Enosh Sunny

A tale of misery and betrayal witnessed in manifolds; A woman agonized by some men returns for revenge and claims the lives that took hers. The film offers several instances that are riveting and startling enough to make you shudder at times, especially teens I guess as most of the people in my theater hall were young adults and cringing. Definitely not those who are more than familiar with predictable Horror sequences and adult audiences who squint their eyes at the thump of abrupt background din, which seems to have become mandatory in chilling scenes these days. But the way the film is presented makes you yawn sporadically a couple of times, or maybe it was just my short 6 hour night nap. None of the deaths are meticulous enough to demand positive reviews, except the climax with Joshua Jackson, in which he doesn't die but becomes deranged. Overall a good performance by Rachel Taylor, but still not sufficient to provide the film an edge-of-the-seat fright tag. Could have been made better. Could have been skipped. 5 out of 10. Right there in the middle.

Ben-Hur promulgates itself to prominence with stunning visuals and astounding vistas. The entire film exceeds expectations in every aspect possible. Director William Wyler makes an indelible impression as one of the greatest directors of all time. His ability to hold the audience through a runtime of 222 minutes on screen is laudable. He delivers a paradigm for future generations to acquire inspiration from by setting an exemplary display of magnificent film-making techniques and mingling the frames with epic, beautiful Technicolor. Charlton Heston has held few of the most acclaimed and successful films of all time in the history of cinema including The Ten Commandments, The Greatest Show on Earth & Planet of the Apes. Ben-Hur proves to be his most praised performance of all, which also rendered him with the coveted Oscar. But without a doubt, he deserved it. Every actor blends in with his or her role exceptionally. There is not a chance where a replacement could have done better. I have a penchant for great Background Score, and I'm sure everyone does. Miklos Rozsa provides the most poignant score I've ever heard. I cannot presume I have heard a better score than this in my life so far. This earned him an Oscar which was indeed a deserving accolade.

The film is a Rome-Set environment, which makes every frame of every scene look like a million dollars, which, of course, is rendered elegant and opulent with Technicolor. It begins with a Roman tribune, Messala, being sent to subjugate a province of Judaea which once was under the peaceful rule of The House of Hur, inherited by Prince Ben-Hur, before it was invaded by Roman legions. Messala and Ben-Hur, once childhood friends, reunite only to end up in a rift resulting from incomprehension of patriotism and misconception of treason. This leads to animosity as a minor accident impels Messala to take advantage of the situation and condemn the Hur family to confinement and possibly slavery. Ben-Hur is sent to the Galleys to serve. The subplot between him and Jesus begins here when he, deprived of strength and will, is reinvigorated after a heartfelt call to God for help. A brilliant depiction of faith and answer. The story continues in the galleys, where a tremendous battle scene is filmed with warships. The chemistry between Quintus Arrius and Ben-Hur is commendable. His conjecture of Ben-Hur's personality, and his intuit of his younger self in him force him to unchain Ben-Hur at the time of battle, which further leads to his escape. Returning the favor, Ben-Hur saves Quintus from the sea and shows him to glory of victory, which he could have missed if succeeded in incessant endeavors of suicide, which Ben-Hur thwarted. Quintus names him his heir and adopts him as his son. But Ben-Hur's return to his land is inevitable.

He returns to Judaea in search for his mother and sister, which brings him face to face with his enemy, once friend, Messala. But the bitter truth revealed to him by the love of his life leaves him vindictive. And then comes the epic, most marvelous, never before or after seen on screen – THE CHARIOT RACE. The most pungent 9 minutes on screen ensue. This was the highlight of the film, and undoubtedly it was the most flawless, most realistic, most believable and unbelievable race I've ever seen. Following the race is the demise of Messala, and divulgence of Ben-Hur's mother and sister's existence. The valley of lepers is seldom visited, but Ben-Hur is drawn to it because of his love for his family. And then follows the greatest monologue; I'm Thirsty Still. But the enlightening and edifying words of Jesus leaves Esther, Ben-Hur's love, in awe and oblivious of the adverse effects, and without hesitation she decides to save his mother and sister. The fear of leprosy fades from their minds as they both bring the lepers out into the city and to the path where Procession to Calvary is in progress. And so Ben-Hur lifelong burden is relieved when he offers Jesus a drink of water. The conclusion brings hope and faith to all hearts as Ben-Hur's mother and sister are healed by the blood of Christ which flows from his Cross. And finally THE END to a compelling story which will set a higher, inimitable level of film-making in Hollywood.

11 Oscars in total, for the first time, proclaim the grandeur of this Film. Altogether an experience of a lifetime, which cannot be missed. My rating 10/10. If you haven't seen it, I'd say you are missing the greatness Hollywood claims to instill. Recommended to all movie lovers.

Schindler's List is an undeniably the greatest drama epic ever displayed on the silver screen. The film was an institution in itself. Steven Spielberg endeavors with all his strengths to bring alive a magnificent script rendered by Steven Zaillian. Even though based on a book by Thomas Keneally, Steven Zaillian puts in a lot of effort mingling the originality of the book with the actual events of Holocaust. Brilliance begins from the very first frame of the film and doesn't end until the end credits. Liam Neeson delivers a wonderful performance, very believable. Ben Kingsley offers an equivalent performance. Ralph Fiennes is very good in his role. The emotions portrayed in this work of art are tremendously related to every human that exists in the world. I'm sure every bit of audience had felt the impact this film leaves by its concept. The aura of the film leaves the audience pondering after its end. Overall an exceptional film that leaves the audience with pain in the heart and tears in the eyes.

"Whoever saves one life, saves the world entire."

The Mummy: Tomb of the Dragon Emperor was a film awaited by many fans of The Mummy series. Every fan must be crestfallen after watching this third installment in the series. It simply does not live up to the expectations. The Mummy 3 brings about the entire series to a disappointing end, if it is the end. Firstly, lack of Stephen Sommers as the director is, without an impression of a doubt, visible. His convincing ability and overwhelming prowess from the previous parts become the foremost reason for this installment to be considered a substantial failure. Secondly, Rachel Weisz's absence from the screen is frighteningly dreadful. She is undoubtedly an excellent actress who brought the character of Evelyn O'Connell to life with extreme superiority. The audience cannot accept any other actress to take her place. And if there was a whole other reason for her absence, the role should have been compensated with a fine actress who could, maybe not better, but contend to her appearance and performance. Last but not the least; Brendan Fraser does not look old enough to be a father of a 20-25 year old. I guess that was the age of his son. Brendan Fraser is an exceptional actor, which he proved in the previous two Mummies. But he is not old. Both the men looked almost the same age. Please director Rob Cohen, look at them both. These are the major factors, or one could say massive flaws that brought this film down on its knees. Another thing about this film is that there was no meticulous plot. The whole story can be explained in either 3 or 4 sentences. Unlike the first two this third installment lacked a good story, dialogues, and action sequences that blend in with the rest of subplots and the main plot. The biggest concern all Mummy fans might have with this film would definitely be one word with a BIG questions mark. WHY? This could have waited for a more interesting screenplay. This could have waited for some script that revived the Egyptian atmosphere once again on the screen. This could have waited until Rachel Weisz agreed to do the installment. Or this could have waited until Brendan Fraser grew old enough to look like Luke Ford's dad. My rating for this movie goes 6 out of 10. I would have given it a 4. A 2 point grace solely for the presence of Brendan Fraser on screen. He is brilliant, magnificent, believable and handsome. His entire getup suits him inexplicably well. Jet Li had nothing to do in this film. He was hardly seen. Being a Mummy fan one have to watch it, one is compelled to watch it. But I guess people will be disappointed. Overall a very frail, infirm, decrepit film.

An amazing adventure for family and friends. Brendan Fraser delivers the performance of a lifetime, not in the terms of acting, wasn't necessary, but a complete action/adventure Hero. The film delivers exactly what is expected of it, sheer fictional adventure. From the very beginning of the film the audience is taken beyond the confines of a common, regular science fiction mingled with childish comedy in a complete blend which gives an undeniably exhilarating family flick as an outcome. Journey to the Center of the Earth does more than that. Without slaughtering raw on making base ground for the story they begin with a quick introduction of all characters and adhering them all in for an adventure worthy of beholding. Although the story is not elaborate, doesn't include meticulous writing, but the new digital 3D effects make it worth every penny of the ticket price. I bought it for $14.50, which is a bit more than the regular ticket price, guess the hike is for the glasses. Brendan Fraser is just over the top. It is not surprising that he does so well in this genre of films. The movie is not made to render your mind with details of science development in the earth's core. Do not watch this expecting logic and insight. It is simply the most enjoyable film, with 3D effects, so far this year. Then again enjoyable in the terms of a family film. 7 out of 10 stars. Deserves a higher collection at the box office than it is gaining. You will definitely give a round of applause when the end credits roll. I guarantee that. A MUST SEE.

There aren't many films I consider visually "beautiful", not stunning, but beautiful (big difference between stunning and beautiful), but this, I'm compelled to say, takes home the accolade for that specific quality. King Kong is a brilliant tale of exquisite beauty against beastly strength and it justifies both commendably. This film is a clear and complete golden epic, magnificent work of art, larger-than-life adventure that you get to see just once in your lifetime. The brilliant motivation and conviction Peter Jackson possesses, and the ability to change a story into a grand scale epic adventure, has made him a top- line director in the industry. King Kong is exemplary in such way.

A perfect paradigm of three-act structure, King Kong, was brilliant in every aspect of filmmaking. Taking the initial "building phase" of the film for evaluation, which is "New York City," you could hardly point out a flaw in the sets and setting of the time period they have showcased. Since the beginning they had had the audience experiencing the visual embodiment of a time long forgotten. The introductions set for the main characters, Carl Denham and Ann Darrow, were amazing. Transitioning to the second part of the First Act, the journey on the Venture, every frame shone with enthralling photography and provided the main grounds for the imminent change in storyline. Just a single adjustment recommended, it could have been shortened for about 5-6 minutes, specifically not overlooking the upcoming length of the film.

The Second Act "The Skull Island". Here the adventure commenced, especially for those who admitted themselves for action/thrills. Attack of Skull Islanders, capture of Ann Darrow, preparations for a sacrifice, entrance of Kong, were all outstanding and spellbinding spectacles. But unlike most other adventure/action films, breaking apart the clutches of a successful edge-of-the-seat marvel epics, that has about 10 minutes of good action sequences and then smooth, dull 20-30 minutes of talking or other portions, King Kong stands apart. Movies have been given a remark, non-stop action, quite often before, but the title actually comes alive with King Kong. Mind-blowing scenes like Ann Darrow's capture, Head towards the Animals, conflict of Kong and Ann, struggle of humans above the tree bridge, Kong vs. T-Rexs and the fight in the ravine. As a viewer I had never seen anything like this before and don't expect to in the coming years for a long time. THIS is non-stop action.

The second part the Second Act begins with Ann's conviction of Kong's emotions and ends upon his capture. Brilliant direction and writing skills are profoundly showcased as emotions rise between a human and a beast. The full shots shown at his capture are tremendously impressive.

The Third and Final Act brings us back to New York City setting. The action is deftly captured as Kong creates mayhem across Times Square. And finally when his eyes fall upon challenging Jack Driscoll, the chase is massively hard to capture, but is captured by the prowess of Peter Jackson and his crew.

The last part leaves you speechless with Kong ascending Empire State Building and Kong's last stand upon the high crest, at the pinnacle of his ferocious rage, against 6 flying aircrafts, it just leaves you breathless. And the fantastic visual panorama around the building against the rising sun just leaves every frame prosperous. Two of the most cinematic, visual, epic shots to be ever witnessed on silver screen: when Kong attacks the planes.

And finally, the death of Kong. The most brilliant ending ever captured on film. The emotions compel every eye to drop saline. I could actually give a rating of 10 out of 10 rating only for that particular part. Overall it made me get up my seat and applaud for Peter Jackson and his lavish, exceptional, tremendous masterpiece KING KONG. So did the rest of the audience in my hall.

This film deserves a round of applause from audiences worldwide. For the low collections of the film I totally blame Universal's international publicity. In some countries people didn't even knew that there was a film called King Kong coming out until it was in theaters. They should have learned about publicity by taking a look at the brilliant publicity design by Disney and Pixar films. Having noting out in their films, except common story lines and techniques, Disney's first and foremost way of making a hit is publicity. As for I don't believe that Chronicles of Narnia had anything better than King Kong, but I found the advertisements of Narnia months after it was released in newspapers and magazines; whereas for King Kong the advertisements went quarter page to a column within 3 weeks. I was one of those who really believed King Kong would surpass the collection of Titanic within 4-5 months, as did every other critic. But I was taken aback when the collections stopped about 535 million worldwide. It was a disappointment that people did not went to see such marvelous piece of work. But for me it is one of the best films ever made in the film industry of Hollywood.

Peter Jackson, no matter what people say, keep it up. Naomi Watts, you are the most believing and beautiful person on screen. And Jack Black, you stunned me with your performance. And a special applause for Andy Serkis, playing Kong, hats off to you.

10 out of 10, indeed a deserving film, with nothing less than perfect.

Malice is a movie for a subtle change in the mood. An attractive, delving, slow plot is enough to render you time for a bathroom break in between and a couple errands around your TV room but still keep you interested. The ending twist is what's bound to raise your eyebrow, maybe a twitch, but it will. Aaron Sorkin and Jonas McCord bring about their ability to utilize free time into this script, though it's not epic or anything, but they got you by a finger. Performances aren't anywhere close to laudable but their appearances, especially Nicole Kidman, are enchanting enough. Do remember to send your kids off around before Kidman & Pullman's bed scene. One aspect that nettled me was poor dialogues, weren't as good as they were needed in a thriller like this, and maybe a tad more enthusiasm from director Harold Becker would have gone a long way.

Check out the synopsis section for a better view on the film. Overall I'd give it 6 out of 10 for a good one time watch. You wouldn't be compelled to buy the DVD or anything, but maybe watch it again on one of the TV channels if sighted. There were some scenes that disable you to watch it with your kids, but who wants to watch a thriller starring Alec Baldwin with kids, right? So go on, it's okay, grab your husband/wife, get a bowl of chips or popcorn and click play at around 10pm. It'll make your night, maybe right after 10 minutes or so into the film.