Stunt performer Zoë Bell — Uma Thurman’s double in the “Kill Bill” films and a Quentin Tarantino veteran — is getting into the directing game herself. The New Zealander got her start at 17 as Lucy Lawless’ double on “Xena: Warrior Princess,” and is now among the eight participants in this year’s AFI Directing Workshop for Women. Since 1974, the program has provided tuition-free training to more than 300 women seeking film and television careers behind the camera.
Bell will join Parisa Barani, Jessica Kaye, Shilpi Roy, Amber Sealey, Siyou Tan, Carly Usdin, and Talia Zucker for months of immersive education as they ready short films to debut next year at the Directors Guild of America Theater in Los Angeles. So far, two alumni from the 2017-2018 class have had their Dww projects accepted to prestigious film festivals: Katrelle Kindred premiered “War Paint” at Sundance in January, and Milena Govich will screen “Unspeakable...
Bell will join Parisa Barani, Jessica Kaye, Shilpi Roy, Amber Sealey, Siyou Tan, Carly Usdin, and Talia Zucker for months of immersive education as they ready short films to debut next year at the Directors Guild of America Theater in Los Angeles. So far, two alumni from the 2017-2018 class have had their Dww projects accepted to prestigious film festivals: Katrelle Kindred premiered “War Paint” at Sundance in January, and Milena Govich will screen “Unspeakable...
- 2/13/2018
- by Jenna Marotta
- Indiewire
What can we expect from your short film I See You?
Something that is definitely overused by writer/directors, but also something different. I feel a lot of horror films can often lack is an actual storyline and a storyline that can fit into the real world and despite the film only being a short, I still wanted to try and get a real feeling narrative across. I always write my shorts with the thought of, how could this story be developed into a feature, which allowed me to embed enough of a narrative into the short so that it isn’t just ten minutes of scares with no real meaning to them. The short, I hope, delivers some creative scares whilst also providing a plot twisting narrative to provide a new take on the clown horror.
What were your inspirations for writing the film?
I had a couple. My...
Something that is definitely overused by writer/directors, but also something different. I feel a lot of horror films can often lack is an actual storyline and a storyline that can fit into the real world and despite the film only being a short, I still wanted to try and get a real feeling narrative across. I always write my shorts with the thought of, how could this story be developed into a feature, which allowed me to embed enough of a narrative into the short so that it isn’t just ten minutes of scares with no real meaning to them. The short, I hope, delivers some creative scares whilst also providing a plot twisting narrative to provide a new take on the clown horror.
What were your inspirations for writing the film?
I had a couple. My...
- 2/2/2018
- by Philip Rogers
- Nerdly
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