Craig_65
Joined Apr 2002
The Best of...
April 2006
The Scarlet Empress (Josef von Sternberg, 1934)
Man of Aran (Robert J. Flaherty, 1934)
On Approval (Clive Brook, 1944)
Story of Floating Weeds (Yasujiro Ozu, 1934)
The Milky Way (Leo McCarey, 1936)
Lifeboat (Alfred Hitchcock, 1944)
It’s a Gift (Norman Z. McLeod, 1934)
Sweetie (Jane Campion, 1989)
We Live Again (Rouben Mamoulian, 1934)
The Rainbow (Ken Russell, 1989)
March 2006
Santa sangre (Alejandro Jodorowsky, 1989)
The Cook, the Thief, His Wife & Her Lover (Peter Greenaway, 1989)
Caché (Michael Haneke, 2005)
Crimes and Misdemeanors (Woody Allen, 1989)
Meet the Feebles (Peter Jackson, 1989)
Speaking Parts (Atom Egoyan, 1989)
Do the Right Thing (Spike Lee, 1989)
Junebug (Phil Morrison, 2005)
Notebook on Cities and Clothes (Wim Wenders, 1989)
Hustle & Flow (Craig Brewer, 2005)
February 2006
Life and Nothing But (Bertrand Tavernier, 1989)
Forever Mary / Mery per sempre (Marco Risi, 1989)
Waltzing Regitze / Memories of a Marriage (Kaspar Rostrup, 1989)
Coming Out (Heiner Carow, 1989)
The Winter War (Pekka Parikka, 1989)
Elevator to the Gallows (Louis Malle, 1958)
Black Rain (Shohei Imamura, 1989)
Letters from the Park (Tomás Gutiérrez Alea, 1989)
Palombella rossa (Nanni Moretti, 1989)
Drugstore Cowboy (Gus Van Sant, 1989)
January 2006
Brokeback Mountain (Ang Lee, 2005)
The New World (Terrence Malick, 2005)
Rikyu (Hiroshi Teshigahara, 1989)
My Left Foot (Jim Sheridan, 1989)
Brazil (Terry Gilliam, 1985)
Roger & Me (Michael Moore, 1989)
Reunion (Jerry Schatzberg, 1989)
Music Box (Costa-Gavras, 1989)
Walk the Line (James Mangold, 2005)
Jacknife (David Hugh Jones, 1989)
December 2005
Good Night, and Good Luck (George Clooney, 2005)
The Squid and the Whale (Noah Baumbach, 2005)
The Passenger (Michelangelo Antonioni, 1975)
Oriana (Fina Torres, 1985)
Wolf Creek (Greg McLean, 2005)
Syriana (Stephen Gaghan, 2005)
The Shooting Party (Alan Bridges, 1985)
Pride & Prejudice (Joe Wright, 2005)
Colonel Redl (István Szabó, 1985)
Fandango (Kevin Reynolds, 1985)
November 2005
Vagabond (Agnès Varda, 1985)
The Time to Live and the Time to Die (Hsiao-hsien Hou, 1985)
Come and See (Elem Klimov, 1985)
The Official Story (Luis Puenzo, 1985)
No End (Krzysztof Kieslowski, 1985)
Plenty (Fred Schepisi, 1985)
My Life as a Dog (Lasse Hallström, 1985)
Mishima: A Life in Four Chapters (Paul Schrader, 1985)
America and Lewis Hine (Nina Rosenblum, 1985)
The Good Father (Mike Newell, 1985)
October 2005
Ran (Akira Kurosawa, 1985)
Hour of the Star (Suzana Amaral, 1985)
Peril / Péril en la demeure (Michel Deville, 1985)
Wetherby (David Hare, 1985)
Hail Mary / ‘Je vous salue, Marie’ (Jean-Luc Godard, 1985)
Eleni (Peter Yates, 1985)
Day of the Dead (George A. Romero, 1985)
The Purple Rose of Cairo (Woody Allen, 1985)
Insignificance (Nicolas Roeg, 1985)
Men… / Männer... (Doris Dörrie, 1985)
September 2005
Smash Palace (Roger Donaldson, 1981)
My Dinner with Andre (Louis Malle, 1981)
Do You Remember Dolly Bell? (Emir Kusturica, 1981)
Quest for Fire / La Guerre du feu (Jean-Jacques Annaud, 1981)
Always (Henry Jaglom, 1985)
Cutter’s Way (Ivan Passer, 1981)
Circle of Deceit / Die Fälschung (Volker Schlöndorff, 1981)
Taxi zum Klo (Frank Ripploh, 1981)
Blood Wedding / Bodas de sangre (Carlos Saura, 1981)
Eijanaika (Shohei Imamura, 1981)
August 2005
Gallipoli (Peter Weir, 1981)
Mephisto (István Szabó, 1981)
Malou (Jeanine Meerapfel, 1981)
Coup de torchon (Bertrand Tavernier, 1981)
Reds (Warren Beatty, 1981)
Tragedy of a Ridiculous Man (Bernardo Bertolucci, 1981)
Diva (Jean-Jacques Beineix, 1981)
Laawaris (Prakash Mehra, 1981)
Eyewitness (Peter Yates, 1981)
Excalibur (John Boorman, 1981)
July 2005
Possession (Andrzej Zulawski, 1981)
Deprisa, deprisa (Carlos Saura, 1981)
Going Places (Bertrand Blier, 1974)
Prince of the City (Sidney Lumet, 1981)
Claudine (John Berry, 1974)
The Boat is Full (Markus Imhoof, 1981)
The Blue Gardenia (Fritz Lang, 1953)
Look at Me (Agnès Jaoui, 2004)
Marianne and Juliane (Margarethe von Trotta, 1981)
Time for Revenge (Adolfo Aristarain, 1981)
June 2005
Our Hospitality (John G. Blystone, 1923)
My Brilliant Career (Gillian Armstrong, 1979)
The Phantom of Liberty (Luis Buñuel, 1974)
The Sugarland Express (Steven Spielberg, 1974)
Merry-Go-Round (Erich von Stroheim/Rupert Julian, 1923)
To Have and Have Not (Howard Hawks, 1944)
It Started With Eve (Henry Koster, 1941)
Laura (Otto Preminger, 1944)
Too Late for Tears (Byron Haskin, 1949)
Electra, My Love (Miklós Jancsó, 1974)
May 2005
House of Strangers (Joseph L. Mankiewicz, 1949)
The Emperor’s Nightingale (Jirí Trnka/Milos Makovec, 1949)
Lola (Jacques Demy, 1961)
Judgment at Nuremberg (Stanley Kramer, 1961)
Champion (Mark Robson, 1949)
Town Without Pity (Gottfried Reinhardt, 1961)
Il Posto (Ermanno Olmi, 1961)
Divorce – Italian Style (Pietro Germi, 1961)
Christ in Concrete (Edward Dmytryk, 1949)
Samson (Andrzej Wajda, 1961)
April 2005
Stray Dog / Nora inu (Akira Kurosawa, 1949)
A Raisin in the Sun (Daniel Petrie, 1961)
Victim (Basil Dearden, 1961)
Passport to Pimlico (Henry Cornelius, 1949)
Through a Glass Darkly (Ingmar Bergman, 1961)
The Hustler (Robert Rossen, 1961)
One, Two, Three (Billy Wilder, 1961)
Battleground (William A. Wellman, 1949)
The Children’s Hour (William Wyler, 1961)
The Hasty Heart (Vincent Sherman, 1949)
March 2005
La Notte (Michelangelo Antonioni, 1961)
The Set-Up (Robert Wise, 1949)
The Ladies Man (Jerry Lewis, 1961)
A Letter to Three Wives (Joseph L. Mankiewicz, 1949)
Thieves' Highway (Jules Dassin, 1949)
Jour de fête (Jacques Tati, 1949)
A Woman of Paris (Charles Chaplin, 1923)
Adam’s Rib (George Cukor, 1949)
Yojimbo (Akira Kurosawa, 1961)
The Great Madcap (Luis Buñuel, 1949)
February 2005
Brewster McCloud (Robert Altman, 1970)
Valerie and Her Week of Wonders (Jaromil Jires, 1970)
White Heat (Raoul Walsh, 1949)
Last of the Mobile Hot Shots (Sidney Lumet, 1970)
Hoffman (Alvin Rakoff, 1970)
White Sun of the Desert (Vladimir Motyl, 1970)
Little Big Man (Arthur Penn, 1970)
Bombay Talkie (James Ivory/Vinod, 1970)
Not Wanted (Elmer Clifton/Ida Lupino, 1949)
Adam at 6 A.M. (Robert Scheerer, 1970)
January 2005
Dodes'ka-den (Akira Kurosawa, 1970)
The Servant (Joseph Losey, 1963)
Husbands (John Cassavetes, 1970)
Compañeros (Sergio Corbucci, 1970)
The Boys in the Band (William Friedkin, 1970)
Gimme Shelter (Albert Maysles/David Maysles/Charlotte Zwerin, 1970)
The Green Wall (Armando Robles Godoy, 1970)
Le Cercle rouge (Jean-Pierre Melville, 1970)
Le Boucher (Claude Chabrol, 1970)
Loving (Irvin Kershner, 1970)
December 2004
Accident (Joseph Losey, 1967)
Even Dwarfs Started Small (Werner Herzog, 1970)
La Chienne (Jean Renoir, 1931)
The Go-Between (Joseph Losey, 1970)
King & Country (Joseph Losey, 1964)
The Garden of the Finzi-Continis (Vittorio De Sica, 1970)
The Ballad of Cable Hogue (Sam Peckinpah, 1970)
Zabriskie Point (Michelangelo Antonioni, 1970)
The Landlord (Hal Ashby, 1970)
Original Cast Album-Company (D.A. Pennebaker, 1970)
November 2004
The Shop Around the Corner (Ernst Lubitsch, 1940)
The Grapes of Wrath (John Ford, 1940)
His Girl Friday (Howard Hawks, 1940)
Strange Cargo (Frank Borzage, 1940)
La Rupture (Claude Chabrol, 1970)
Pinocchio (Hamilton Luske and Ben Sharpsteen, 1940)
Gaslight (Thorold Dickinson, 1940)
The Mortal Storm (Frank Borzage, 1940)
Night Train to Munich (Carol Reed, 1940)
Pride and Prejudice (Robert Z. Leonard, 1940)
October 2004
The Tin Drum (Volker Schlöndorff, 1979)
Stalker (Andrei Tarkovsky, 1979)
Here is the Point (Juan Bustillo Oro, 1940)
The Letter (William Wyler, 1940)
Rebecca (Alfred Hitchcock, 1940)
The War at Home (Barry Alexander Brown/Glenn Silber, 1979)
Foreign Correspondent (Alfred Hitchcock, 1940)
The Marriage of Maria Braun (Rainer Werner Fassbinder, 1979)
They Drive by Night (Raoul Walsh, 1940)
Stranger on the Third Floor (Boris Ingster, 1940)
September 2004
Apocalypse Now (Francis Ford Coppola, 1979)
Camera Buff (Krzysztof Kieslowski, 1979)
Messidor (Alain Tanner, 1979)
Bye Bye Brasil (Carlos Diegues, 1979)
Ride Lonesome (Budd Boetticher, 1959)
Panny z Wilka (Andrzej Wajda, 1979)
Tess (Roman Polanski, 1979)
The China Syndrome (James Bridges, 1979)
Vengeance is Mine (Shohei Imamura, 1979)
The Castle of Cagliostro ( Hayao Miyazaki, 1979)
August 2004
Hiroshima mon amour (Alain Resnais, 1959)
Hungarian Rhapsody (Miklós Jancsó, 1979)
Floating Weeds (Yasujiro Ozu, 1959)
The Fugitive Kind (Sidney Lumet, 1959)
Buffet froid (Bertrand Blier, 1979)
The World of Apu (Satyajit Ray, 1959)
Best Boy (Ira Wohl, 1979)
The Bridge (Bernhard Wicki, 1959)
Shadows (John Cassavetes, 1959)
Woyzeck (Werner Herzog, 1979)
July 2004
The Nun’s Story (Fred Zinnemann, 1959)
Late Spring (Yasujiro Ozu, 1949)
Destiny of a Man (Sergei Bondarchuk, 1959)
The Diary of Anne Frank (George Stevens, 1959)
Good Morning (Yasujiro Ozu, 1959)
Odd Obsession (Kon Ichikawa, 1959)
Room at the Top (Jack Clayton, 1959)
North by Northwest (Alfred Hitchcock, 1959)
The Mouse That Roared (Jack Arnold, 1959)
The Young Philadelphians (Vincent Sherman, 1959)
June 2004
The Leopard (Luchino Visconti, 1963)
Compulsion (Richard Fleischer, 1959)
The Human Condition I and II (Masaki Kobayashi, 1959)
Carnival in Flanders (Jacques Feyder, 1935)
The Crime of Monsieur Lange (Jean Renoir, 1936)
Frenzy (Alfred Hitchcock, 1972)
Zert / The Joke (Jaromil Jires, 1969)
Odds Against Tomorrow (Robert Wise, 1959)
Spite Marriage (Edward Sedgwick/Buster Keaton, 1929)
Verboten! (Samuel Fuller, 1959)
May 2004
Nobi / Fires on the Plain (Kon Ichikawa, 1959)
The Man With a Movie Camera (Dziga Vertov, 1929)
Un coeur en hiver (Claude Sautet, 1992)
The Killing of Sister George (Robert Aldrich, 1968)
The Rain People (Francis Ford Coppola, 1969)
Hallelujah (King Vidor, 1929)
Double Indemnity (Billy Wilder, 1944)
Hour of the Wolf (Ingmar Bergman, 1968)
Piccadilly (E.A. Dupont, 1929)
Eternal Love (Ernst Lubitsch, 1929)
April 2004
Once Upon a Time in the West (Sergio Leone, 1968)
La Maternelle (Jean Benoît-Lévy/Marie Epstein, 1933)
Memories of Underdevelopment (Tomás Gutiérrez Alea, 1968)
2001: A Space Odyssey (Stanley Kubrick, 1968)
If…. (Lindsay Anderson, 1968)
Isadora (Karel Reisz, 1968)
Rosemary’s Baby (Roman Polanski, 1968)
Vincent, François, Paul and the Others (Claude Sautet, 1974)
Will Penny (Tom Gries, 1968)
The Diamond Arm (Leonid Gaidai, 1968)
March 2004
All My Good Countrymen (Vojtech Jasny, 1968)
The 400 Blows (François Truffaut, 1959)
Teorema (Pier Paolo Pasolini, 1968)
Charly (Ralph Nelson, 1968)
Autumn Sonata (Ingmar Bergman, 1978)
Oliver! (Carol Reed, 1968)
Bed and Board (François Truffaut, 1970)
The Green Room (François Truffaut, 1978)
Gun Crazy (Joseph H. Lewis, 1949)
Faces (John Cassavetes, 1968)
February 2004
Bringing Up Baby (Howard Hawks, 1938)
The Woman in the Window (Fritz Lang, 1945)
Childhood of Maxim Gorky (Mark Donskoy/G. Shenotinnik, 1938)
Under the Roofs of Paris (René Clair, 1930)
Fury (Fritz Lang, 1936)
The Lady Vanishes (Alfred Hitchcock, 1938)
Quatorze Juillet (René Clair, 1933)
The Dawn Patrol (Edmund Goulding, 1938)
Alexander Nevsky (Sergei Eisenstein, 1938)
Three Comrades (Frank Borzage, 1938)
January 2004
Three Women (Robert Altman, 1977)
La Bête humaine (Jean Renoir, 1938)
Storm Over Asia (Vsevolod Pudovkin, 1928)
Padre Padrone (Paolo Taviani/Vittorio Taviani, 1977)
Arsenal (Aleksandr Dovzhenko, 1928)
The Passion of Joan of Arc (Carl Dreyer, 1928)
The Man Who Laughs (Paul Leni, 1928)
Pygmalion (Anthony Asquith/Leslie Howard, 1938)
Quai des brumes (Marcel Carné, 1938)
The Baker’s Wife (Marcel Pagnol, 1938)
December 2003
Amar Akbar Anthony (Manmohan Desai, 1977)
The American Friend (Wim Wenders, 1977)
The Cameraman (Edward Sedgwick, 1928)
Mildred Pierce (Michael Curtiz, 1945)
The Edge of the World (Michael Powell, 1937)
Show People (King Vidor, 1928)
Holiday (George Cukor, 1938)
If I Were King (Frank Lloyd, 1938)
That Obscure Object of Desire (Luis Bunuel, 1977)
Pieces of April (Peter Hedges, 2003)
November 2003
Man of Marble (Andrzej Wajda, 1977)
The Station Agent (Thomas McCarthy, 2003)
The Last Command (Josef von Sternberg, 1928)
The Lacemaker (Claude Goretta, 1977)
Chinese Roulette (Rainer Werner Fassbinder, 1976)
The Ladies of the Bois de Boulogne (Robert Bresson, 1945)
The Crowd (King Vidor, 1928)
New York, New York (Martin Scorsese, 1977)
Julia (Fred Zinnemann, 1977)
Soldier of Orange (Paul Verhoeven, 1977)
October 2003
Mother India (Mehboob Khan, 1957)
Witness for the Prosecution (Billy Wilder, 1957)
The Crucible (Raymond Rouleau, 1957)
Nights of Cabiria (Federico Fellini, 1957)
Throne of Blood (Akira Kurosawa, 1957)
The Cranes are Flying (Mikheil Kalatozishvili, 1957)
The Seventh Seal (Ingmar Bergman, 1957)
The Last Laugh (F.W. Murnau, 1924)
Run of the Arrow (Samuel Fuller, 1957)
Paths of Glory (Stanley Kubrick, 1957)
September 2003
Aparajito (Satyajit Ray, 1957)
Wild Strawberries (Ingmar Bergman, 1957)
Bridge on the River Kwai (David Lean, 1957)
Love (Károly Makk, 1971)
White Nights (Luchino Visconti, 1957)
A Matter of Dignity (Michael Cacoyannis, 1957)
Man on the Tracks (Andrzej Munk, 1957)
The Devil, Probably (Robert Bresson, 1977)
Heaven Knows, Mr. Allison (John Huston, 1957)
Sweet Smell of Success (Alexander Mackendrick, 1957)
August 2003
The General (Clyde Bruckman, 1927)
The Chess Player (Raymond Bernard, 1927)
A Face in the Crowd (Elia Kazan, 1957)
Berlin: Symphony of a Great City (Walter Ruttmann, 1927)
Pather Panchali (Satyajit Ray, 1955)
Diary of a Lost Girl (Georg Wilhelm Pabst, 1929)
The End of St. Petersburg (Vsevolod Pudovkin/Mikhail Doller, 1927)
The Kid Brother (J.A. Howe/Ted Wilde, 1927)
An Italian Straw Hat (René Clair, 1927)
A Very Moral Night (Károly Makk, 1977)
July 2003
Cul-de-sac (Roman Polanski, 1966)
Strike (Sergei Eisenstein, 1925)
Daisies (Vera Chytilová, 1966)
Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1974)
The Loves of Jeanne Ney (Georg Wilhelm Pabst, 1927)
La Vie de château (Jean-Paul Rappeneau, 1966)
Sunrise (F.W. Murnau, 1927)
The Cat and the Canary (Paul Leni, 1927)
Snow White and the Seven Dwarfs (1937)
A Man for All Seasons (Fred Zinnemann, 1966)
June 2003
The Good, The Bad, and The Ugly (Sergio Leone, 1966)
Trouble in Paradise (Ernst Lubitsch, 1932)
Fahrenheit 451 (François Truffaut, 1966)
Closely Watched Trains (Jirí Menzel, 1966)
The Sand Pebbles (Robert Wise, 1966)
The Professionals (Richard Brooks, 1966)
Morgan: A Suitable Case for Treatment (Karel Reisz, 1966)
Seconds (John Frankenheimer, 1966)
The Fortune Cookie (Billy Wilder, 1966)
Tokyo Drifter (Seijun Suzuki, 1966)
May 2003
A Girl in Black (Michael Cacoyannis, 1956)
Rocky (John G. Avildsen, 1976)
All That Heaven Allows (Douglas Sirk, 1956)
The Life and Death of Colonel Blimp (Michael Powell/Emeric Pressburger, 1943)
The Third Man (Carol Reed, 1949)
The Lady Eve (Preston Sturges, 1941)
Mary Poppins (Robert Stevenson, 1964)
Born Yesterday (George Cukor, 1950)
The Player (Robert Altman, 1992)
The Naked Kiss (Samuel Fuller, 1964)
April 2006
The Scarlet Empress (Josef von Sternberg, 1934)
Man of Aran (Robert J. Flaherty, 1934)
On Approval (Clive Brook, 1944)
Story of Floating Weeds (Yasujiro Ozu, 1934)
The Milky Way (Leo McCarey, 1936)
Lifeboat (Alfred Hitchcock, 1944)
It’s a Gift (Norman Z. McLeod, 1934)
Sweetie (Jane Campion, 1989)
We Live Again (Rouben Mamoulian, 1934)
The Rainbow (Ken Russell, 1989)
March 2006
Santa sangre (Alejandro Jodorowsky, 1989)
The Cook, the Thief, His Wife & Her Lover (Peter Greenaway, 1989)
Caché (Michael Haneke, 2005)
Crimes and Misdemeanors (Woody Allen, 1989)
Meet the Feebles (Peter Jackson, 1989)
Speaking Parts (Atom Egoyan, 1989)
Do the Right Thing (Spike Lee, 1989)
Junebug (Phil Morrison, 2005)
Notebook on Cities and Clothes (Wim Wenders, 1989)
Hustle & Flow (Craig Brewer, 2005)
February 2006
Life and Nothing But (Bertrand Tavernier, 1989)
Forever Mary / Mery per sempre (Marco Risi, 1989)
Waltzing Regitze / Memories of a Marriage (Kaspar Rostrup, 1989)
Coming Out (Heiner Carow, 1989)
The Winter War (Pekka Parikka, 1989)
Elevator to the Gallows (Louis Malle, 1958)
Black Rain (Shohei Imamura, 1989)
Letters from the Park (Tomás Gutiérrez Alea, 1989)
Palombella rossa (Nanni Moretti, 1989)
Drugstore Cowboy (Gus Van Sant, 1989)
January 2006
Brokeback Mountain (Ang Lee, 2005)
The New World (Terrence Malick, 2005)
Rikyu (Hiroshi Teshigahara, 1989)
My Left Foot (Jim Sheridan, 1989)
Brazil (Terry Gilliam, 1985)
Roger & Me (Michael Moore, 1989)
Reunion (Jerry Schatzberg, 1989)
Music Box (Costa-Gavras, 1989)
Walk the Line (James Mangold, 2005)
Jacknife (David Hugh Jones, 1989)
December 2005
Good Night, and Good Luck (George Clooney, 2005)
The Squid and the Whale (Noah Baumbach, 2005)
The Passenger (Michelangelo Antonioni, 1975)
Oriana (Fina Torres, 1985)
Wolf Creek (Greg McLean, 2005)
Syriana (Stephen Gaghan, 2005)
The Shooting Party (Alan Bridges, 1985)
Pride & Prejudice (Joe Wright, 2005)
Colonel Redl (István Szabó, 1985)
Fandango (Kevin Reynolds, 1985)
November 2005
Vagabond (Agnès Varda, 1985)
The Time to Live and the Time to Die (Hsiao-hsien Hou, 1985)
Come and See (Elem Klimov, 1985)
The Official Story (Luis Puenzo, 1985)
No End (Krzysztof Kieslowski, 1985)
Plenty (Fred Schepisi, 1985)
My Life as a Dog (Lasse Hallström, 1985)
Mishima: A Life in Four Chapters (Paul Schrader, 1985)
America and Lewis Hine (Nina Rosenblum, 1985)
The Good Father (Mike Newell, 1985)
October 2005
Ran (Akira Kurosawa, 1985)
Hour of the Star (Suzana Amaral, 1985)
Peril / Péril en la demeure (Michel Deville, 1985)
Wetherby (David Hare, 1985)
Hail Mary / ‘Je vous salue, Marie’ (Jean-Luc Godard, 1985)
Eleni (Peter Yates, 1985)
Day of the Dead (George A. Romero, 1985)
The Purple Rose of Cairo (Woody Allen, 1985)
Insignificance (Nicolas Roeg, 1985)
Men… / Männer... (Doris Dörrie, 1985)
September 2005
Smash Palace (Roger Donaldson, 1981)
My Dinner with Andre (Louis Malle, 1981)
Do You Remember Dolly Bell? (Emir Kusturica, 1981)
Quest for Fire / La Guerre du feu (Jean-Jacques Annaud, 1981)
Always (Henry Jaglom, 1985)
Cutter’s Way (Ivan Passer, 1981)
Circle of Deceit / Die Fälschung (Volker Schlöndorff, 1981)
Taxi zum Klo (Frank Ripploh, 1981)
Blood Wedding / Bodas de sangre (Carlos Saura, 1981)
Eijanaika (Shohei Imamura, 1981)
August 2005
Gallipoli (Peter Weir, 1981)
Mephisto (István Szabó, 1981)
Malou (Jeanine Meerapfel, 1981)
Coup de torchon (Bertrand Tavernier, 1981)
Reds (Warren Beatty, 1981)
Tragedy of a Ridiculous Man (Bernardo Bertolucci, 1981)
Diva (Jean-Jacques Beineix, 1981)
Laawaris (Prakash Mehra, 1981)
Eyewitness (Peter Yates, 1981)
Excalibur (John Boorman, 1981)
July 2005
Possession (Andrzej Zulawski, 1981)
Deprisa, deprisa (Carlos Saura, 1981)
Going Places (Bertrand Blier, 1974)
Prince of the City (Sidney Lumet, 1981)
Claudine (John Berry, 1974)
The Boat is Full (Markus Imhoof, 1981)
The Blue Gardenia (Fritz Lang, 1953)
Look at Me (Agnès Jaoui, 2004)
Marianne and Juliane (Margarethe von Trotta, 1981)
Time for Revenge (Adolfo Aristarain, 1981)
June 2005
Our Hospitality (John G. Blystone, 1923)
My Brilliant Career (Gillian Armstrong, 1979)
The Phantom of Liberty (Luis Buñuel, 1974)
The Sugarland Express (Steven Spielberg, 1974)
Merry-Go-Round (Erich von Stroheim/Rupert Julian, 1923)
To Have and Have Not (Howard Hawks, 1944)
It Started With Eve (Henry Koster, 1941)
Laura (Otto Preminger, 1944)
Too Late for Tears (Byron Haskin, 1949)
Electra, My Love (Miklós Jancsó, 1974)
May 2005
House of Strangers (Joseph L. Mankiewicz, 1949)
The Emperor’s Nightingale (Jirí Trnka/Milos Makovec, 1949)
Lola (Jacques Demy, 1961)
Judgment at Nuremberg (Stanley Kramer, 1961)
Champion (Mark Robson, 1949)
Town Without Pity (Gottfried Reinhardt, 1961)
Il Posto (Ermanno Olmi, 1961)
Divorce – Italian Style (Pietro Germi, 1961)
Christ in Concrete (Edward Dmytryk, 1949)
Samson (Andrzej Wajda, 1961)
April 2005
Stray Dog / Nora inu (Akira Kurosawa, 1949)
A Raisin in the Sun (Daniel Petrie, 1961)
Victim (Basil Dearden, 1961)
Passport to Pimlico (Henry Cornelius, 1949)
Through a Glass Darkly (Ingmar Bergman, 1961)
The Hustler (Robert Rossen, 1961)
One, Two, Three (Billy Wilder, 1961)
Battleground (William A. Wellman, 1949)
The Children’s Hour (William Wyler, 1961)
The Hasty Heart (Vincent Sherman, 1949)
March 2005
La Notte (Michelangelo Antonioni, 1961)
The Set-Up (Robert Wise, 1949)
The Ladies Man (Jerry Lewis, 1961)
A Letter to Three Wives (Joseph L. Mankiewicz, 1949)
Thieves' Highway (Jules Dassin, 1949)
Jour de fête (Jacques Tati, 1949)
A Woman of Paris (Charles Chaplin, 1923)
Adam’s Rib (George Cukor, 1949)
Yojimbo (Akira Kurosawa, 1961)
The Great Madcap (Luis Buñuel, 1949)
February 2005
Brewster McCloud (Robert Altman, 1970)
Valerie and Her Week of Wonders (Jaromil Jires, 1970)
White Heat (Raoul Walsh, 1949)
Last of the Mobile Hot Shots (Sidney Lumet, 1970)
Hoffman (Alvin Rakoff, 1970)
White Sun of the Desert (Vladimir Motyl, 1970)
Little Big Man (Arthur Penn, 1970)
Bombay Talkie (James Ivory/Vinod, 1970)
Not Wanted (Elmer Clifton/Ida Lupino, 1949)
Adam at 6 A.M. (Robert Scheerer, 1970)
January 2005
Dodes'ka-den (Akira Kurosawa, 1970)
The Servant (Joseph Losey, 1963)
Husbands (John Cassavetes, 1970)
Compañeros (Sergio Corbucci, 1970)
The Boys in the Band (William Friedkin, 1970)
Gimme Shelter (Albert Maysles/David Maysles/Charlotte Zwerin, 1970)
The Green Wall (Armando Robles Godoy, 1970)
Le Cercle rouge (Jean-Pierre Melville, 1970)
Le Boucher (Claude Chabrol, 1970)
Loving (Irvin Kershner, 1970)
December 2004
Accident (Joseph Losey, 1967)
Even Dwarfs Started Small (Werner Herzog, 1970)
La Chienne (Jean Renoir, 1931)
The Go-Between (Joseph Losey, 1970)
King & Country (Joseph Losey, 1964)
The Garden of the Finzi-Continis (Vittorio De Sica, 1970)
The Ballad of Cable Hogue (Sam Peckinpah, 1970)
Zabriskie Point (Michelangelo Antonioni, 1970)
The Landlord (Hal Ashby, 1970)
Original Cast Album-Company (D.A. Pennebaker, 1970)
November 2004
The Shop Around the Corner (Ernst Lubitsch, 1940)
The Grapes of Wrath (John Ford, 1940)
His Girl Friday (Howard Hawks, 1940)
Strange Cargo (Frank Borzage, 1940)
La Rupture (Claude Chabrol, 1970)
Pinocchio (Hamilton Luske and Ben Sharpsteen, 1940)
Gaslight (Thorold Dickinson, 1940)
The Mortal Storm (Frank Borzage, 1940)
Night Train to Munich (Carol Reed, 1940)
Pride and Prejudice (Robert Z. Leonard, 1940)
October 2004
The Tin Drum (Volker Schlöndorff, 1979)
Stalker (Andrei Tarkovsky, 1979)
Here is the Point (Juan Bustillo Oro, 1940)
The Letter (William Wyler, 1940)
Rebecca (Alfred Hitchcock, 1940)
The War at Home (Barry Alexander Brown/Glenn Silber, 1979)
Foreign Correspondent (Alfred Hitchcock, 1940)
The Marriage of Maria Braun (Rainer Werner Fassbinder, 1979)
They Drive by Night (Raoul Walsh, 1940)
Stranger on the Third Floor (Boris Ingster, 1940)
September 2004
Apocalypse Now (Francis Ford Coppola, 1979)
Camera Buff (Krzysztof Kieslowski, 1979)
Messidor (Alain Tanner, 1979)
Bye Bye Brasil (Carlos Diegues, 1979)
Ride Lonesome (Budd Boetticher, 1959)
Panny z Wilka (Andrzej Wajda, 1979)
Tess (Roman Polanski, 1979)
The China Syndrome (James Bridges, 1979)
Vengeance is Mine (Shohei Imamura, 1979)
The Castle of Cagliostro ( Hayao Miyazaki, 1979)
August 2004
Hiroshima mon amour (Alain Resnais, 1959)
Hungarian Rhapsody (Miklós Jancsó, 1979)
Floating Weeds (Yasujiro Ozu, 1959)
The Fugitive Kind (Sidney Lumet, 1959)
Buffet froid (Bertrand Blier, 1979)
The World of Apu (Satyajit Ray, 1959)
Best Boy (Ira Wohl, 1979)
The Bridge (Bernhard Wicki, 1959)
Shadows (John Cassavetes, 1959)
Woyzeck (Werner Herzog, 1979)
July 2004
The Nun’s Story (Fred Zinnemann, 1959)
Late Spring (Yasujiro Ozu, 1949)
Destiny of a Man (Sergei Bondarchuk, 1959)
The Diary of Anne Frank (George Stevens, 1959)
Good Morning (Yasujiro Ozu, 1959)
Odd Obsession (Kon Ichikawa, 1959)
Room at the Top (Jack Clayton, 1959)
North by Northwest (Alfred Hitchcock, 1959)
The Mouse That Roared (Jack Arnold, 1959)
The Young Philadelphians (Vincent Sherman, 1959)
June 2004
The Leopard (Luchino Visconti, 1963)
Compulsion (Richard Fleischer, 1959)
The Human Condition I and II (Masaki Kobayashi, 1959)
Carnival in Flanders (Jacques Feyder, 1935)
The Crime of Monsieur Lange (Jean Renoir, 1936)
Frenzy (Alfred Hitchcock, 1972)
Zert / The Joke (Jaromil Jires, 1969)
Odds Against Tomorrow (Robert Wise, 1959)
Spite Marriage (Edward Sedgwick/Buster Keaton, 1929)
Verboten! (Samuel Fuller, 1959)
May 2004
Nobi / Fires on the Plain (Kon Ichikawa, 1959)
The Man With a Movie Camera (Dziga Vertov, 1929)
Un coeur en hiver (Claude Sautet, 1992)
The Killing of Sister George (Robert Aldrich, 1968)
The Rain People (Francis Ford Coppola, 1969)
Hallelujah (King Vidor, 1929)
Double Indemnity (Billy Wilder, 1944)
Hour of the Wolf (Ingmar Bergman, 1968)
Piccadilly (E.A. Dupont, 1929)
Eternal Love (Ernst Lubitsch, 1929)
April 2004
Once Upon a Time in the West (Sergio Leone, 1968)
La Maternelle (Jean Benoît-Lévy/Marie Epstein, 1933)
Memories of Underdevelopment (Tomás Gutiérrez Alea, 1968)
2001: A Space Odyssey (Stanley Kubrick, 1968)
If…. (Lindsay Anderson, 1968)
Isadora (Karel Reisz, 1968)
Rosemary’s Baby (Roman Polanski, 1968)
Vincent, François, Paul and the Others (Claude Sautet, 1974)
Will Penny (Tom Gries, 1968)
The Diamond Arm (Leonid Gaidai, 1968)
March 2004
All My Good Countrymen (Vojtech Jasny, 1968)
The 400 Blows (François Truffaut, 1959)
Teorema (Pier Paolo Pasolini, 1968)
Charly (Ralph Nelson, 1968)
Autumn Sonata (Ingmar Bergman, 1978)
Oliver! (Carol Reed, 1968)
Bed and Board (François Truffaut, 1970)
The Green Room (François Truffaut, 1978)
Gun Crazy (Joseph H. Lewis, 1949)
Faces (John Cassavetes, 1968)
February 2004
Bringing Up Baby (Howard Hawks, 1938)
The Woman in the Window (Fritz Lang, 1945)
Childhood of Maxim Gorky (Mark Donskoy/G. Shenotinnik, 1938)
Under the Roofs of Paris (René Clair, 1930)
Fury (Fritz Lang, 1936)
The Lady Vanishes (Alfred Hitchcock, 1938)
Quatorze Juillet (René Clair, 1933)
The Dawn Patrol (Edmund Goulding, 1938)
Alexander Nevsky (Sergei Eisenstein, 1938)
Three Comrades (Frank Borzage, 1938)
January 2004
Three Women (Robert Altman, 1977)
La Bête humaine (Jean Renoir, 1938)
Storm Over Asia (Vsevolod Pudovkin, 1928)
Padre Padrone (Paolo Taviani/Vittorio Taviani, 1977)
Arsenal (Aleksandr Dovzhenko, 1928)
The Passion of Joan of Arc (Carl Dreyer, 1928)
The Man Who Laughs (Paul Leni, 1928)
Pygmalion (Anthony Asquith/Leslie Howard, 1938)
Quai des brumes (Marcel Carné, 1938)
The Baker’s Wife (Marcel Pagnol, 1938)
December 2003
Amar Akbar Anthony (Manmohan Desai, 1977)
The American Friend (Wim Wenders, 1977)
The Cameraman (Edward Sedgwick, 1928)
Mildred Pierce (Michael Curtiz, 1945)
The Edge of the World (Michael Powell, 1937)
Show People (King Vidor, 1928)
Holiday (George Cukor, 1938)
If I Were King (Frank Lloyd, 1938)
That Obscure Object of Desire (Luis Bunuel, 1977)
Pieces of April (Peter Hedges, 2003)
November 2003
Man of Marble (Andrzej Wajda, 1977)
The Station Agent (Thomas McCarthy, 2003)
The Last Command (Josef von Sternberg, 1928)
The Lacemaker (Claude Goretta, 1977)
Chinese Roulette (Rainer Werner Fassbinder, 1976)
The Ladies of the Bois de Boulogne (Robert Bresson, 1945)
The Crowd (King Vidor, 1928)
New York, New York (Martin Scorsese, 1977)
Julia (Fred Zinnemann, 1977)
Soldier of Orange (Paul Verhoeven, 1977)
October 2003
Mother India (Mehboob Khan, 1957)
Witness for the Prosecution (Billy Wilder, 1957)
The Crucible (Raymond Rouleau, 1957)
Nights of Cabiria (Federico Fellini, 1957)
Throne of Blood (Akira Kurosawa, 1957)
The Cranes are Flying (Mikheil Kalatozishvili, 1957)
The Seventh Seal (Ingmar Bergman, 1957)
The Last Laugh (F.W. Murnau, 1924)
Run of the Arrow (Samuel Fuller, 1957)
Paths of Glory (Stanley Kubrick, 1957)
September 2003
Aparajito (Satyajit Ray, 1957)
Wild Strawberries (Ingmar Bergman, 1957)
Bridge on the River Kwai (David Lean, 1957)
Love (Károly Makk, 1971)
White Nights (Luchino Visconti, 1957)
A Matter of Dignity (Michael Cacoyannis, 1957)
Man on the Tracks (Andrzej Munk, 1957)
The Devil, Probably (Robert Bresson, 1977)
Heaven Knows, Mr. Allison (John Huston, 1957)
Sweet Smell of Success (Alexander Mackendrick, 1957)
August 2003
The General (Clyde Bruckman, 1927)
The Chess Player (Raymond Bernard, 1927)
A Face in the Crowd (Elia Kazan, 1957)
Berlin: Symphony of a Great City (Walter Ruttmann, 1927)
Pather Panchali (Satyajit Ray, 1955)
Diary of a Lost Girl (Georg Wilhelm Pabst, 1929)
The End of St. Petersburg (Vsevolod Pudovkin/Mikhail Doller, 1927)
The Kid Brother (J.A. Howe/Ted Wilde, 1927)
An Italian Straw Hat (René Clair, 1927)
A Very Moral Night (Károly Makk, 1977)
July 2003
Cul-de-sac (Roman Polanski, 1966)
Strike (Sergei Eisenstein, 1925)
Daisies (Vera Chytilová, 1966)
Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1974)
The Loves of Jeanne Ney (Georg Wilhelm Pabst, 1927)
La Vie de château (Jean-Paul Rappeneau, 1966)
Sunrise (F.W. Murnau, 1927)
The Cat and the Canary (Paul Leni, 1927)
Snow White and the Seven Dwarfs (1937)
A Man for All Seasons (Fred Zinnemann, 1966)
June 2003
The Good, The Bad, and The Ugly (Sergio Leone, 1966)
Trouble in Paradise (Ernst Lubitsch, 1932)
Fahrenheit 451 (François Truffaut, 1966)
Closely Watched Trains (Jirí Menzel, 1966)
The Sand Pebbles (Robert Wise, 1966)
The Professionals (Richard Brooks, 1966)
Morgan: A Suitable Case for Treatment (Karel Reisz, 1966)
Seconds (John Frankenheimer, 1966)
The Fortune Cookie (Billy Wilder, 1966)
Tokyo Drifter (Seijun Suzuki, 1966)
May 2003
A Girl in Black (Michael Cacoyannis, 1956)
Rocky (John G. Avildsen, 1976)
All That Heaven Allows (Douglas Sirk, 1956)
The Life and Death of Colonel Blimp (Michael Powell/Emeric Pressburger, 1943)
The Third Man (Carol Reed, 1949)
The Lady Eve (Preston Sturges, 1941)
Mary Poppins (Robert Stevenson, 1964)
Born Yesterday (George Cukor, 1950)
The Player (Robert Altman, 1992)
The Naked Kiss (Samuel Fuller, 1964)
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Reviews2
Craig_65's rating
9Sep 26, 2003
While Andrzej Wajda was shooting `Kanal,' a film that beats the viewer over the head with its obvious point but gives us no reason to care for any of the characters as they trudge through the sewers of Warsaw, the less famous Andrzej Munk was making more subtle, individualistic and intelligently-engrossing films such as `Man on the Tracks' and `Eroica.' In `Man on the Tracks,' an older train engineer from the pre-war generation is mysteriously run over by a train and is subsequently remembered by several other characters through flashbacks. While the engineer represents a Poland that has vanished under Communist rule, the film also works as a wonderful character study, and Kazimierz Opalinski is excellent in the role of the engineer who stubbornly refuses to give in to a new Poland that he detests.
8.3
8Nov 14, 2002
Very good film for its time. If you like this film, make sure you see Mamet's "House of Games" and the Argentinian "Nine Queens." Both of these films build on the classic con theme without insulting the viewer. Thank you "The Sting" for creating my favorite genre!