Inauthentic and campy but you gotta love that Corgi I remember accidentally catching Cowboy Bebop in the middle of the night as a teenager and like all who loved the series believing that you secretly stumbled on a unique, subversive anime that created new themes and broke molds of the genre. The first episode I saw was Toys in the Attic, and thinking back to that episode specifically it highlighted the major issue I have in this remake. The original felt clever and experimental. This conversely feels entirely ingenious. To simply remake the scenes from the anime into a Live action it doesn't pay homage, instead it feels extremely lame, campy and childish. Reminiscent more of the Wachowski's Speed Racer remake than Cowboy Bebop. The original new material they added, being a deep dive into Spike was cheesy and if we're being totally honest, a boring tromp in the boring syndicate storyline.
The biggest issue however was without a doubt the casting. Spike didn't feel right. While he was clearly the only one who could actually act, he didn't seem right and it's hard to put my finger on why. He was too old, too soft, too unconvincing to play the Bruce Lee like quintessential cool guy. Instead he felt like Harold on his way to a hunt a bounty at the White Castle. Jet was the most reminiscent of his original character, albeit he was originally of French decent in the series. I mean an African American actor playing a character named Jet Black almost feels like a joke from Semi-Pro. That was definitely not the issue with his character at all though and honestly he was one I was genuinely looking forward to seeing in the role. No, the problem there was that he was one of the most inept actors I've ever seen. Sounded just like him but the dude could not act. And you know what, those two were the best characters. The worst was Faye Valentine. She was unbearable. The acting, the dialogue. Heck, she didn't even kind of look like her. If I saw a picture of her outside the context of the show I would assume it's a new Netflix show about coffee baristas who want to break into being a graphic artist. She's a like a Gen Z stereotype reimagined as a cartoon toughie. And why a race swap? She was already Asian in the show. Why now a gap toothed Latina who by the way, looks white? The costume wasn't even the same colors. This one was like space bus driver palette. Every scene she was in she was awful and made the scene worse by her participation in it.
So here's another weird repeating and annoying thing Netflix does: lighting. The original show had a melancholy to it, no doubt, but it wasn't monotone. This one is dark, as in not bright, to the point some scene actually have a shadowed circular frame like I'm watching it through a peephole. The cinematography is not great either. The saving grace? The stunts are worse. They are so poorly done, I'm the first episode when they are being sucked out the hole in the wall I was reminded of the scene when the main actor fell from the window in Hitchcock's Rear Window.
That said, the jazz music (albeit way overused to the point of feeling like your sitting a pretentious professors office. Like I get it man, you like chai tea, can we turn this pseudo intellectual stuff off now?) ships and what not were pretty spot on. They did a good job replicating many of the iconic visual and musical elements of the original series. But given the episodes were longer and big budget I think that was really the basic entry fee so I can only give some credit since it didn't feel like an homage but a rewrite.
The last comment I'll say is remember how cool Darth Vader was? You remember the mystique of a character they didn't overuse? Well, Netflix forgot and I hope you like Viscous, because there's a lot of him.
Truthfully, I was going to give the series 2/10 but Ein is still as awesome as ever and I can't overlook that.