82
Metascore
14 reviews · Provided by Metacritic.com
- 100IndieWireDavid EhrlichIndieWireDavid EhrlichIf I Had Legs I’d Kick You vibrates with a primordial love and respect for its heroine, one that self-evidently stems from Bronstein’s own experiences as a mother, but the film refuses to wink at its audience or often even the slightest hint of memeable solidarity.
- 91The PlaylistGregory EllwoodThe PlaylistGregory EllwoodBornstein has fashioned a cinematic anxiety-fueled experience whether you can relate to having children or not.
- 90TheWrapChase HutchinsonTheWrapChase HutchinsonAn exercise in riveting restraint and painful poetry, If I Had Legs I’d Kick You is an emotional knockout.
- 90Screen DailyTim GriersonScreen DailyTim GriersonByrne is raw, brittle and believably volatile, bringing such immediacy and nervous energy to every scene that we understand why Linda cannot think straight — and why the seemingly most simple tasks (like making an appointment with the doctor) are beyond her.
- 80The Hollywood ReporterDavid RooneyThe Hollywood ReporterDavid RooneyThrough all this, Byrne’s high-wire act remains riveting, scrutinized for long stretches of the film in DP Christopher Messina’s probing closeups. It’s a bruising performance, digging deep into the intense pressure and isolation that can sometimes accompany motherhood.
- 80VarietyPeter DebrugeVarietyPeter DebrugeDelivering a feverish, raw-nerve performance sure to go down as one of the year’s greats, Byrne has never had a role even remotely this intense to prepare us for the emotional acrobatics her writer-director has in store.
- 80ColliderRoss BonaimeColliderRoss BonaimeThe combination of Byrne's haunting, brilliant performance, and Mary Bronstein's unrelenting handling of tone here makes If I Had Legs, I'd Kick You one of the first must-watch films of 2025.
- 70Vanity FairRichard LawsonVanity FairRichard LawsonAt first, I thought I didn’t like the movie. But then, of course, I quickly realized that the film had simply done its job; the whole point is for the audience to desperately want out, just as Linda does.
- 60The GuardianBenjamin LeeThe GuardianBenjamin LeeIn just under two hours with a plate filled a little too high, not everything here quite works as well as Byrne, but Bronstein clearly hasn’t made something to be liked, she’s made something to be experienced. I can’t say I’ll forget that experience easily.
- 55The Daily BeastNick SchagerThe Daily BeastNick SchagerDevolves into such a morass of shrill chaos and affected symbolism that it’s difficult to feel anything other than exasperation with its central maternal crisis.