulgarians

[Exiled_Archangel · 8/10 · 27 January 2007]

Otkradnati Ochi, which was translated as Çalinti Gözler (Stolen Eyes, I wonder if that is what the Bulgarian name means too? I know ochi is eyes, but the first word?) into Turkish, is partly successful as a drama, and partly successful as a documentary manifesting and criticizing the Zhivkov politics.

Since I know Bulgarian Turks and Bulgarians personally, and some very closely, I also know that the incidents outlined in this flick took place in reality. The depiction could be, however, somewhat biased, because Bulgarian Turks are generally NOT Islam-driven people like the ones on the movie. Being an oppressed minority, they naturally tie to what they know as their own culture, and possibly exaggeratedly so. Yet the Bulgarian point of view, as clearly emphasized by the movie (and by the Bulgarian cinema fan who commented earlier), suggests that those people are perceived as Bulgarian Muslims, and not Turks. That's where the problem starts. Muslim, Christian, Jewish, or Atheist, they are ethnic Turks. (Plus, the term "Bulgarian Muslims" must include Pomaks as well. Did they not exist in the 80's?) Take the Karaim Turks in Lithuania, are they recognized as a minority of Turkish descent, or just Lithuanian Jews? A Norwegian for example, could be a Muslim, but not a Turk. The Zhivkov rule ignored that fact, just like a typical Bulgarian would, and tried to strip those people of their culture totally, forgetting they could not be stripped of their Turkishness. After all, the communist rule did the faith-stripping to Christians and others as well (which I glorify, since I'm a hardcore Atheist), but it was the nationality that kept nations together. What made Zhivkov think that would not be the case with Turks? What makes the contemporary Bulgarians still think so? Does Ayten really become Ana just because you call her that?

Back to the movie itself, it does well to deliver its message, the acting and plot are also pretty good, except for the majority of the sanitarium scenes which shoot at being somewhere between Bergman and Tarkovsky, and fail at both. The cast is, if anything, annoying. Why cast a Bulgarian woman as a Turk? For the Turkish viewer, that's really disturbing, because her accent claws the ear. Since the movie is an all-things-fair production, and does not consist of a series of pointless attacks against Turks, like the infamous Midnight Express, I'm sure the cast was decided in bona fide. But still, why a Bulgarian for a Turk, why why why...?! It just undermines the realism!

It's a good movie overall, especially if you are interested in the issues of the Balkans. With minor flaws, such as part of the cast and sanitarium scenes, it's a good pastime for anyone from anywhere, and a particularly interesting one for someone from the Balkans, especially from Turkey or Bulgaria. Don't wait until you have nothing better to do, and watch it if you have access to it.

7,5 / 10

First Bulgarian film to deal with ethnic cleansing on the Turkish minority

[kræser · 2 June 2006]

At the Beginning of 1980 the Bulgarian Communist Party begins to rigorously pursue a policy of ethnic cleansing on the Turkish minority. It is the first Bulgarian feature film to deal with this dark chapter in the country's history. The mass expulsion of a minority which took place in a European country in 1989 remains largely unknown up until today. To ensure that this no longer remains the case and that now audiences can look upon history in the face is the merit of Radoslav Spassov, who both convinced and deeply moved me with his this film. Two outstanding lead actors contribute to the success of the film. It received a Special mention from the IFFS (International Federation of Film Societies) jury on the 15th FilmFestival in Cottbus/ Germany – Festival of East European Cinema in November 2005.

A story between a Bulgarian Turkish woman and a Bulgarian man

[geza-zsigmond · 10/10 · 12 July 2006]

It is not true that one shouldn't say it is a Turkish woman and a Bulgarian man even if they both live in Bulgaria. It is nonsense that if you live in Bulgaria than you should not be called Turkish: a large Turkish minority lives in Bulgaria and the problem starts when they are not allowed to call themselves Turks. That is false "pacifism". It ignores the natural cultural background of the ethnic minority and it was/is the problem of both the communist and the post-communist Bulgaria. In this way this film is more than simply a story about a Muslim and a non-Muslim but also about two people from two different ethnic groups. This makes the film even more valuable.

Stolen Eyes (2005) - A Poignant Tale of Love and Identity in a Time of Turmoil

[alexpeychev · 10/10 · 24 March 2024]

"Stolen Eyes," directed by Radoslav Spassov, is a compelling drama that explores the complexities of love and identity against the backdrop of cultural and political upheaval. Set in Bulgaria during the tumultuous period of the so-called "regeneration process," the film delves into the forbidden romance between Ivan, a non-Muslim Bulgarian man, and a Muslim Turk woman.

At the heart of the story is Ivan, portrayed with sensitivity and depth by the lead actor. He is a pure-hearted and romantic young man whose life becomes entangled with that of a Muslim Turk woman, defying societal norms and expectations. Their love is both strange and impossible, fraught with obstacles and dangers in a society deeply divided along ethnic and religious lines.

The film explores themes of prejudice, discrimination, and the struggle for identity in the face of oppressive social and political forces. As Ivan and his beloved navigate the challenges posed by their forbidden love, they are confronted with the harsh realities of intolerance and bigotry, forcing them to make difficult choices that will shape their futures.

"Stolen Eyes" is also a poignant commentary on the human cost of political manipulation and ethnic cleansing. The "regeneration process," which forcibly changed the names of ethnic Turks to Bulgarian ones, serves as a backdrop to the central love story, highlighting the systemic injustices and abuses of power perpetrated against minority communities.

The cinematography of "Stolen Eyes" captures the beauty of the Bulgarian landscape while also conveying the tension and uncertainty of the characters' lives. The film's evocative visuals, coupled with a haunting musical score, create a sense of atmosphere and mood that immerses viewers in the emotional depth of the narrative.

Overall, "Stolen Eyes" is a powerful and thought-provoking film that resonates with themes of love, identity, and resilience in the face of adversity. Through its compelling storytelling and nuanced performances, it shines a light on a dark chapter in Bulgaria's history while also celebrating the enduring power of love to transcend barriers and defy oppression.

a Bulgarian view

[richie_t_cook · 29 December 2007]

I found a trailer of the movie in a Bulgarian site and it interested me.I'm aware of this part of the Bulgarian history,naturally it's not something to be proud with. It's a documentary movie,no doubt,although there are several moments,where the subjective thinking of the director slightly appear. My opinion,only,no offense. Keep in mind it's a movie,and like all others,is based on someone's idea to show his view of a person,culture,nation etc. The country of Bulgaria was founded in 681,Christianity became the official religion in 865.The Otoman Turks conquered Bulgaria in 1396.In the next 500 years many Bulgarians were forced to accept Islam or face death.Many nations,one faith was a popular belief in the Otoman Empire.So,naturally after more than 6 centuries there were many Bulgarians who were Muslim.Like in the Rhodopi Mountains,"the Pomaks",that's the name Bulgarians used for other Bulgarians who accepted Islam.There is a movie-"Times of Separation",You can see it there. To sum up,what Zhivkov,the Bulgarian president in communism times,did,was wrong.It was immoral,no man should be deprived from happiness,faith or his/her culture and customs.What some people do not understand and the movie does not show(ask Yourself why),is that there were many Bulgarians with Turkish names who were forced to change them.The Muslim Bulgarians,not Turks.The name and religion does not change the fact that one's grandparents were pure Bulgarians. People were,in fact forced to do what "the strong of the day" wanted them to do.But there is a flip side to that coin.As to every,I suppose.