Greetings again from the darkness. We've heard it many times: show it, don't tell it. Iranian (and France-based) writer-director Reza Riahi takes the advice to heart with this stunning tale of the impact of history, the desire to live, and the entrenchment of love ... all with no dialogue. The story is told with only a 2 slide prologue explaining the events of Genghis Khan and the Mongols in 13th century Persia, and the long-lasting effects decades later. Riahi's stop-motion paper animation is standalone gorgeous in its artistry.
Riahi also proves that a story need not be complex to touch us. We see an aged blind man carrying what is obviously a prized possession wrapped in a blanket. He plops down in a crowded market, unwraps his beloved instrument, and begins playing his Kamancheh. It's a unique sound that is part of the fabric of Persian culture. As he plays, an elderly woman serves wine to the intimidating figurehead who clearly runs the show. Black and white images flashback to when Khan invaded the country, and though it was a violent time, Riahi is delicate in his presentation, leaving the details to our imagination.
The connection between the musician and elderly servant woman becomes clear thanks to the flashbacks, his instrument, and other clues. Their reunion is bittersweet and perfectly displays the power of love over time. Saba Alizadeh's music is heartfelt and a crucial element to the story. Riahi's animation is hand-crafted and a wonderful complement to the story and characters. The film has been short-listed for this year's Oscars, and it's certainly deserving.
Streaming on Paramount+