alinaderzad

Not sure why Rachid Bouchareb would make such a movie. The guy's been involved in some heavy-duty historical projects that have been very well-received in the past.

Why, Rachid, why?

For some reason, all his movie magic goes right out the door in this uninspiring and impotent road movie featuring a Golshifteh Farahani, in her usual affected demeanor (deep, slow and tragic voice, and the big dark eyes that never seem to blink) entirely devoid of any charisma, a Siena Miller who's trying to save the scenes on her own, and some of the worse performances (lines are spoken artificially and thoughtlessly) from just about everyone. The fact that Bouchareb would hire a French actor like Roshdy Zem (who's otherwise a great actor) is evidence that somebody either lost a bet or had to repay a past favor. Zem is awkward speaking in English and his performance is none the better for it.

Farahani was magical and arresting in The Patience Stone. She had a lot of presence when she shared the screen with Di Caprio.

Her performance is a fail in Just like a Woman, as is Bouchareb's directing.

Nothing to see here, keep moving, folks.