Local blockbuster “I The Executioner” dominated the South Korea box office for a second weekend. Its cumulative total reached $40 million after ten days on release.
The film, a sequel to 2015 crime comedy drama “The Veteran,” “I, The Executioner” released a week earlier with little serious opposition from new release titles. Those conditions held true in the film’s second weekend, and the film’s first non-holiday frame.
Between the latest Friday and Sunday, the film earned $6.63 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Its 10-day cumulative is $40.7 million, earned from 5.61 million spectators.
The weekend figures represent a steep 56% week-on-week decline. But the comparison is atypical as the previous weekend represented the first few days of a five-day holiday. The film’s market share remained dominant, at over 71%.
Chuseok was a mixed bag for the cinema industry. Kofic reports that spectator numbers for the five-day period,...
The film, a sequel to 2015 crime comedy drama “The Veteran,” “I, The Executioner” released a week earlier with little serious opposition from new release titles. Those conditions held true in the film’s second weekend, and the film’s first non-holiday frame.
Between the latest Friday and Sunday, the film earned $6.63 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). Its 10-day cumulative is $40.7 million, earned from 5.61 million spectators.
The weekend figures represent a steep 56% week-on-week decline. But the comparison is atypical as the previous weekend represented the first few days of a five-day holiday. The film’s market share remained dominant, at over 71%.
Chuseok was a mixed bag for the cinema industry. Kofic reports that spectator numbers for the five-day period,...
- 9/23/2024
- by Patrick Frater
- Variety Film + TV
Crime action film ‘I The Executioner” topped the South Korea cinema box office weekend with an utterly dominant $15 million haul. The session represented the first half of a long holiday in Korea.
Data from Kobis, the tracking service operated by the Korean Film Council (Kofic) showed that the film enjoyed a market share of 86% between Friday and Sunday. It was watched by 2.09 million spectators.
That represented the second biggest opening weekend score by any film this year in Korea, behind the $20.8 million attained by “The Roundup: Punishment” in late April. Nationwide, the latest weekend was the third-highest Friday-Sunday session of 2024, at $17.5 million, behind the first two weekends of release of “Punishment.”
The film known locally as “Veteran 2,” is a sequel to “Veteran,” which released in August 2015 and shares the same writer-director Ryoo Seung-wan and lead actor Hwang Jung-min as the new picture. “Veteran” earned $78.4 million from 13.4 million spectators, making...
Data from Kobis, the tracking service operated by the Korean Film Council (Kofic) showed that the film enjoyed a market share of 86% between Friday and Sunday. It was watched by 2.09 million spectators.
That represented the second biggest opening weekend score by any film this year in Korea, behind the $20.8 million attained by “The Roundup: Punishment” in late April. Nationwide, the latest weekend was the third-highest Friday-Sunday session of 2024, at $17.5 million, behind the first two weekends of release of “Punishment.”
The film known locally as “Veteran 2,” is a sequel to “Veteran,” which released in August 2015 and shares the same writer-director Ryoo Seung-wan and lead actor Hwang Jung-min as the new picture. “Veteran” earned $78.4 million from 13.4 million spectators, making...
- 9/16/2024
- by Patrick Frater
- Variety Film + TV
Chicago – Writer/Director Michael Glover Smith has established himself as a preeminent filmmaker of unique emotional passages. His latest short film, “Handle With Care,” featuring Mickey O’Sullivan and Alyssa Thordarson, will have its World Premiere on Opening Night at the George Lindsey Film Festival in Alabama. For more info, click Handle.
“Handle with Care” tells the story of a very common scenario … the first date. A man (Mickey O’Sullivan) and a woman (Alyssa Thordarson) meet in a restaurant and start the small talk that the situation usually warrants. When a surprise revelation slips into the conversation, it opens up other possibilities.
Alyssa Thordason & Mickey O’Sullivan in ‘Handle With Care’
Photo credit: Michael Glover Smith
Michael Glover Smith is a filmmaker, academic and influencer. His first feature film, “Cool Apocalypse,” premiered in 2015, the same release year as his first book, “Flickering Empire: How Chicago Invented the U.S. Film Industry.
“Handle with Care” tells the story of a very common scenario … the first date. A man (Mickey O’Sullivan) and a woman (Alyssa Thordarson) meet in a restaurant and start the small talk that the situation usually warrants. When a surprise revelation slips into the conversation, it opens up other possibilities.
Alyssa Thordason & Mickey O’Sullivan in ‘Handle With Care’
Photo credit: Michael Glover Smith
Michael Glover Smith is a filmmaker, academic and influencer. His first feature film, “Cool Apocalypse,” premiered in 2015, the same release year as his first book, “Flickering Empire: How Chicago Invented the U.S. Film Industry.
- 2/25/2024
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
A total of 35 films from 24 countries and regions have been shortlisted to compete for 16 awards at this year's Asian Film Awards.
Renowned Japanese director Kurosawa Kiyoshi will serve as the Jury President for this year's Awards. As the first Japanese director to hold this position, Kurosawa Kiyoshi is deeply honored. He will lead the Jury and over 200 Voting Members in selecting the winners for this year's Asian Film Awards.
The winners of other Afa awards, including the Lifetime Achievement Award, Excellence in Asian Cinema Award, Afa Next Generation Award, and Rising Star Award, will be announced later.
The 17th Asian Film Awards Nomination List
Best Film
12.12: The Day (South Korea)
Evil Does Not Exist (Japan)
Paradise
Perfect Days (Japan)
Snow Leopard (Mainland China)
Best Director
Kim Sung-soo | 12.12: The Day (South Korea)
Gu Xiaogang | Dwelling by the West Lake (Mainland China)
Hamaguchi Ryusuke | Evil Does Not Exist (Japan)
Kore-eda Hirokazu...
Renowned Japanese director Kurosawa Kiyoshi will serve as the Jury President for this year's Awards. As the first Japanese director to hold this position, Kurosawa Kiyoshi is deeply honored. He will lead the Jury and over 200 Voting Members in selecting the winners for this year's Asian Film Awards.
The winners of other Afa awards, including the Lifetime Achievement Award, Excellence in Asian Cinema Award, Afa Next Generation Award, and Rising Star Award, will be announced later.
The 17th Asian Film Awards Nomination List
Best Film
12.12: The Day (South Korea)
Evil Does Not Exist (Japan)
Paradise
Perfect Days (Japan)
Snow Leopard (Mainland China)
Best Director
Kim Sung-soo | 12.12: The Day (South Korea)
Gu Xiaogang | Dwelling by the West Lake (Mainland China)
Hamaguchi Ryusuke | Evil Does Not Exist (Japan)
Kore-eda Hirokazu...
- 1/12/2024
- by Adriana Rosati
- AsianMoviePulse
‘Snow Leopard’, ‘Paradise’, ‘The Goldfinger’ and ‘Godzilla Minus One’ also land multiple nods.
South Korean box office hit 12.12: The Day and Ryusuke Hamaguchi’s Evil Does Not Exist lead the nominations for the 17th Asian Film Awards, with six nods each including best film.
Also up for best film is Prasanna Vithanage’s Paradise from Sri Lanka-India, Wim Wenders Perfect Days from Japan and Chinese feature Snow Leopard by the late Pema Tseden.
Scroll down for full list of nominations
The winners will be announced at a ceremony in Hong Kong on March 10 and will be decided by a...
South Korean box office hit 12.12: The Day and Ryusuke Hamaguchi’s Evil Does Not Exist lead the nominations for the 17th Asian Film Awards, with six nods each including best film.
Also up for best film is Prasanna Vithanage’s Paradise from Sri Lanka-India, Wim Wenders Perfect Days from Japan and Chinese feature Snow Leopard by the late Pema Tseden.
Scroll down for full list of nominations
The winners will be announced at a ceremony in Hong Kong on March 10 and will be decided by a...
- 1/12/2024
- by Michael Rosser
- ScreenDaily
Japanese filmmaker Ryusuke Hamaguchi’s latest feature, Evil Does Not Exist, and the period action pic 12.12: The Day, from Korea, lead the nominations at this year’s Asian Film Awards.
Both films received six nominations, including Best Film and Best Director. Directed by Kim Sung-soo, whose credits include Asura: The City Of Madness and The Flu, 12.12: The Day is set against the backdrop of the real-life military coup of 1979, which resulted in an eight-year military junta in South Korea. The cast includes Hwang Jung-min (The Wailing), Jung Woo-sung (Asura: The City Of Madness), and Lee Sung-min (The Spy Gone North). Released on November 22, the film sailed past the 12 million admissions mark at the Korean box office over the Christmas holiday period, becoming the highest-grossing film of 2023 in the market.
Hamaguchi’s Evil Does Not Exist — which debuted out of Venice — follows Takumi and his daughter Hana, who live...
Both films received six nominations, including Best Film and Best Director. Directed by Kim Sung-soo, whose credits include Asura: The City Of Madness and The Flu, 12.12: The Day is set against the backdrop of the real-life military coup of 1979, which resulted in an eight-year military junta in South Korea. The cast includes Hwang Jung-min (The Wailing), Jung Woo-sung (Asura: The City Of Madness), and Lee Sung-min (The Spy Gone North). Released on November 22, the film sailed past the 12 million admissions mark at the Korean box office over the Christmas holiday period, becoming the highest-grossing film of 2023 in the market.
Hamaguchi’s Evil Does Not Exist — which debuted out of Venice — follows Takumi and his daughter Hana, who live...
- 1/12/2024
- by Zac Ntim
- Deadline Film + TV
A strong December for local films helped make up for an otherwise miserable 2023 at the South Korean box office – previously the fifth largest cinema territory worldwide.
And while theatrical markets in other major territories have recovered to reach at or near pre-pandemic levels, Korea finished 44% below 2019.
Data from the Korean Film Council’s Kobis tracking service showed annual gross revenues of KRW1.261 trillion ($964 million at Jan 2024 rates of exchange) in 2023. That represented a gain of 9% on 2022, but it was far below the KRW1.91 trillion ($1.46 billion) recorded in 2019, the last pre-covid year.
The bleak trend was mirrored in terms of attendance or ticket sales, which remains the country’s preferred performance measure. Cinema attendance reached 125 million in 2023, an 11% increase compared with the 113 million recorded in 2022, but 45% below 2019’s 227 million.
Kobis’ monthly data describe a year of peaks and troughs. Powered by holdover title “Avatar: The Way of Water,” 2023 started brightly enough,...
And while theatrical markets in other major territories have recovered to reach at or near pre-pandemic levels, Korea finished 44% below 2019.
Data from the Korean Film Council’s Kobis tracking service showed annual gross revenues of KRW1.261 trillion ($964 million at Jan 2024 rates of exchange) in 2023. That represented a gain of 9% on 2022, but it was far below the KRW1.91 trillion ($1.46 billion) recorded in 2019, the last pre-covid year.
The bleak trend was mirrored in terms of attendance or ticket sales, which remains the country’s preferred performance measure. Cinema attendance reached 125 million in 2023, an 11% increase compared with the 113 million recorded in 2022, but 45% below 2019’s 227 million.
Kobis’ monthly data describe a year of peaks and troughs. Powered by holdover title “Avatar: The Way of Water,” 2023 started brightly enough,...
- 1/3/2024
- by Patrick Frater
- Variety Film + TV
A shark attack period piece, how ’bout that? Screen Daily reports this morning that Blue Fox Entertainment is launching sales on Fear Below at the upcoming American Film Market.
Blue Fox has worldwide sales rights on the film, which comes from Bronte Pictures.
Screen Daily reports, “Matthew Holmes directs the story of a team of professional divers in 1940’s Australia hired to locate a sunken car in a river whose efforts are thwarted by a deadly bull shark hunting in the waters.
“When the divers discover they are working for ruthless criminals trying to recover their stolen gold bullion, the bank robbers prove to be as treacherous as what lurks beneath the surface.”
Hermione Corfield (Sea Fever), Will Fletcher (The Rings Of Power), Jake Ryan (Wyrmwood: Apocalypse), Clayton Watson (Matrix Revolutions), Josh McConville (Elvis), Kevin Dee (Road To Boston), Sam Parsonson (Transfusion), Jacob Nayingul (Higher Ground), and Arthur Angel (The King’s Daughter) star.
Blue Fox has worldwide sales rights on the film, which comes from Bronte Pictures.
Screen Daily reports, “Matthew Holmes directs the story of a team of professional divers in 1940’s Australia hired to locate a sunken car in a river whose efforts are thwarted by a deadly bull shark hunting in the waters.
“When the divers discover they are working for ruthless criminals trying to recover their stolen gold bullion, the bank robbers prove to be as treacherous as what lurks beneath the surface.”
Hermione Corfield (Sea Fever), Will Fletcher (The Rings Of Power), Jake Ryan (Wyrmwood: Apocalypse), Clayton Watson (Matrix Revolutions), Josh McConville (Elvis), Kevin Dee (Road To Boston), Sam Parsonson (Transfusion), Jacob Nayingul (Higher Ground), and Arthur Angel (The King’s Daughter) star.
- 10/26/2023
- by John Squires
- bloody-disgusting.com
Company to show first footage in Santa Monica.
Blue Fox Entertainment has acquired worldwide sales rights on Bronte Pictures’ shark thriller Fear Below and is launching talks with buyers at the AFM next week.
Matthew Holmes directs the story of a team of professional divers in 1940’s Australia hired to locate a sunken car in a river whose efforts are thwarted by a deadly bull shark hunting in the waters.
When the divers discover they are working for ruthless criminals trying to recover their stolen gold bullion, the bank robbers prove to be as treacherous as what lurks beneath the surface.
Blue Fox Entertainment has acquired worldwide sales rights on Bronte Pictures’ shark thriller Fear Below and is launching talks with buyers at the AFM next week.
Matthew Holmes directs the story of a team of professional divers in 1940’s Australia hired to locate a sunken car in a river whose efforts are thwarted by a deadly bull shark hunting in the waters.
When the divers discover they are working for ruthless criminals trying to recover their stolen gold bullion, the bank robbers prove to be as treacherous as what lurks beneath the surface.
- 10/26/2023
- by Jeremy Kay
- ScreenDaily
Martin Scorsese’s “Killers of the Flower Moon” opened with an unconvincing second place debut at the South Korean cinema box office.
It earned $406,000 between Friday and Sunday and $499,000 over its full four-day opening period. Its market share was a shade below 9%, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).
That left “Love Reset,” a local romantic comedy, at the top of the chart for the third successive weekend. It dropped only 21% to $1.84 million between Friday and Sunday and claimed a 40% market share. After 19 days on release, its cumulative total is $11.7 million.
Directed by Nam Dae-joong, “Love Reset” is the story of a young couple in the midst of divorce who are involved in a car accident and lose their memories. When the amnesiac pair fall for each other again, their families try to trigger their memories and set them back on the road to separation.
It earned $406,000 between Friday and Sunday and $499,000 over its full four-day opening period. Its market share was a shade below 9%, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).
That left “Love Reset,” a local romantic comedy, at the top of the chart for the third successive weekend. It dropped only 21% to $1.84 million between Friday and Sunday and claimed a 40% market share. After 19 days on release, its cumulative total is $11.7 million.
Directed by Nam Dae-joong, “Love Reset” is the story of a young couple in the midst of divorce who are involved in a car accident and lose their memories. When the amnesiac pair fall for each other again, their families try to trigger their memories and set them back on the road to separation.
- 10/23/2023
- by Patrick Frater
- Variety Film + TV
South Korean cinema box office slumped to its second lowest weekend of the year, continuing a recent weakening trend that was briefly punctuated last month by the local holiday season.
Between Friday and Sunday, aggregate nationwide revenues in Korea were just $5.11 million. Since the end of summer, there has only been one weekend when the cinema industry earned more than $10 million – a deeply depressed picture in what was the world’s fourth largest box office market in the pre-covid era.
“Love Reset,” a local romantic comedy, was the only title that acquitted itself with much dignity. In its second weekend of release, the film dropped only 8% week-on-week to record $2.34 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). After 12 days on release, it has a cumulative of $8.86 million.
Directed by Nam Dae-joong, “Love Reset” is the story of a young couple in the...
Between Friday and Sunday, aggregate nationwide revenues in Korea were just $5.11 million. Since the end of summer, there has only been one weekend when the cinema industry earned more than $10 million – a deeply depressed picture in what was the world’s fourth largest box office market in the pre-covid era.
“Love Reset,” a local romantic comedy, was the only title that acquitted itself with much dignity. In its second weekend of release, the film dropped only 8% week-on-week to record $2.34 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). After 12 days on release, it has a cumulative of $8.86 million.
Directed by Nam Dae-joong, “Love Reset” is the story of a young couple in the...
- 10/16/2023
- by Patrick Frater
- Variety Film + TV
Romantic comedy “Love Reset” grabbed the box office crown in South Korea on the weekend following the Chuseok holiday period. But numbers reverted to the pre-festival downtrend.
Directed by Nam Dae-joong, “Love Reset” is the story of a young couple in the midst of divorce who are involved in a car accident and lose their memories. When the amnesiac pair fall for each other again, their families try to trigger their memories and set them back on the road to separation.
It earned $2.54 million between Friday and Sunday, with a 42% share of the market. That was enough to depose Chuseok holiday winner “Dr Cheon and the Lost Talisman.” Over its opening five days “Love Reset” earned $4.53 million.
That performance was not enough to wrest the Korean box office from its fall slump – a downtrend that was only briefly punctuated by last week’s prolonged public holiday. The nationwide weekend total was just $6 million,...
Directed by Nam Dae-joong, “Love Reset” is the story of a young couple in the midst of divorce who are involved in a car accident and lose their memories. When the amnesiac pair fall for each other again, their families try to trigger their memories and set them back on the road to separation.
It earned $2.54 million between Friday and Sunday, with a 42% share of the market. That was enough to depose Chuseok holiday winner “Dr Cheon and the Lost Talisman.” Over its opening five days “Love Reset” earned $4.53 million.
That performance was not enough to wrest the Korean box office from its fall slump – a downtrend that was only briefly punctuated by last week’s prolonged public holiday. The nationwide weekend total was just $6 million,...
- 10/9/2023
- by Patrick Frater
- Variety Film + TV
A trio of local films released in time for the Chuseok holiday season dominated the South Korean box office over the latest weekend.
Comedy fantasy “Dr Cheon and the Lost Talisman” dominated. It earned $5.98 million between Friday and Sunday with a more than 48% market share. Since its release on Wednesday (and including previews from last week) it has a cumulative total of $8.37 million.
It stars the ever-appealing Gang Dong-won in the role of a sorcerer in a film that mixes comedy, action, fist-fights and exorcisms.
A length or two behind was “Road to Boston,” a nationalistic sports drama about underdog Korean marathon runners more than half a century ago. Directed by one Kang Je-gyu, of the pioneers of the Korean patriotic spectacle genre, the film shot before Covid and has jogging on the spot ever since, waiting for its moment to surge to the front. It earned $2.88 million over...
Comedy fantasy “Dr Cheon and the Lost Talisman” dominated. It earned $5.98 million between Friday and Sunday with a more than 48% market share. Since its release on Wednesday (and including previews from last week) it has a cumulative total of $8.37 million.
It stars the ever-appealing Gang Dong-won in the role of a sorcerer in a film that mixes comedy, action, fist-fights and exorcisms.
A length or two behind was “Road to Boston,” a nationalistic sports drama about underdog Korean marathon runners more than half a century ago. Directed by one Kang Je-gyu, of the pioneers of the Korean patriotic spectacle genre, the film shot before Covid and has jogging on the spot ever since, waiting for its moment to surge to the front. It earned $2.88 million over...
- 10/2/2023
- by Patrick Frater
- Variety Film + TV
Update: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records.
On the studio side, Paramount/Spin Master’s Paw Patrol: The Mighty Movie took top dog status in its expanded rollout. The family title had, last week, released in Australia and New Zealand before adding 43 offshore markets this session for a total $23.1M to date overseas. The global start is $46.1M.
Word of mouth is strong with these pups, who are out in just 53% of the international marketplace to date. On a like-for-like basis including previews, the overseas opening result is 70% ahead of Paw Patrol: The Movie, giving this Cal Brunker-directed title the best opening for the franchise.
Amid heavy competition, but also with praise from local media,...
On the studio side, Paramount/Spin Master’s Paw Patrol: The Mighty Movie took top dog status in its expanded rollout. The family title had, last week, released in Australia and New Zealand before adding 43 offshore markets this session for a total $23.1M to date overseas. The global start is $46.1M.
Word of mouth is strong with these pups, who are out in just 53% of the international marketplace to date. On a like-for-like basis including previews, the overseas opening result is 70% ahead of Paw Patrol: The Movie, giving this Cal Brunker-directed title the best opening for the franchise.
Amid heavy competition, but also with praise from local media,...
- 10/1/2023
- by Nancy Tartaglione
- Deadline Film + TV
Locally-made fantasy drama “Sleep” headed the Korean box office charts for the third successive weekend. But theaters were comatose ahead of bigger new releases timed for the Chuseok holiday season.
“Sleep” earned just $1.06 million between Friday and Sunday, with a 27.5% market share, according to data from Kobis the tracking service operated by the Korean Film Council. Its cumulative after 19 days in cinemas now stands at $9.50 million.
The film’s three weekends at the top of the chart have coincided with low power competition and a month-long decline in cinema attendance. The nationwide box office aggregate for the latest weekend was worth just $3.85 million. That was the quietest box office weekend of 2023.
Korean comedy drama “Marrying the Mafia Returns” released on Thursday and took second place. Over its opening four days it managed $684,000, with $523,000 of that over the weekend proper.
Hollywood import, “Gran Turismo” also revved slowly. It opened on Wednesday...
“Sleep” earned just $1.06 million between Friday and Sunday, with a 27.5% market share, according to data from Kobis the tracking service operated by the Korean Film Council. Its cumulative after 19 days in cinemas now stands at $9.50 million.
The film’s three weekends at the top of the chart have coincided with low power competition and a month-long decline in cinema attendance. The nationwide box office aggregate for the latest weekend was worth just $3.85 million. That was the quietest box office weekend of 2023.
Korean comedy drama “Marrying the Mafia Returns” released on Thursday and took second place. Over its opening four days it managed $684,000, with $523,000 of that over the weekend proper.
Hollywood import, “Gran Turismo” also revved slowly. It opened on Wednesday...
- 9/25/2023
- by Patrick Frater
- Variety Film + TV
Korean star Park Eun-bin is confirmed to lead Netflix’s upcoming series “Castaway Diva,” set to premiere in late 2023. Park previously starred in “Extraordinary Attorney Woo,” the hit series that featured in Netflix’s non-English global top ten chart for 21 weeks and reached the top ten titles in 57 countries.
In the new series, Park brings to life the character of Seo Mok-ha, an aspiring singer turned castaway who, after being stranded on a deserted island for 15 years, commences her journey to become a diva.
Joining her are renowned actors Kim Hyo-jin, Chae Jong-hyeop, Cha Hak-yeon, and Kim Joo-hun. Kim Hyo-jin portrays a once-popular singer who is the idol of Seo and who seeks a new lease of life after encountering her fan from the island.
The show is directed by Oh Chung-hwan and written by Park Hye-ryun, the third collaboration between the pair. It will be completed for release by the end of the year.
In the new series, Park brings to life the character of Seo Mok-ha, an aspiring singer turned castaway who, after being stranded on a deserted island for 15 years, commences her journey to become a diva.
Joining her are renowned actors Kim Hyo-jin, Chae Jong-hyeop, Cha Hak-yeon, and Kim Joo-hun. Kim Hyo-jin portrays a once-popular singer who is the idol of Seo and who seeks a new lease of life after encountering her fan from the island.
The show is directed by Oh Chung-hwan and written by Park Hye-ryun, the third collaboration between the pair. It will be completed for release by the end of the year.
- 7/12/2023
- by Patrick Frater
- Variety Film + TV
2022 was finally the year that the Korean box office, after the pandemic, was defibrillated back to life. Producers and distributors were finally confident that the time was right for big budget, blockbuster projects, that had long been queueing up for a release, to start making their way to the theatres. After having to resort to Ott streaming and generally smaller scale films, the audience too was hungry to see high-value productions, entertainment and their favorite stars on the big screen and thronged to the theatres, lapping up these releases. So much so that 2022 saw four new films make their way into the 100 highest grossing Korean films of all tie at the domestic box-office, with Ma Dong-seok’s “The Roundup” even rolling comfortably into the top 10.
2023 too began strongly, with the long-in-production “The Point Men” starring Hwang Jung-min and Hyun Bin and the Sol Kyung-gu led ensemble spy thriller “Phantom” opening the year strong.
2023 too began strongly, with the long-in-production “The Point Men” starring Hwang Jung-min and Hyun Bin and the Sol Kyung-gu led ensemble spy thriller “Phantom” opening the year strong.
- 2/12/2023
- by Rhythm Zaveri
- AsianMoviePulse
While the Korean film business faces challenges, 2022 does offer a bumper crop of Korean movies from big-name filmmakers. Here are some of the best:
The Apartment With Two Women
(Finecut)
Kim-se In’s debut drama unspools in the Berlin Film Festival’s Panorama section.
Broker
(Cj Entertainment)
“Shoplifters” director Kore-eda Hirokazu examines the trade in children in his Korean-language film debut. With a stellar cast including Song Kang-ho, Gang Dong-won, Lee Ji-eun (aka Iu) and Bae Doo-na, it too is awaiting a high-profile festival launch.
Concrete Utopia
(Lotte Cultureworks)
A webtoon adaptation directed by Uhm Tae-hwa sees star Lee Byung-hun (“G.I. Joe”) as one of the few survivors of a massive earthquake that destroys Seoul. In post-production.
Decision to Leave
(Cj Entertainment)
Park Chan-wook directs Tang Wei in a tale of a detective falling in love with the prime suspect. Awaiting a prominent festival berth.
Hi5 (aka “Haipaibeu”)
(Next Entertainment World...
The Apartment With Two Women
(Finecut)
Kim-se In’s debut drama unspools in the Berlin Film Festival’s Panorama section.
Broker
(Cj Entertainment)
“Shoplifters” director Kore-eda Hirokazu examines the trade in children in his Korean-language film debut. With a stellar cast including Song Kang-ho, Gang Dong-won, Lee Ji-eun (aka Iu) and Bae Doo-na, it too is awaiting a high-profile festival launch.
Concrete Utopia
(Lotte Cultureworks)
A webtoon adaptation directed by Uhm Tae-hwa sees star Lee Byung-hun (“G.I. Joe”) as one of the few survivors of a massive earthquake that destroys Seoul. In post-production.
Decision to Leave
(Cj Entertainment)
Park Chan-wook directs Tang Wei in a tale of a detective falling in love with the prime suspect. Awaiting a prominent festival berth.
Hi5 (aka “Haipaibeu”)
(Next Entertainment World...
- 2/11/2022
- by Carole Horst
- Variety Film + TV
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