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  • The beauty of Angel Connell's music video is that he takes one of the strangest songs you will ever hear from one of the greatest bands of all-time, and succeeds in making it his. An attractive Betty Taylor enters Fantasy Dating Service and sits in front of four television screens to pick through potential suitors. The screens pop on one at a time, and feature writer/director Angel Connell playing all four roles- a wigged crazy guy, an oily lothario, a perfectly handsome man, and a circus clown...or is it the same man exhibiting different personalities? As The Beatles' "You Know My Name (Look Up the Number)" plays, and is lip-synched by Connell's characters, the woman must choose.

    While this does not have the technical strengths of Connell's "She's So Cold" or "Stocking Stuffers," predating both, Connell succeeds in making a short, fun film. I do not know where he found "You Know My Name (Look Up the Number)," it was released as a B-side, then appeared on a few collections and anthologies here and there, but Connell takes the goofball novelty aspects of the song and builds on them. While the VHS quality and some off synching would normally be huge detriments, Connell's editing shines through, and he does have onscreen charisma. I still have the Rolling Stones' "She's So Cold" running through my head ("You Know My Name" isn't as insidious), and Connell and his Parousian Pictures score another successful short. He proves that short film making is a viable art form, and I wish some full length films were this memorable.
  • Warning: Spoilers
    Music videos have become big time productions over the last twenty years. However, that evolution took time. There were many different pathways explored before the current crop of glossy "eye and ear candy" became so readily available. As an early initiative, Angel Connell took a relatively obscure Beatles track and used it to develop a short story. It turns out to be an interesting tale.

    Expanding upon a simple phrase, the story takes the viewer along a pathway from one window to another as the viewer is presented charades performed by the same actor (Angel) in different guises. The over-all theme is predictable, but the vignettes are intriguing. Angel portrays the different characters with believable panache.

    While the production quality is above average for an amateur effort, it does reflect the time period when it was done, which should not detract from the viewer's appreciation of the theme.