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  • I had low expectations for this film, as it involved pretty much nobody I knew, other than Tommy Pistol (whose work in horror-porn is legendary and I count myself among his legions of fans). And it was a film that deserved low expectations, using the lowest quality camera and filming techniques imaginable.

    Why? I have seen many low-budget films with way better production value, making me wonder what happened here. And even the acting is subpar, as if it is ad-libbed and shot in one take. Pistol's "adult" work is better scripted, better acted, and better produced than this. This will be a blemish on his otherwise great record, and a blemish on the list of films from Breaking Glass (who have found some hidden gems and are creating a noteworthy library).

    Even Chris Seaver makes better movies than this (his production values are lower, but at least he makes up for it with a good sense of humor... the jokes here are weak and mostly non-existent... though, the presumably pseudo-Arab man was mildly humorous).
  • Holy moly. Woah! Tommy Pistol is legendary for his work in porn and also in his acting skills, his improv (this is his strong suit) and furthermore also his boyish charm. This film however, the gruesome death of him, tommy pistol, is the masterpiece magnum opus of his collection, the crown jewel in his crown, the apple of his eye. It is quite literally very good. It's right up there with Daddy's Girls (2017) as one (and Hamiltoe) of the most amazing things that will be remembered in his legacy when he actually does die (gruesomely or otherwise! haha). Woah