TToadvine

Although I saw AAWIL many years ago, I now really see this as the horror classic it is. What a Milestone in the still evolving special effects situation, which has now became the "Whoever can perform best on a computer" game. Great acting, even with the pre-CG effects, they were able to pull off a believable werewolf flick, which still scares the crap out of me whenever I watch it.

Ghosts, superheroes and aliens, M.Night once again does what he does best. By making a great movie, and then giving his inevitable plot twist near the end, M.Night sticks to his strict moviemaking pattern. Having said that, I still enjoyed Signs as much as when Willis realized his mortality or his immortality. Keep up the creativity M.Night, we'll keep up at the box office.

Lot's of funny gags and one liners. Jack Black, crazy as usual, though a bit more commercial than normal, shows his potential range.

The Realization points in the film,(if you have seen it, you will know what I mean) are so touching that they are damn near tear jerking. If you like your Farrelly Bros. rough, vulgar and nasty to the end, you may be turned off. But if you are willing to laugh as well as choke up, you will love IT!!

How they were able to attain funding to produce this..uh..movie, has to be more of a feat than the production itself.

I'm so glad to see Wil Wheaton didn't leave Star Trek: The Next Generation without such promising projects awaiting him.

Wheaton plays an androgenous, Palamino-skinned Frankenstein's Monster with amnesia, who after reading one of several books, the Bible, names himself Lazarus.

With huge vacant lab rooms, filmed using more lens gauze than Penthouse, an eventual laboratory breakout, and a crazy road trip(by the way, when did he take the 'Mad Max' driving course), 'Stitch' can only leave you asking one question? Ron Perlman had plenty of time post-"Beauty and the Beast", but what was Taylor Negron thinking?