Nothing new here It has all been done before, and better. What started as interesting, and drew us in, then very slowly began to get boring. The film is too long and repetitive (there were even actual scenes repeated - insulting viewers intelligence). There were long, long scenes of rowing, running, running and then rowing, searching houses for supplies, rowing, running, rowing. The story is shown in past and present, so we learn how Malorie and the kids got to being in a boat - but we're not told why until sometime later in the film.
The bunch of characters in the house are great, but we knew where it was heading as only Marlorie and the kids are making the journey, so no spoilers here. Loved Douglas, he had some great lines and was the most sensible of the lot - staying at the supermarket, why not? Don't let Gary in! (great to see Tom Hollander). Also liked Charlie. The others were just stereotypical extras, the sweet old lady, the pair of tattooed oddbods up to no good, the overweight, simple pregnant girl, the young sensitive male (Ooh in Afghanistan we escorted a man taking his kids to school, aren't we just wonderful!) We all laughed at his overblown muscles as after five years they'd been no place to work out, but hey ho, if we can believe aliens are out there.....
The film WAS watchable at first, although we didn't see the aliens/monsters, we sort of knew what was going - the leaves/litter being whirled around told us they were near, as did the panicking birds. All been done before and around sixty years ago in the fantastic/brilliant Night of The Demon, but here (unlike that supernatural explanation) in Bird Box it was never explained what the 'monsters' were, what they wanted. - a bit like The Happening. Now I and many others do like an explanation.
In the opening scenes we wondered how Tom was quickly able to work out that looking up made you suicidal - it's never explained. The ridiculous street scene of suicides and mayhem had only just happened yet the characters suddenly knew that looking up would turn them suicidal (later murderous), hence the blindfolds outdoors. They don't even wonder or question it amongst themselves.
Why did the two births take place at the same time? Odd to feature this with no explanation - just for cheap shocks? Missed opportunity there.
The film was predictable (we know the large lady will die as Malorie has TWO kids), we know she and Tom (despite her age and looks) will get it on. We know that two oddbods will abscond. We know that Gary...........
It was hard to believe many of the scenes as they were plain daft: blind folded whilst rowing through rapids, rescuing a kid from the river whilst both are blindfolded - the other miraculously making it alone to shore - AND being able to round up two kids in a forest using a bicycle bell. It was just so clumsily done.
We understand why SB called the kids Boy and Girl as her non-maternal instincts were there from the start, also, why form a bond and name kids that may not survive this horror? As for finding the safe haven - why on earth would there be radio contact drawing people to a 'safe haven', knowing they could be the murderous affected people luring victims there, or that the murderous/affected people will hear the message and make their way there (forget the eye check).
The sugary sweet, paradise-like ending spoiled it for me. The midwife who we see in the opening scenes treating Malorie, is there - Hallelujah! Isn't it awful, to spend so much time on a film, hoping it will move and get to the point, only to have it ending in such a disappointing and lazy way. Another missed opportunity for something different and much less predictable. Reminds me of Disney's take on the The Little Mermaid - in the book she dies/is made to the foam on the waves, some film makers won't allow a sad/shocking ending.
Bullocks face was also a turn off. Her once nice face has been messed about with and we all couldn't help but compare her odd features at times to Michael Jackson's.